George william poole (16 Ergebnisse)

No Binding. Zustand: Very Good. ORIGINAL Articles, disbound from USGS Professional Paper; no covers; in very good condition. Journal.

Soft cover. Zustand: Very Good. Softcovers; ex-library; minor shelfwear w/ light creasing of corners of wraps and leaves; o/w in very good condition. Book.

Zustand: New. In English.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Very Good. . Pamhplet. Clean copy with minor shelf wear. . . . . Books ship from the US and Ireland.

Zustand: Very Good. . Pamhplet. Clean copy with minor shelf wear. . . . .

Gebunden. Zustand: New.

Hardcover. Zustand: Good+. Large 4to; water mark towards bottom of cover; tear to edges of cloth at top of spine; apart of light tanning to pages, contents are very good; 2 colour plates by W E Johns - 1 large pull out one is the frontis, and the final one; there are 12 colour plates in all, the others by a variery of Illustrators; ; Large 4to; heavy book (over 2 kg unwrapped) ; we have increased the price to allow for the excess postage within the uk; excess postage required outside uk ; Chums; 4to 11" - 13" tall. Illustrated by John, W E; Webb, Arch; Ellis, Silas; Laidler, T; Pucket, ES; Pollock, J M; Heddon, R; Parker, Eric R Et Al (illustrator).…

Zustand: Very Good. First edition hard back binding in publisher's original burgundy cloth covered boards, blocked and lettered gilt back and front. 8vo. 9'' x 6''. Contains (x), 473 pp with 2 folding colour maps to the rear + 40 pp catalogue. Spine slightly sun darkened, foxing to the end papers, else in Very Good condition. Member of the P.B.F.A. ENGLISH HISTORY. …

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Zustand: Hervorragend. Zustand: Hervorragend | Seiten: 538 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

1p., 4to. In fair condition, lightly aged. Franked on the other side, with broken seal in red wax and postmark: 'London Feby: the 3 1795 | Miss Poole | Chichester | Egremont'. Unsigned, and in Hayley's untidy hand. Reads: 'Tuesday | 5 oclock | I have not been able to call on the Sheffield Travellers today but having caught a Frank from my noble Friend of Petworth I will dispatch my Servant without losing another post | adio'. Hayley later introduced his friend Miss Harriet Poole ('the Lady of Lavant') to William Blake, who would join him on visits to her villa in Lavant.…

Vintage broadside for a series of performances at the Royal Princess's Theatre, Saturday, December 11, 1852, including Shakespeare's "Twelfth Night, or What You Will," Samuel Birch's 1825 musical drama "The Adopted Child," and John Poole's 1833 play "Deaf as a Post: A Farce, in One Act," two of which are noted as the first of four farewell performances by British stage comedian and actor George Bartley. With a manuscript ink annotation of a gift inscription on the bottom right. Named for Princess Victoria before her accession as queen, the Royal Princess's Theatre opened in 1836 on Oxford Street in London on the previous location of the "Queen's Bazaar," a gallery which opened in 1828 and housed paintings and a moving diorama by the celebrated British painter Clarkson Frederick Stanfield and David Roberts. The theatre was most celebrated for its renowned productions of Shakespearean revivals under the management of the noted actor Charles John Kean (1849-1860), boldly noted on the broadside just beneath the title block. The first announcement on the broadside is the final four nights of performances by Bartley, performing in two of the evening's plays, as well as two the following Monday, one Wednesday, and ending with "Mr. Bartley's Farewell Benefit under the Patronage of Her Majesty and H.R.H. Prince Albert, on Saturday, 18th Dec., that Day being the 50th Anniversary of his First Appearance in London." The broadside also announces upcoming performances of John Westland Marston's 1852 melodrama "Anne Blake," (The Royal Princess Theatre's house dramatist) Dion Boucicault's 1852 melodrama "The Corsican Brothers; or, the Fatal Duel," based on the 1844 novella by Alexandre Dumas, as well as Shakespeare's comedy "Much Ado About Nothing," Thomas Haynes Bayly's 1847 play "The Spitalfields Weaver," Shakespeare's "The Merry Wives of Windsor," and James Kenney's 1823 play "Sweehearts and Wives." Broadsides, 19.5 x 20 inches, mounted onto a 20.75 x 22 inch board. Very Good, with edgewear, toning, and creasing commensurate with age, with the top left portion reattached. Board with edgewear and pinholes to the corners.…