george waggner screenwriter (7 Ergebnisse)

Three vintage reference photographs from the 1938 film. After his army buddy is murdered by spies, a machine gun inventor vows to seek revenge. Set and shot on location at the Presidio in Monterey, CA. 10 x 8 inches. Two photographs Very Good plus, with light toning, and one Very Good, with light edgewear and soil.

Five vintage studio still photographs from the 1957 Western film. A white man raised among the Pawnee tribe is forced to choose between his race and his adoptive clan when corrupt white settlers attempt to claim tribal lands for their own. Set in Pawnee territory, which included present-day Oklahoma, Nebraska, and Kansas. 8 x 10 inches. Very Good, with light edgewear and creasing to the top edges and light soil to the verso. Pitts 3058.

Three vintage studio still photographs from the 1954 film, all three with Jan Sterling, two including Neville Brand and one including John Doucette. Chuck MacLish (Brand) is having a tough time readjusting to civilian life after a life in the Navy, until he meets a lonely waitress (Sterling) who loves him and hopes to change his ways. Set in Korea and America, shot on location in San Diego, USA and the Pacific Ocean. 8 x 10 inches. Near Fine, some light creasing.

Revised Draft script for the 1955 television episode, which originally aired on NBC on October 26, 1955. A young woman arrives in a quiet western town, claiming her wagon train was destroyed by a roving band of Indians. Director and screenwriter George Waggner was better known for his work in the horror genre, most notably "The Wolf Man" (1941). Tan titled wrappers, noted as production No. 9604. Distribution page present, with receipt INTACTORREMOVED. Title page present, dated 8/31/55, noted as REVISED, with credits for screenwriter and director George Waggner. 42 leaves, with last page of text numbered 40. Mimeograph duplication, rectos only, with blue revision pages throughout, dated 8/31/55. Pages Very Good plus, wrapper Very Good plus, bound with two gold brads.

Draft script for the 1954 film. Copy belonging to Robert Arthur, who played Porter, with his character's name on the front wrapper in manuscript pencil and profuse manuscript pencil annotations to his scenes throughout. Chuck MacLish (Brand) is having a tough time readjusting to civilian life after a life in the Navy, until he meets a lonely waitress (Sterling) who loves him and hopes to change his ways. Set in Korea and America, shot on location in San Diego, USA and the Pacific Ocean. Orange titled wrappers. Distribution page present, with receipt removed. Title page present, dated February 23, 1954, with credits for screenwriter George Waggner, and author Jacland Marmur. 118 leaves, with last page of text numbered 111. Mimeograph duplication, with blue, and pink revision pages throughout, dated variously between February 24, 1954 and March 15, 1954. Pages Very Good plus, wrapper Very Good bound with two gold brads.

Four studio still photographs from the 1941 film, struck from the original negative circa mid-1970s. Includes one photo showing Lon Chaney Jr. menacing Evelyn Ankers, one showing Chaney Jr. behind a tree, one showing Chaney Jr. behind some leafless branches, and the last showing Chaney Jr. being groomed by makeup artist Jack P. Pierce. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures from 1935-1958. A man visiting his ancestral home in Wales is bitten by a strange, wolf-like creature, leading to his occasional, moonlit transformation into a bloodthirsty werewolf. Universal Pictures' second werewolf film, preceded by the less successful "Werewolf of London" (1935), and followed by several "Wolf Man" monster mash-up sequels, including "Frankenstein Meets the Wolf Man" (1943) and "House of Frankenstein" (1944). Set in Llanwelly, Wales. 8 x 10 inches. Fine. Weaver and Brunas, Universal Horror.

Vintage oversize black and white publicity portrait photograph of actor John Wayne from the 1951 film. The crew of a US submarine during World War II encounters a Japanese aircraft carrier in the middle of a secret rescue mission, but trouble arises when they discover their torpedoes are defective. Set in the Pacific Ocean. 11 x 14 inches. Very Good plus, lightly toned overall, with light wear to the corners.