george tyson (30 Ergebnisse)

Hardcover. Zustand: Very Good. Reprint edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Reprint. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Zustand: Fine copy in fine dust jacket. Well-illustrated (illustrator). reprint. 8vo, 486 pp., Facsimile reprint of the original 1874 edition with a new introduction by Edward E. Leslie to which is added A General Arctic Chronology edited by E.Vale Blake.

Zustand: Good. Good condition. (City Churches, Urban Sociology, United States) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardcover. Zustand: Fine. 1st Printing.

Zustand: Very Good. Very Good condition. French edition. (Urban Sociology, City Churches, Secularization) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Paperback. Zustand: Brand New. 324 pages. 8.00x5.00x0.73 inches. In Stock.

Zustand: New. In.

Zustand: Very Good. Very Good condition. Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: Good. Good condition. (flight, space flight, memorabilia, auction catalogs) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Zustand: New. In.

Zustand: New. In.

23cm, xxiv,486p., frontispiece, text illustrations, hardcover, fine in fine jacket. (Ar).

Hardcover. Zustand: Brand New. 504 pages. 9.00x6.50x1.25 inches. In Stock.

Zustand: NEW.

Vintage studio still photograph from the 1976 film, a co-production of the US and the Soviet Union. Based on Maurice Maeterlinck's 1908 play of the same name. In the vein of "The Wizard of Oz," complete with a personified dog, cat, and various inanimate objects. Two you peasants venture forth on a quest to find the Blue Bird of Happiness and are aided in their quest by a host of unusual creatures. Shot on location in Russia. 8 x 10 inches. Near Fine.

Zustand: New.

Zustand: New.

Zustand: New.

Hard Cover. Zustand: Fair. No Jacket. Ex-library with the usual features. Previous owner's name on first blank page. Pages are slightly darkened with age, otherwise the interior is clean and tight. Binding is good. Cover is scuffed and worn at corners. Top and bottom of spine are frayed. Library label glued on spine. 381 pages including index. Ex-Library.

hardcover. Zustand: Fine. **1st Edition** **HARDBACK** In unclipped dustjacket No stamps or inscriptions;

Zustand: Good. Exhibition Catalogue. 8vo. pp. 18 - 48, Soft Covers. Good with marginal tears. Black & white plates.

Archive of three draft scripts for the 1981 film, including a First Draft script, a Final Draft script, and a "Second Revised Final Draft Screenplay / Added Scenes and Retakes" partial script for the 1981 film, dated between June 29, 1979 and February 13, 1981. The first two drafts are under the working title "Family Dream." Two of the three scripts show an annotation in manuscript ink amending the film's title on title page. A cynical ex-convict is hired to drive a group of orphaned special needs children and their schoolteacher across the country from Philadelphia to Seattle, growing closer to the group in the process and gaining a new outlook on life. Set in Philadelphia and Washington, shot on location in Carnation, Ellensburg, and Snohomish, Washington. First Draft: Under the title "Family Dream." Green titled wrappers, noted as First Draft on the front wrapper, rubber-stamped copy No. 00545, dated June 29, 1979. Title page present, noted as First Draft, with credits for screenwriter Roger L. Simon. 129 leaves, with last page of text numbered 128. Mimeograph duplication, rectos only. Pages Very Good plus, wrapper Near Fine, bound with three gold brads. Final Draft: Under the title "Family Dream." Red titled wrappers, noted as Final Draft on the front wrapper, rubber-stamped copy No. 00545, dated September 21, 1979. Title page present, noted as Final Draft, with credits for screenwriters Roger L. Simon and Lonne Elder III. 121 leaves, with last page of text numbered 120. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with three gold brads. "Second Revised Final Draft Screenplay / Added Scenes and Retakes" partial script: Under the working title "Richard Pryor's New Movie (Formerly: Family Dream)." Salmon titled wrappers, noted as Second Revised Final Draft Screenplay / Added Scenes and Retakes on the front wrapper, dated February 13, 1981. Title page present, dated February 13, 1981, noted as Second Revised Final Draft, with credits for screenwriter Roger L. Simon and story by Richard Pryor. With pink and blue revision leaves throughout. 59 leaves, with last page of text numbered 57. Xerographic duplication, rectos only, with pink and blue revision pages throughout, dated 2/13/81 and 2/18/81. Pages Very Good plus, wrapper Very Good plus, bound with three gold brads.

Hardcover. Zustand: Fine. Book. 421 x 303mm. A complete set of six volumes (1988-1991) of this richly illustrated, portfolio periodical with each issue's title letterpress printed on the front cover, together with different coloured end papers. The colophon is printed in a grey, red and black constructivist design on white stock across all volumes. Each volume was published in a limited edition of one hundred and fifty copies, except for Number 2, which was produced in an edition of 120 numbered copies, and Number 3 is not numbered. Blank Page was a biannual portfolio publication, designed and edited by Philip Dobree, with Adrian Self acting as literary editor. It is notable for its display of original works of pure abstraction (many signed and numbered), with critical texts interspersed throughout by significant theorists, writers and designers - these essays have been designed with a strict red and black constructivist aesthetic in mind, continuing the graphic style that unites all volumes. For example, in Volume 4, a cut-out black and white image by Douglas Allsop has been embedded with Geoff Bennington's text, "Not One". Presented as original multiples, the works featured include: lithographs; screen prints; relief prints; woodcuts; collages, etc. Volume 6, the final publication, is particularly rich in its gathering of many leading practitioners of pure abstraction, such as Charles Biederman, Cesar Domela, Anthony Hill, Michael Kidner, Francois Morellet and George Rickey. Taken individually, and as a collective series, Blank Page provides an impressive and extensive survey of the plastic arts and European constructivist design made during the period of its publication. Each portfolio performs like a mini, self-contained exhibition, with contributions by: Number One (unnumbered on cover, gold on green): Selima Hill, Michael Symmons Roberts, David Powell, Alan Bold, Patricia Conolly, Nicholas Rawson, A. R. Lamb, Norman MacAffee, Douglas Allsop, Matthew Tyson, Teal Trigs, Francesca Lowery, Childe Roland, Volker Strater, Matteo Adinolfi, Marco Bettoni, and Josephine Pryde. Number Two (red gilt on black): Jean Jacques Bauweraerts, Andrej Dluzniewski, Dre Devens, Ernest Edmonds, Heinz Gappmayr, Heinz Gruchot, Jean Pierre Husquinet, Michel Jouet, Fre Ligen, Jean Pierre Maury, Peter Meyer, Martine Meunier, Manfred Mohr, Tadeusz Myslowski, Nausica Pastra, Sigurd Rompza, Stefan Themerson, Dirk Verhaegen, and Steven Wheeler. Number Three (blue on light grey) : Juan Agudelo, Nubia Arcia, Bosco Centeno, Jonny Chavarria, Elvis Chavarria, Ivan Guevara, Donald Guevara, Pedro Pablo Meneses, Felipe Pena, Olivia Silva, Charles Bezie, John Carter, Gottfried Honneger, James Juszczyk, Claude Pasquer, Yves Popet, Nico W. Pot, Perry Roberts, David Saunders, Francisco Soto Mesa, Jaak Vuylsteke, and Elizabeth Willmoth. Number Four (black on brown): Andrew Benjamin, Geoff Bennington, Jean-Francois Lyotard, Stephen Melville, Timothy Murray, Peter Osborne, Douglas Allsop, Richard Bell, Marian Bruce, Tam Giles, John Goodyear, Rity Jansen Heijtmeijer, James Hugonin, Ray Masters, Dora Maurer, David Rubello, Albert Rubens, Clifford Singer, G. R. Thomson, Ian Tyson, and Opy Zouni. Number Five (red on orange): Dietrich Mahlow, Mirella Bentivolgio, Peter Downsborough, Heinz Gappmayer, Pierre Garnier, Ilse Garnier, Bohumila Grogerova, Josef Hirsal, Wilfred Huet, Angelika Janz, Arrigo Lora- Totino, Ann Noel, Mari Orensanz, Andrzej Partum, Jadwiga Przbylak & Janusz Bakowsky, Eino Ruutsalo, Takahashi Shohachiro, Yves de Smet, Grzegorz Sztabinski, Bernar Villiers, and Emmett Williams. Number Six (yellow on red): Stephen Bann, Andrew Benjamin, Andrew Wilson, Marcel Baugniet, Charles Biederman, Cesar Domela, Marcel Floris, Anthony Hill, Gottfried Honegger, Michael Kidner, Max Mahlmann, Francois Morellet, Aurelie NemNemours, Gudrun Piper, George Rickey, Michel Seuphor, and Anton Stankowski.