George t dexter (24 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Zustand: New. KlappentextrnrnUnlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketc.

Zustand: New. KlappentextrnrnThis is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the origina.

Kartoniert / Broschiert. Zustand: New.

Kartoniert / Broschiert. Zustand: New.

Zustand: New.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

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Gebunden. Zustand: New.

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Zustand: New. A two-volume account from 1853-1855 detailing the controversial conversion to spiritualism of a prominent American judge and a physician. Editor(s): Dexter, George T. Series: Cambridge Library Collection - Spiritualism and Esoteric Knowledge. Num Pages: 538 pages, 2 b/w illus. BIC Classification: HRQM2. Category: (P) Professional & Vocational. Dimension: 216 x 140 x 30. Weight in Grams: 680. . 2011. 1st Edition. paperback. . . . . Books ship from the US and Ireland.…

Zustand: New. A two-volume account from 1853-1855 detailing the controversial conversion to spiritualism of a prominent American judge and a physician. Editor(s): Dexter, George T. Series: Cambridge Library Collection - Spiritualism and Esoteric Knowledge. Num Pages: 514 pages, 3 b/w illus. BIC Classification: HRQM2. Category: (P) Professional & Vocational. Dimension: 216 x 140 x 29. Weight in Grams: 650. . 2011. Paperback. . . . . Books ship from the US and Ireland.…

Brossura. Zustand: come nuovo. Zustand des Schutzumschlags: ottimo. prima edizione. Offering unique insight into the world of contemporary art, this book looks at four generations of artists, from the established to the newly emerged. Photographs of each of the artists, taken by Amanda Eliasch during 2002 in the artists' studios, are set alongside examples of their work. The text by Gemma de Cruz provides a brief overview of who the artists are, what they do and how their work and ideas fit into the art world at this time. This book draws attention to a particular selection of artists who together form a strong idea of what is happening now in contemporary art in London, featuring artists who are influential alongside those they have influenced. Descrizione bibliografica Title: British Artists at Work Author: Gemma De Cruz (Texts by) Other Authors: with additional material by Kay Hartenstein-Saatchi and Martin Maloney Photographs by: Amanda Eliasch Original concept by: Franca Sozzani Publisher: New York: Assouline, 2003 Physical Description: 192 pagine; 28 cm; Fully illustrated; In shrink wrap (In pellicola termoretraibile) Weight: 2,4 Kilograms; hundreds of b/w and colour illustrations ISBN: 2843235057, 9782843235054 Language: English Soggetti: Arte contemporanea, Young British Artists, Concettuale, Collezionismo, Libri illustrati, Artisti emergenti, Opere, Collezioni, Installazioni, Mostre, Astrattismo, Pittura, Scultura, Plastica, Esposizioni, Personali, Trend, Cultura, Edizioni pregiate, Moda, Fotografia, Inghilterra, Gran Bretagna, Various, Contemporary British Painting, Modern Art, Peter Thomas Blake, Britannique, Groupe d'artistes, Peintures, Aquarelles, Dessins, Gravures, Dipinti, Acquerelli, Disegni, Incisioni, Olio, Tele, Ritratti, Paesaggio, Video, Cinema, Sessualità, Pop, Fumetti, Postmoderno, Giovani, Quotazioni, Oggetti, Kartell, Design, Monument, Incisioni, Incisori, Sculture geometriche, Biomorfiche, Granito, Pietra calcarea, Marmo, Pigmenti, Malta, Acciaio inossidabile, Colori, Decorazioni, Progetti architettonici, Scenografie, Testi, Frasi, Superblack, Nero, Vantablack, Damien Hirst, Formaldeide, Stile, Prêt-à-porter, YBAs, Brit Pack, Britart, Visual, Goldsmiths College, Tattiche shock, Materiali di recupero, Charles Saatchi, Tracey Emin, Fine Art, Freeze, Videoarte, Immagini, Readymade, Turner Prize, Sensation, Biennale, Venezia, Vogue Italia, Vitrine, Tate, Anni Ottanta, Anni Novanta, Anni Duemila, Gallerie commerciali, My Bed, Femminismo, The Physical Impossibility Of Death In the Mind Of Someone Living, Libri fuori catalogo, Contemporary art, Conceptual, Collecting, Illustrated books, Emerging artists, Works, Collections, Installations, Exhibitions, Abstractionism, Painting, Sculpture, Plastic, Exhibitions, Personal, Culture, Fine editions, Fashion, Photography, England, Great Britain, Paintings, Watercolors, Drawings, Engravings, Oil, Canvases, Portraits, Landscape, Video, Cinema, Sexuality, Comics, Postmodern, Young people, Quotes, Objects, Engravings, Engravers, Geometric sculptures, Biomorphic, Granite, Limestone, Marble, Pigments, Mortar, Steel stainless steel, Colors, Decorations, Architectural projects, Scenography, Texts, Phrases, Black, Formaldehyde, Style, Shocking tactics, Recycled materials, Video art, Images, Venice, Italy, Eighties, Nineties, Years 2000, Commercial galleries, Feminism, Out of print books Parole e frasi comuni abstract painting ACRYLIC ON CANVAS ANTONY GORMLEY history world body CHANTAL JOFFE colour contemporary create D.J. SIMPSON Damien decorative DETAIL DEXTER DALWOOD dress emotional exhibition feel figures film FIONA RAE Gagosian GARY HUME GAVIN TURK gestures GILBERT & GEORGE GILLIAN WEARING girl Goldsmiths College GRAYSON PERRY HOUSEHOLD GLOSS PAINT HOWARD HODGKIN huge IAN DAVENPORT images installation Jay Jopling White Cube JENNY SAVILLE JIM LAMBIE JUN HASEGAWA KIRSTEN GLASS landscape LISA MILROY look magazines MARC QUINN MARTIN MALONEY MARTIN MCGINN MAT COLLISHAW MICHAEL CRAIG-MARTIN MICHAEL RAEDECKER NEIL RUMMING objects OIL BOARD White Cube I know nothing about the art world but I have been involved in making a book for Italian Vogue for Franca Sozzani, the editor. I suppose I became interested in art about ten years ago when I met Charles Saatchi at the Amanpuri Hotel in Thailand. I was sitting by the swimming pool and he was sitting with the film director David Puttnam. He asked me where I lived and I told him in Chester Square. "Well, introduce me to your husband because we need clever young people like him." So we became friends, but not within the art world. Johan was his "cleaner," as he called him, he'd clean up his mess and he cleaned up the Saatchi deal between the old and new companies. I really appreciated Charles's help recently as he assisted me with my photographic shows of nudes. The last one he came to he said, "Oh, definitely, definitely commercial, stick to 1930s Paris." I had been working with Martin Maloney and doing some colour photographs, and Martin said, "Keep on with them." Charles said, "If you keep on with them you'd better go into magazines." So I went to New York and took my book round and I got a call back from Visionaire. I then telephoned Katy Barker who was the only photographic agent I knew and asked her advice. She told me that I couldn't show nudes and that I should do some fashion photographs. So I was introduced to a girl named Rushka Bergman who helped me take the correct photographs for my book. I showed them to the photographer Michel Comte, who took me to Italian Vogue. I then did one or two jobs for Franca, including the Kartell Catalogue, which many photographers did. It showed artists in their chairs. She liked the pictures and suggested I do a book on artists in their studios. I asked for a writer, and Martin suggested Gemma de Cruz, and we drew up a list together. The list in the book is quite varied: It is Young British Artists and a few of the Establishment who actually made the young artists or helped to make them. I liked the older guys because I think as a cu.…

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Zustand: New. pp. 696.

Zustand: Used. pp. 368.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - John W. Edmonds (1799-1874), a prominent New York judge, and George T. Dexter, a New York physician, met though their shared interest in the spirit world. They were both dabbling in the spiritualist movement - first with scepticism - and decided to join forces in their investigations of such phenomena as 'spirit-rappings'. Dexter eventually found himself 'fully developed as a writing medium', with his pen controlled by unseen forces. Their conclusions, published in 1853 in Spiritualism, which went into numerous editions and was followed in 1855 by a second volume, caused much controversy. Drawing from their observations, the work gives examples of the authors' purported interaction with the spirit world and their journey from doubt to belief. Volume 1 includes detailed introductions by both authors explaining their experience with spiritualism, which are followed by the letters from two spirits - nicknamed 'Sweedenborg' and 'Bacon' - who communicated their thoughts through Dexter.…

Zustand: Used. pp. 368.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - John W. Edmonds (1799-1874), a prominent New York judge, and George T. Dexter, a New York physician, met though their shared interest in the spirit world. They were both dabbling in the spiritualist movement - first with scepticism - and decided to join forces in their investigations of such phenomena as 'spirit-rappings'. Dexter eventually found himself 'fully developed as a writing medium', with his pen controlled by unseen forces. Their conclusions, published in 1853 in Spiritualism, which went into numerous editions and was followed in 1855 by a second volume, caused much controversy. Drawing from their observations, the work gives examples of the authors' purported interaction with the spirit world and their journey from doubt to belief. Volume 2 sees Dexter develop as a 'speaking medium' and includes transcriptions taken by Edmonds of what the spirits relayed through his co-author during the meetings of their circle of spiritualists.…

Zustand: Very Good. (230 X 170 mm) pp. vi, 505 + 4 p. ads. With Appendix by Nathaniel P. Tallmadge. Fourth edition. Frontispiece of invitation to Spirit Land, with tissue gaurd with rustic pencil tracing. Pages age toned, but solid for age. Bound in 20th century faux leather (somewhat unsophisticated binding job). Overall VERY GOOD. "In the name of God, I am a Sweedenborg.".…

Zustand: Good. New York: Partridge & Brittan, 1853. Possible 1st. Volume 1. Sm 4to. 505pp. Illus. Good book. Spine ends chipped and frayed. Boards shelfworn; corners bent and frayed. Some pencil markings inside. Pages aged and foxed. Truth Seeker Tract No. 91, "Our Ideas of God," laid in; adjacent pages offset. Inquire if you need further information.…

Octavo, Vol I:viii+302 pages, Vol II:vi+440 pages, original boards, faded cloth, lightly rubbed, some chipping to spine of Vol I, browned, lightly foxed, inner hinge starting, name on flyleaf, a very good complete set. Australian edition with Australian preface.