george sweet (47 Ergebnisse)

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

softcover. Zustand: Good +. Bellows, George (illustrator). first edition. Catalogue of an exhibition. Wrappers (approx. 7 3/4' by 10") 92 pages. Many black and white reproductions of the art. List of items in the exhbition, chronology, Spine worn, and some wear at cover edges. 051705A.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Includes dust jacket. Signed. First Edition. First edition, Inscribed by the author. Limited number 79. Dust jacket has some major wear and tear.

Zustand: New. In.

Paperback. Zustand: Brand New. 148 pages. 8.00x5.00x0.32 inches. In Stock.

Hardcover. Zustand: Very Good-. No Jacket. First Printing (stated). Bound in red cloth with titles stamped in gilt. Limited edition, with the number of copies not stated. This is # 1242. A TLS (with envelope) from the author is laid in. The book contains a play, a short novel, and a supplement to an earlier work by Sweet concerning Shakespeare. The cloth shows mild foxing and light edgewear, with the upper corners a bit bumped. There is a paperclip stain at the top of the ffe and the half-title; the volume is otherwise unmarked. The TLS corncerns books ordered by John Davis Hill from the author in 1975. Hinges solid; binding square. All contents clean and tight. Size: 8vo - over 7¾" - 9¾" tall. Signed Letter from Author.

Zustand: New. In.

Paperback. Zustand: Brand New. 98 pages. 8.98x6.02x0.35 inches. In Stock.

Zustand: New. In.

Hardcover. Zustand: Very Good. Signed. First Edition. Signed by the author. Flat signature. Pages are tanned but clean.

Zustand: New. In.

Hardcover. Zustand: Very Good. Dust Jacket Included. hardback, large 8vo, xiv,209pp, slight sellotape marks on endpapers, text clean and tight, no inscriptions, Very Good / Very Good dustwrapper. wrapper edges rubbed. ISBN: 0533062039.

Hardcover. Zustand: Acceptable. Zustand des Schutzumschlags: No Dust Jacket. No dust jacket. Hardcover. Several marks on boards. Upper edges of boards have several small abrasions. Inner edge of front board is faded. Patchy foxing just below upper edges of boards. Spine ends are creased and bumped. Leading corners are worn; upper leading corners are slightly split. Page block is foxed. Some foxing at front and rear. Text is clear throughout. Binding is sound. AF. Used.

Hardcover. Zustand: Good. No Jacket. Dust jacket missing. Shelf and handling wear to cover and binding, with general signs of previous use. This is the 1943 printing. Light foxing visible to pages. Moderate loosening to binding. Secure packaging for safe delivery.

Zustand: New. In.

Dark Red Cloth. Zustand: Good. Zustand des Schutzumschlags: Fair. Second Printing. xxxiii, 419pp, illustrated with black & white plates and images in text, very occasional light stain (see photo) but pages clean and crisp for the most part, front free endpaper bears ink inscription reading "To Douglas Barrington with best wishes for a successful association with Reed + Barton, William T Hurley, February, 1971", top edge gilt, dark red cloth with gilt spine lettering, signs of some damp staining to spine, front cover has had the bottom corner nibbled away, unclipped dust jacket, faded and edgeworn with some tears and loss to bottom corner of front cover. Size: 8.5 x 6 Inches. Silver.

Zustand: 1. Streichorchester. Partitur .

Vintage catalog for an exhibition held from June 6 through July 13, 1980, at Otis/Parsons Gallery in Los Angeles. Illustrated in black-and-white. Faint rubbing near the binding, else about Fine in saddle-stapled wrappers.

Zustand: New. KlappentextrnrnThis is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the origina.

Zustand: New.

24 pp.; 20.4 x 16.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held June 6 - July 13, 1980. Introduction by Hal Glicksman. Text by Howard Singerman. Artists include Al Aguilar, Charles Arnoldi, Billy Al Bengston, Scott Burton, John Chamberlain, Ron Cooper, Robert Mangurian, Guy Dill, Laddie John Dill, Paul Donin, Greg Ericson, Frank Gehry, Percy Gibbar, George Herms, James Isermann, Mark Keisermann, Kim MacConnel, Margaret Neilsen, Roland Reiss, Sheila W. Ross, Robert Schiffmacher, Eugene Sturman, Paula Sweet, Bob Wilhite, and Rita Yokoi. Includes an exhibition checklist. Very Good. Black ink stamp inside bottom left corner inside front cover which reads "The Functional Art Store, P.O. Box 69800, Los Angeles, CA 90069." Light rubbing and yellowing of covers. Contents otherwise clean and unmarked.

24 pp.; 20.4 x 16.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held June 6 - July 13, 1980. Introduction by Hal Glicksman. Text by Howard Singerman. Artists include Al Aguilar, Charles Arnoldi, Billy Al Bengston, Scott Burton, John Chamberlain, Ron Cooper, Robert Mangurian, Guy Dill, Laddie John Dill, Paul Donin, Greg Ericson, Frank Gehry, Percy Gibbar, George Herms, James Isermann, Mark Keisermann, Kim MacConnel, Margaret Neilsen, Roland Reiss, Sheila W. Ross, Robert Schiffmacher, Eugene Sturman, Paula Sweet, Bob Wilhite, and Rita Yokoi. Includes an exhibition checklist. Very Good / Fine. 5 mm. yellow stain to recto. Light yellowing and rubbing to covers along spine edge. Contents clean and unmarked.

Zustand: 1. Streichorchester. Partitur .

Zustand: 1. Blasorchester. Partitur .

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

Taschenbuch. Zustand: Neu. Neuware - This book is a guide to the practice of palmistry, also known as chiromancy, the art of predicting the future through the study of the lines and shapes of the hand. It includes tips and techniques for interpreting the various signs and symbols found in the palms of the hand.

Gebunden. Zustand: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 1st ed., 1st printing ; ; 272 pages : illustrations (some color) ; 28 cm ; ISBN 9780810934269, 9780890900604, 0810934264, 0890900604 OCLC 31088352 "Published on the occasion of the exhibition . organized by the Museum of Fine Arts, Houston, and the Metropolitan Museum of Art, New York, in collaboration with the High Museum of Art, Atlanta."--Title page verso; Exhibition held at Museum of Fine Arts, Houston, August 21-October 23, 1994 ; High Museum of Art, Atlanta, December 13, 1994-February 12, 1995 ; Metropolitan Museum of Art, New York, March 15-July 9, 1995 ; black cloth with gold designs and lettering ; in color photographic dustjacket ; In 1848, Gustave Herter arrived in America from Germany, fleeing political and economic chaos. His brother, Christian, joined him a decade later. By 1875 their firm, renamed Herter Brothers, was supplying the White House with furnishings, as it had been doing for some of America's wealthiest families since 1858. During this opulent period, Herter Brothers could claim to be the leading cabinetmaking and decorating firm in the country. The best of the Herter Brothers' furniture and interiors are displayed in 133 color and 167 black-and-white illustrations, including many close-up details as well as comparative work by rival fine cabinetmakers of the time in New York and Europe. Herter Brothers tells the story of the company from its earliest manifestations, when Gustave worked with other partners and alone, through his partnership with his brother, to Christian's years as head of the firm and the end of his tenure ; Katherine S. Howe is the director of the Rienzi house museum for European decorative arts in the Museum of Fine Arts, Houston.; Peter C. Marzio. Peter was the director of the Museum of Fine Arts in Houston, a post he held for almost three decades; born into a working-class immigrant family, becoming the first in his family to graduate from High School. At Juniata College he became inspired by the art and museum world, deciding to make this his career. He went on to earn a doctorate in art and American history from the University of Chicago. He served as curator of prints and drawings at the Smithsonian and then as director and chief executive officer of the Corcoran Gallery of Art, before becoming the director in Houston. ; Philippe de Montebello is a French and American museum director. He served from 1977 to 2008 as the director of the Metropolitan Museum of Art in New York. On his retirement, he was both the longest-serving director in the institution's history and the third longest-serving director of any major art museum in the world; He immigrated to the United States of America in the 1950s, and became a naturalized citizen of the US in 1955. He was educated in New York City at the Lycée Français de New York, graduated from Harvard University with a degree in art history, and earned an MA from New York University, after which he embarked on a career in Fine Arts. He became the Director of the Metropolitan Museum in 1977 and has become widely known as the public face of the museum.; Ned Rifkin joined the staff of the Hirshhorn Museum and Sculpture Garden in December 1986 as the first chief curator for exhibitions. ; Contents: A European context, 1840-80 : England / Simon Jervis. Germany / Hans Ottomeyer. France / Marc Bascou -- An introduction to the Herter Brothers / Katherine S. Howe -- From the Bowery to Broadway : the Herter Brothers and the New York furniture trade / Catherine Hoover Voorsanger -- Patronage and the artistic interior / Alice Cooney Frelinghuysen -- Herter Brothers furniture / Alice Cooney Frelinghuysen, Katherine S. Howe, Catherine Hoover Voorsanger ; FINE/FINE. Book.