george sugarman (23 Ergebnisse)

Soft cover. Zustand: Very Good. 1st Edition. Paperback. Binding sound, text clean, mild shelfwear. 114-page oversize color-illustrated exhibition catalogue. Heavy book: priority or international shipping may be extra. Book.

First Edition. First edition. Softcover. Exhibition catalog for a show that ran September 21 through October 26, 1969 at the Kunsthalle Basel and then traveled to three other locations for additional dates. Text in English and German with contributions by Amy Goldin and Peter F. Alhaus. Includes color and black and white illustrations. A near fine copy in wrappers.

Trade Paperback. Zustand: Fine. Sugarman, George (illustrator). First Edition. Omaha: Joslyn Art Museum, 1981. First edition. 4to. Oversize trade paperback with stiff covers, 114 pp. Illustrated throughout in color and black and white. Fine.

First Edition. First edition. Softcover. 20 pages. Exhibition catalog for a show that ran March 14 through April 26, 1970. Text in Dutch and English by Irving Sandler and Sugarman. Includes numerous black and white illustrations. A close to near fine copy in stapled wrappers with some minor wear.

AK. Kunsthalle Basel, 27.9. - 28.10.1969 / Städt. Museum Leverkusen, Schloß Morsbroich, 15.11.1969 - 4.1.1970 / Haus am Waldsee, Berlin, 16.1. - 22.2.1970 / Stedwlijk Museum, Amsterdam, 13.3. - 26.4.1970. Texte von Amy Goldin u. Peter F. Althaus. Basel: Druck Schwabe & Co., 1969. Roter OPbd. 72 nn. Seiten mit zahlr. Farbbild- und S/w-Abb. auf Bildtafeln. - 21 x 21. * Erstausgabe. - Rüclken ausgeblichen u. mit hss. Titelei. - Texte in deutsch und englisch. - Gut erhalten !

1. 36 (72) unnum. S., mit zahlreichen Abbildungen; 2. 10 (20) unnum. S., mit zahlreichen Abbildungen. Zustand: Minimale Gebrauchsspuren, beide Exemplare gut erhalten und frisch. Sprache: Deutsch Gewicht in Gramm: 490 1. 21x21cm, rote Orig.-Broschur mit Deckeltitel; 2. 27,5x21cm, farbig illustr. Orig.-Broschur mit Deckeltitel.

Unbound portfolio. Zustand: Very Good. First printing. 8vo. An issue of this initially monthly and later quarterly journal, published by Roger Peskin and edited by Paul Katz and Ward Jackson, consisting of unbound color reproductions (with captions) laid into a printed gatefold portfolio. The portfolio carries artists' biographies and statements, and each artist is represented by a reproduction of one work. Very light soiling to covers of portfolio, and very faint toning to reproductions, as usual, otherwise very good. In folded acetate sleeve (as issued?).

First Edition. First edition. Small oblong softcover. Exhibition catalog for a show that ran November 15 through December 10, 1966. Features a brief essay by Sidney Simon. Includes 4 black and white illustrations, a black and white photograph of the artist, list of awards, list of previous exhibitions, list of public collections, and checklist. A very good plus copy in stapled wrappers with some minor wear.

Erste Auflage. 22 x 22 cm. 22 S., 1 Blatt. OKarton. Einband etwas angestaubt, sonst gutes Exemplar. Text in Englisch / Text English. Mit 15 Abbildungen, davon 6 in Farbe.

Erste Auflage. 28 x 21 cm. 20 S. OBroschur. Gutes Exemplar. Catalogus nr. 475. Texte in Niederländisch. Mit einem Beitrag von Irving H. Sandler und einem Textsauszug.

Mit zahlr. Abb. Geheftet. Zustand: Sehr gut. Einband stärker berieben. - Text holl., teils engl. - Irving H. Sandler, George Sugarman en het ontstaan van C Change. hi Gewicht in Gramm: 550.

Zustand: Sehr gut. [63] S. Etwas geknickt. - Text dt. u. engl. - "Mein Interesse an George Sugarmans Werk ist in seiner formalen Bestimmtheit, seinem Mut zu Weitschweifigkeit und seiner Unabhängigkeit gegenüber literarischen Betrachtungsweisen begründet. Vor allem freue ich mich über seine Schwierigkeit. Ich respektiere seine Weigerung, seine eigenen Forderungen denjenigen der Kunstgeschichte, dem Angenehmen oder vageren Empfindungen zu opfern. Deshalb, meine Damen und Herren, passen Sie auf! Diesem Künstler ist nicht zu trauen. Lassen Sie sich nicht durch die Fröhlichkeit der Farben oder die Herzhaftigkeit seiner Formen verführen. Sein Werk bietet sich mit einem gesunden offenen Lächeln dar wie ein vitaminreicher Apfel. Aber des Künstlers Großzügigkeit ist berechnet, seine Einfachheit ist ein Trugschluß, und eine unheilvolle Intelligenz steckt unbemerkt in diesei Kaskaden klingender physischer Formungen." (Goldin). Sprache: Deutsch Gewicht in Gramm: 550 Mit zahlr. auch farb. Abb. Broschiert.

Gary Snyder Gallery, New York 2013. Small 4to. 64 pages. Richly illustrated in colour. Orig. illustrated boards. Minimal signs of shelf wear. Very Good.

Paperback 22*27. Zustand: Gut. 18 Seiten Einband leicht berieben 200645018 Sprache: Niederländisch Gewicht in Gramm: 150.

2 Hefte. 28 x 21 cm. 6 S., 5 lose Tafeln; 6 S., 5 lose Tafeln. OKarton-Folder. Heft 1 im oberen Rand lichtrandig und angestaubt sowie mit Kugelschreibermarkierung auf dem Umschlag. Sonst sehr gutes Exemplar. Das erste und dritte Heft des 1969 gegründeten Magazins zur aktuellen Kunst der Stadt New York in Ateliers, Museen und Galeriene. Heft 1 ausf der hinteren Inenklappe mit kurzer handschriftlicher Zueignung von George Sugarman, "a new sheet - Thought it might interest you", signiert "George". Das Heft enthält Beiträge zu Donald Judd, Alexander Liberman, Roy Lichtenstein, DSennis Oppenheim und George Sugarman. Heft 2 enthält Briträge zu Willem de Kooning, Dan Flavin, Helen Frankenthaler, Rober Indiana und Barnett Newman. Mit jeweils 5 Farbtafeln zu aktuellen Arbeiten der Künstler sowie Kurzvorstellungen. Die beiden Hefte wurden durch George Sugarman dem hier nicht namentlich genannten Galeristen Alfred Schmela zugesandt. Beiliegend eine Viristengarte von Wiloughby Sharps New Yorker Kineticism Press. [Provenienz: Nachlass der Galerie Schmela].

[18] pp.; 35.5 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition checklist published in conjunction with show held December 7 - January 25, 1981. Watercolors selected by Brooks Adams, Martha Beck, Jack Boulton, Paul Cummings, Donald Droll, Klaus Kertess, Beatrix Medinger and Roberta Smith. Artists included Alan Saret, Gary Bower, William Allan, Mimmo Paladino, Barbara Novak, Richard Tuttle, Robin Bruch, Stephen Mueller, Michael Tetherow, Robert Kushner, George Sugarman, Judy Pfaff, Carroll Dunham, Stephen Ellis, Nancy Mitchnick, John Torreano, Nancy Spero, Judith Linhares, Wes Disney, Ellen Phelan, Lucio Pozzi, Edith Gauthmey, Frank Moore, Gioia Timpanelli, Sondra Freckelton, Saul Steinberg, Jack Youngerman, Robert Kitchen, William Garbe and Thomas Lo Cicero. Fair. Significant wear to bottom edges of publication including yellowing, soiling and bumping. 4 mm. tear to right side recto edge. 4 mm. tear to left side edge of verso. 7 mm. dog-ear to upper right corner of recto and 1.2 cm. dog-ear to bottom left corner of recto. 3.3 cm. of yellow to bottom edge of verso, continuing through to interior pages. Additional handling wear and rubbing.

194 pp.; 30.3 x 23 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Annual periodical edited by William Seitz, "Contemporary Sculpture : Arts Yearbook 8," is a compendium of essays on sculpture of the early 1960s. This volume contains the first publication of Donald Judd's seminal essay "Specific Objects," as well as Judd's review of the Howard and Jean Lipman Collection. Additional texts by Seitz, Robert Goldwater, Sidney Geist, Gene Baro, Clement Greenberg, Werner Hofmann, Vivien Raynor, Annette Michelson, Martica Sawin, Dora Vallier, Anita Ventura, Mercedes Molleda, José María Moreno Galván, Bruce Glaser, Lyman Kipp, George Sugarman, David Weinrib, Richard Stankiewicz, Richard Hamilton, George Rickey, Herbert Bronstein, Anne Hoene, Jacqueline Barnitz, Margaret Buhler. Contains commentary and illustrations of works by David Smith, Alexander Calder, Jacques Lipchitz, Reuben Nakian, Louise Nevelson, Richard Hunt, James Rosati, Raoul Hague, Edward Higgins, Fritz Bultman, Isamu Noguchi, Gabriel Kohn, Naum Gabo, Peter Agostini, Louise Bourgeois, Peter Grippe, Mark di Suvero, Mike Nevelson, George Spaventa, Dimitri Hadzi, Paul von Ringelheim, Jason Seley, Frederick Kiesler, Lyman E. Kipp, Wilfrid Zogbaum, Paul Granlund, Jack Squier, Italo Scanga, Anthony Caro, Fritz Wotruba, Costantino Nivola, Miguel Berrocal, William King, Etienne Hajdu, Manuel Neri, Eduardo Chillida, Pablo Serrano, Anne Arnold, Mary Frank, Alvin Light, Henry Moore, Barbara Hepworth, Hans Arp, Rudolf Hoflehner, Robert Jacobsen, Etienne-Martin, Alberto Giacometti, Giacomo Manzu, William Turnbull, Kenneth Armitage, Max Bill, Robert Müller, Lynn Chadwick, Shamai, Haber, Reg Butler, Hubert Dalwood, Robert Adams, Eugene Dodeigne, Elizabeth Frink, Emil Cimiotti, Yitzchak Danziger, jean Ipoustéguy, Lee Bontecou, James Wines, Ronald Bladen. Judd's "Specific Objects" is illustrated with works by Claes Oldenburg, Bontecou, Robert Rauschenberg, George Ortman, Yves Klein, Jasper Johns, Frank Stella, Phillip King, Richard Smith, John Anderson, Tony Delap, Robert Watts, H.C. Westermann, Robert Morris, Dan Flavin, Richard Artschwager, Lucas Samaras, Yayoi Kusama, John Chamberlain. Good. Former library copy. Moderate rubbing to covers and bumping to edges and corners. "1965" written in blue pen on spine and on recto. 2 cm. tear to spine. "3339" written in blue pen twice on title page and once on inside of recto which also has a name plate for the Library of the San Francisco Museum of Art. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

80 pp.; 28.9 x 23.6 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue number three (of six issues published) of "It Is : A Magazine for Abstract Art," published between 1958 and 1965. Edited by P.G. Pavia. Contents include: "A Little Room for Feeling," by Hubert Crehan; "Face Front," by Sidney Geist; "Abstraction in Poetry," by Allen Ginsberg; "Editor of a Hearsay Panel," by Elaine de Kooning; "Thoughts on the Dance," by Merle Marsicano; "Drawing," by Mercedes Matter; "Spontaneity," by George McNeil; "Manifesto-In-Progress III," by P.G. Pavia; "Book Review," by John Stephan "Book Review," by May Natalie Tabak. Artists statements by Paul Brach, Kenneth Campbell, Enrico Donati, John Grillo, Hans Hoffman, Landis Lewitin, Robert Motherwell, Theodoros Stamos, and George Sugarman. Cahier leafs by Fritz Bultman, Alfred Duhrssen, Ibram Lassaw, Kyle Morris, Georgine Oeri. Artists reproductions by Stefan Achilles, Peter Agostini, Alice Baber, Paul Brach, Fritz Bultman, Kenneth Campbell, Herbert Crehan, Nasso Daphnis, Enrico Donati, Helen Frankenthaler, John Ferren, Sam Francis, Jane Freilichter, Sidney Geist, Michael Goldberg, Adolph Gottlieb, John Grillo, Philip Guston, Grace Hartigan, Hans Hoffmann, Paul Jenkins, Matsumi Kanemitsu, Fredrick Kiesler, William de Kooning, Landis Lewitin, William Littlefield, Michael Loew, Corrado Marca-Relli, Nicholas Marsicano, Mercedes Matter, George McNeil, Robert Motherwell, Kyle Morris, Felix Pasilis, Ad Reinhardt, Milton Resnick, Ludwig Sander, Abram Schlamowitz, David Smith, Raymond Spillinger, Theodoros Stamos, Joseph Stephanelli, John Stephan, and George Sugarman. Cover: Robert Motherwell. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 269. Good. Rubbing of cover edges. Artist's [likely, Walter De Maria] studio copy with silver paint stains on verso with handprint and silver paint along text block edge, bleeding over slightly onto pages. 1.5 cm. yellow soiling to page 11. Contents otherwise clean and unmarked.

Ausstellungskatalog Paperback. Zustand: Gut. ca. 82 Seiten, 21x21cm Deutsch-Englisch, Umschlag leicht angerieben 200923052 Sprache: Deutsch Gewicht in Gramm: 200.

Ausstellungskatalog Paperback. Zustand: Gut. ca. 82 Seiten, 21x21cm Kanten leicht angeschlagen, Deutsch-Englisch, Umschlag leicht angerieben 200923009 Sprache: Deutsch Gewicht in Gramm: 220.

6 pp.; 28 x 21.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Press release published April 12, [1964], issued by United States Commission to the New York World's Fair and The Museum of Modern Art, announcing an American sculpture exhibition for the U.S. Pavilion at the New York World's Fair. Curated by Campbell Wylly. Artists included John Anderson, Leonard Baskin, Alexander Calder, John Chamberlain, Herbert Ferber, Joseph Goto, Dimitri Hadzi, Raoul Hague, Edward Higgins, Ellsworth Kelly, Alexander Liberman, Jacques Lipschitz, Seymour Lipton, Reuben Nakian, Louise Nevelson, Isamu Noguchi, Toshio Odate, Richard Stankiewicz and George Sugarman. Includes biographies. Very Good. Folded in three. Light bumping of corners and edges. 5 mm. tear to recto. 5 mm. stain, 1 mm. and 2 mm. tears to verso page edge. contents otherwise clean and unmarked.

[1] pp.; 35.3 x 44.2 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Poster published in conjunction with show held at Camino Gallery, on Tenth Street in New York, January 4 - 24, 1956. Paintings by Sam Goodman and sculptures by George Sugarman, Abram Schlemowitz, and Gabriel Kohn. Good. Hand addressed mailed copy with mailing marks and mailing wear, folded into six for mailing. Light soiling of recto and moderate yellowing of verso and 1 mm. tears at fold lines. 2.3 cm. and 4.5 cm. to dog-ears corners.

[1] pp.; 35.7 x 12.7 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Single sided flyer / announcement published in conjunction with show held May 10 - 31, 1957. Artists include Calvin Albert, Rhys Caparn, Rudolph Condon, Ralph Dorazio, Mary Frank, Sidney Geist, Sidney Gordin, Vance Hunt, Alice Johnson, Allan Kaprow, Gabriel Kohn, Herbert Lent, Israel Levitan, Marguerite, Edgar Negret, Louise Nevelson, Blanche Phillips, James Rosati, Avram Schlemowitz, Carol Cook Smith, George Spaventa, Richard Stankiewicz, Jim Steinhardt, George Sugarman, Lou Trakis, Ruth Vodicka, Wilfrid Zogbaum. Very Good. Hand addressed mailed copy, folded in three as issued, with mailing marks and wear including torn closure sticker and gentle bend to lower left corner when folded. Light discoloration of paper due to the age of the paper, otherwise Fine.