george schneeman (37 Ergebnisse)

First edition. [20 pp]. Fine in illustrated wrappers. Eleven color reproductions with statements by Schneeman and Berkson.

First edition. Tall 4to. [24 pp]. Fine in sewn wrappers. The Berkson/Schneeman illustrated text followed by "A Note on Ted Berrigan" by Berkson and "A Note from the Publisher" by Kyle Schlesinger.

Soft cover. Zustand: Near Fine. 1st Edition, Limited Edition. Near fine copy. Some smudging to front cover. 4to. Sewn spine. No titles.

Softcover. Zustand: Near Fine. First edition. Cover by George Schneeman. Edited by Anne Waldman and Reed Bye. Quarto. Stiff stapled wrappers. A bit rubbed along the spine with a couple spots on the rear, about near fine. Limited to 300 copies.

Zustand: Fine. First Edition. Contributions from Guillaume Apollinaire (trans. Ron Padgett & Nicole Ball), Allen Ginsberg, Ted Berrigan, Bernadette Mayer, and many others. Masters, Scholnik and Lenhart published larger quantities of poems than other contemporary magazines with a non-academic, personal style. "Mag City was a party in print'" says Greg Masters. [Clay and Phillips, 233]. Wraps. 4to. Side-stapled in original printed wraps. Near fine. Light scuffs to covers. Interior bright and clean throughout. Good and sound. 91pp.

Soft cover. Zustand: Very Good. 1st Edition. Staple bound chapbook in printed paper dustcover. Bright, unmarked and crisp with barest hint of shelfwear. Top of spine slightly bumped. Some heavy scuffing to to back cover In which Padgett collects poems from old papers of which he has "little to no recollection" of having written. Illustrated by George Schneeman.

Zustand: Very good plus. First edition. First printing of Berrigan's poetry collection, illustrated by George Schneeman and "much appreciated, at least by Ted's circle, when it came out" (Notley). 10'' x 7''. Original black and white pictorial wrappers. Covers and frontispiece by George Schneeman. Edition of 1000 copies. Light soil and edgewear.

Zustand: Very Good. Larry Fagin, Landscape, Angel Hair Books, New York, 1972. 165 x 152mm, 22 pages,printed black and white on cream stock on recto only, staple bound. Drawings by George Schneeman. Landscape is printed by The Chapel Press in Williamstown, Massachusetts for Angel Hair Books in a regular edition of 500 copies and 26 signed copies, this copy is unsigned an unnumbered Condition: Foxing and minor marks on the front and back covers, no stains or tears. Overall Very Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Zustand: Very Good. 1st Edition. The inaugural issue of avant-garde literary magazine Extensions, edited by Suzanne Zavrian and Joachim Neugroschel. This issue Includes Work from Hannah Weiner, John Perreault, four pages of "0 to 9" era writing by Vito Acconci, a brief verse collaboration between Ron Padgett and George Schneeman, as well as graffiti poems from the 1968 uprising in Paris, and more. 6" x 9" softcover book, saddle-stapled in card wraps, 96pp. Covers tanned especially at edges, with extensive spotting / foxing. A couple of bumps / slight creases to cover edges. Page interiors bright and crisp. A very good copy.

Paperback. Zustand: Very Good. George Schneeman (illustrator). First edition, first printing. 8vo (8.5"x5.5"). 59pp. Illustrated paper covers. Spine faded. Lightly toned covers. Small scuff to upper cover, very small chip to fore-edge of upper cover. Very lightly soiled lower cover. Association copy that belonged to the poet Heather McHugh. Inscribed, "For Heather with admiration and affection", signed "Jane" & dated 8/30/78 to the title page. Rare signed copy of the first edition of the author's first book.

Zustand: VG+. A Very Good example of this lovely work. Stapled oblong wrappers, only very mild signs of use & some crimping to cover near staples. One of only 50 copies made "hors commerce" from a total edition of 200 -- this stamped to colophon. This copy is inscribed "with love" to Padgett's friend Peter [Schjeldahl] and signed just "Ron.".

Zustand: Very Good-. First Edition. New York / Williamstown, MA: Lewis Warsh / Chapel Press, 1969. First Edition. Large, slim quarto; publisher's white pictorial staplebound card wrappers by George Schneeman; [64]pp.; Wrappers quite soiled and unevenly toned though contents remain clean and sound. Good or better. Final issue of this important 1960s poetry journal founded and edited by Waldman and Warsh and featuring a substantial cross-section of first and second generation New York School poets.

Zustand: Very good. First Edition. One of 200 copies. A poetic text by Brownstein written by George Schneeman, under which is drawn an illustration of a piece of paper (with Brownstein's text, again) and a picture of a woman's face. A nice New York School collaboration. Scarce. Broadside. 11" by 8.5" approx., printed recto/verso. About very good. Touches of foxing to both sides, else clean.

Softcover. Zustand: Near Fine. First edition. Cover by George Schneeman. Edited by Anne Waldman and Reed Bye. Quarto. Stiff stapled wrappers. A bit rubbed along the spine with a couple spots, near fine. Limited to 300 copies. Inscribed to Ted Berrigan and Alice Notley: " for Ted and Alice 'What reproduced itself second by second minute by minute day by day?' love, Michael December 7, 1941 [Yes, he dated it 12/7/41] ".

96 pp.; 22.9 x 15.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Issue number 1 of Extensions. Edited by Suzanne Zavrain and Joachim Neugroschel with original contributions by Vito Acconci, Jack Anderson, Corrado Augias, André Du Bouchet, Robert David Cohen, Stanley Cooperman, Gail Deeb, Lane Dunlop, Dan Graham, Allan Kaplan, Steve Katx, Ursule Molinaro, Miodrag Pavlovic, Tony Perniciaro, John Perreault, Carter Ratcliff, Erling Salmonsen, George Schneeman, Ron Padgett, Hugh Seidman, Stephen Stepanchev, Hannah Weiner, Pete Winslow, and Student Graffiti (France). Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 259. Good. Light yellow staining across covers with circular textured distortions sprinkled near top and a 1 cm. surface tear with bumping to upper edge of recto. 2 cm. dog-ear to bottom right corner of recto. Light creasing to bottom corners of recto. Light yellowing of text block edge, contents clean and unmarked.

96 pp.; 22.9 x 15.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Issue number 1 of Extensions. Edited by Suzanne Zavrain and Joachim Neugroschel with original contributions by Vito Acconci, Jack Anderson, Corrado Augias, André Du Bouchet, Robert David Cohen, Stanley Cooperman, Gail Deeb, Lane Dunlop, Dan Graham, Allan Kaplan, Steve Katx, Ursule Molinaro, Miodrag Pavlovic, Tony Perniciaro, John Perreault, Carter Ratcliff, Erling Salmonsen, George Schneeman, Ron Padgett, Hugh Seidman, Stephen Stepanchev, Hannah Weiner, Pete Winslow, and Student Graffiti (France). Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 259. Good / Very Good. Light rubbing and yellowing of covers; 1 mm. yellow stain to recto; light foxing and bumping of top right corner of recto; light bumping and creasing to top and bottom edges and corners of recto, and top edge of verso. Rubbing of text block edge. Contents clean and unmarked.

Zustand: Fine. Lovely signed limited edition of verse by Padgett, illustrated by Schneeman, from Jim Pennington's Aloes Books. Saddle-stapled wraps. SIGNED by both Padgett and Schneeman at colophon. From an edition of 200 copies, 25 of which were signed by poet and illustrator, though this copy unnumbered. Clean, bright throughout. [15] pp. Signed.

Softcover. Zustand: Near Fine. First edition. Cover by George Schneeman. Illustrated stiff paper wrappers side-stapled. Near fine with touch of wear to the wrappers. Inscribed by the author on the title page to Schneeman: "For George, With gratitude and admiration, Love Hank.".

Original wraps. Zustand: Near Fine. George Schneeman (illustrator). First Edition. INSCRIBED BY JANE KENYON on the title page. A crisp, very sharp copy to boot of the 1978 true 1st edition. Tight and Near Fine in its pictorial wrappers, with just a touch of light creasing to the lower tips. Octavo, cover drawing by George Schneeman. The poet's first published book and uncommon signed. Signed.

First edition. One of a limited number of hors commerce copies signed by the author; instead of a number, a subscriber's name (this copy "No. Burt", likely Burt Britton). There were 500 trade copies issued; and 26 signed by Schneeman and Fagin, and ten numbered hors commerce copies. Small square format chapbook; stapled wrappers; [8pp.]; illus. Lightly toned at extremities, else Fine. Subscriber's or additional copies not mentioned on the colophon. Angel Hair books were published by Anne Waldman and Lew Warsh. The limited issues rare. Signed.

Zustand: Very Good. [N.p.]: 1981. Limited Edition of 480 copies signed by the artist, this being #171. Stiff card stock (31.5x20.25cm) with silk screen image of socks on a hangar; eleven monthly sheets of a 1981 calendar in tear-away fashion to bottom; January lacking, all other sheets present; small hole for hanging as originally designed. Mild bumping and toning to edges; Very Good. Uncommon work from the New York artist; an early examples of his calendars and here featuring a typically wholesome design. For the intrepid planner, 1981 calendars can be re-used in 2026, 2037, and 2043.

Zustand: Good. Broadside, 11" x 17" Good with creasing, light edge wear. Broadside design: George Schneeman.Edition of 300 numbered sets, edited by Louis Patler and Bill Barrett YANAGI IV. Single sheet broadside poem printed in red, blue, black and white on stiff paper stock. Printed at the West Coast Print Center, Berkeley, California Provenance: Peter Howard, Serendipity Books, Berkeley.

Zustand: Good. Broadside . 17 x 11 x inches. Broadside design: George Schneeman.Edition of 300 numbered sets, edited by Louis Patler and Bill Barrett YANAGI IV. Single sheet broadside poem printed in red, blue, black and white on stiff paper stock. Printed at the West Coast Print Center, Berkeley, California Provenance: Peter Howard, Serendipity Books, Berkeley.

[1] pp.; 50.5 x 38.1 cm.; duotone; edition size unknown; unsigned and unnumbered; offset-printed Folded poster / announcement published in conjunction with show held at 98 Greene Street Loft, New York City, March 4 - April, [1972]. Very Good. Originally folded in four for mailing this copy has been folded into sixteens, with 1 mm. tears at three of the original four fold edges. Holes from removed staples at edges. Mailed copy with mailing marks and mailing wear. Moderate rubbing along fold lines and across recto. Otherwise clean and unmarked.

[2] pp.; 25.4 x 33 cm.; monochrome; edition size unknown; unsigned and unnumbered; offset-printed Two sided poster / program for an evening of performances and happenings held at the BAM (Brooklyn Academy of Music), Brooklyn, on March 8 and April 12, 1968, produced as part of the first Intermedia Festival which occurred at various locations across New York State. The festival featured happenings, electromedia theater, space-time art, process, ecumenical technology, kinetic environments, action theater, acoustic space, mixed media, dance, and sound construction. Artists included Remy Charlip, Al Carmines, Aileen Passloff, Carolee Schneeman, Aldo Tambellini, Ken Dewey, Trisha Brown Schlicter, Terry Riley, Calo Scott, Lee Guilliatt, John Patrick Dodd, George Montgomery, Andrew Roman, Burton Supree, Ruth Krauss, Maria Irene Fornes, Peter Ilyich, Grace Paley, Jules Massanet, Carolee Schneemann, Joan Adler, Tom Bissinger, Carol Grosberg, Denys Irving, Mitsou Naslednikov, Gary Maxwell, Laurence Warshaw, Steve Bartok, Art Sinsabaugh, James Tenney, Jerry Walter, and Ken Jacobs. Good. Folded in eight with moderate wear to edge including a 1.5 cm. tear. Three stains to recto measuring 1 mm. - 1 cm , otherwise clean and unmarked.

Zustand: Good. Lithograph. 17 x 11 inches. Four-color. Poem by New York School poet Padgett with images by painter George Schneeman. Schneeman was known for, among other accomplishments, his frescoes and his many collaborations with poets. Ron Padgett was a frequent co-conspirator. Fine.

[1] pp.; 50.5 x 38.1 cm.; duotone; edition size unknown; unsigned and unnumbered; offset-printed Folded poster / announcement published in conjunction with five Tuesday nights of poetry programming held at 98 Greene Street Loft, New York City, held March 7, 14, 21, 28 and April 4 [1972] as well as a show of paintings by George Schneeman held March 4 - April 1, [1972]. Poetry tuesday events featured Jane Delynn, Michael Brownstein, Carter Ratcliff, Jennifer Bartlett and Harris Schiff. Good / Very Good. Folded in four for mailing. Mailed copy with mailing marks and mailing wear. Aging adhesive of the address sticker on verso is visible on recto. 1 mm. tear to fold edge. Light wear along fold lines. Otherwise clean and unmarked.

Zustand: Very Good +. [N.p.]: 1980. Limited Edition of 350 copies signed by the artist, this being #38. Stiff card stock (32.5x20cm) with silk screen image of a needle and thread on a red background; twelve monthly sheets of a 1980 calendar in tear-away fashion to bottom; all sheets present; small hole for hanging as originally designed. Mild bumping and toning to edges; Very Good or better. Uncommon work from the New York artist; an early examples of his calendars and here featuring a typically wholesome design. For the intrepid planner, 1980 calendars can be re-used in 2036 and 2064.

Zustand: Very Good +. [N.p.]: 1979. Limited Edition of 285 copies signed by the artist, this being #23. Stiff card stock (34.5x20cm) with silk screen image of blue curtained windows; twelve monthly sheets of a 1979 calendar in tear-away fashion to bottom; all sheets present; small hole for hanging as originally designed. Mild bumping and toning to edges; Very Good or better. Uncommon work from the New York artist; an early examples of his calendars and here featuring a typically wholesome design. For the intrepid planner, 1979 calendars can be re-used in 2035, 2046, and 2057.