george herms (32 Ergebnisse)

First Edition. First edition. Softcover. 48 pages. Exhibition catalog for a show that ran February 4 through March 7, 1984. Features a foreword by Dextra Frankel and an essay by Thomas H. Garver. Includes numerous illustrations with most in color, a chronology, and bibliography. A clean very near fine copy in wrappers.

Soft cover. Zustand: Very Good. Softcover. Full color pictorial paper covers. No writing on the spine. Measures 8.5 x 11". 48 pages. In very good condition. Binding is square and tight. Rubbed along the side of the spine and corners slightly bumped. Sticker residue on front cover. Pages are clean and bright, free of foreign markings. Contains both color and black and white reproductions.

Soft cover. Zustand: Good. Tobey C. Moss Gallery, 2005. Paperback. Good +. Terrific condition with a hairline scratch on the front page. Some barely noticeable nicks on the front and back. Singed by artist. Signed by Author(s).

Vintage catalog for an exhibition held from June 6 through July 13, 1980, at Otis/Parsons Gallery in Los Angeles. Illustrated in black-and-white. Faint rubbing near the binding, else about Fine in saddle-stapled wrappers.

101 pp.; 27.9 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Newport Harbor Art Museum, Newport Beach, California, June 2 - July 22, 1979. Traveled to The Oakland Museum, Oakland, California, August 14 - September 30, 1979 and Seattle Art Museum, Seattle, Washington, November 15, 1979 - January 6, 1980. Organized by Betty Turnbull with an introduction by Thomas H. Garver. Includes glossary, chronology, exhibition checklist, biography, and bibliography. Very Good. 1.2 cm. tear to spine edge, light yellowing of covers and pages, contents otherwise clean and unmarked. Due to size additional shipping may be required for international orders.

24 pp.; 20.4 x 16.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held June 6 - July 13, 1980. Introduction by Hal Glicksman. Text by Howard Singerman. Artists include Al Aguilar, Charles Arnoldi, Billy Al Bengston, Scott Burton, John Chamberlain, Ron Cooper, Robert Mangurian, Guy Dill, Laddie John Dill, Paul Donin, Greg Ericson, Frank Gehry, Percy Gibbar, George Herms, James Isermann, Mark Keisermann, Kim MacConnel, Margaret Neilsen, Roland Reiss, Sheila W. Ross, Robert Schiffmacher, Eugene Sturman, Paula Sweet, Bob Wilhite, and Rita Yokoi. Includes an exhibition checklist. Very Good. Black ink stamp inside bottom left corner inside front cover which reads "The Functional Art Store, P.O. Box 69800, Los Angeles, CA 90069." Light rubbing and yellowing of covers. Contents otherwise clean and unmarked.

24 pp.; 20.4 x 16.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held June 6 - July 13, 1980. Introduction by Hal Glicksman. Text by Howard Singerman. Artists include Al Aguilar, Charles Arnoldi, Billy Al Bengston, Scott Burton, John Chamberlain, Ron Cooper, Robert Mangurian, Guy Dill, Laddie John Dill, Paul Donin, Greg Ericson, Frank Gehry, Percy Gibbar, George Herms, James Isermann, Mark Keisermann, Kim MacConnel, Margaret Neilsen, Roland Reiss, Sheila W. Ross, Robert Schiffmacher, Eugene Sturman, Paula Sweet, Bob Wilhite, and Rita Yokoi. Includes an exhibition checklist. Very Good / Fine. 5 mm. yellow stain to recto. Light yellowing and rubbing to covers along spine edge. Contents clean and unmarked.

Soft cover. Zustand: Very Good. Seraphin Gallery: 2002. Quarto. Soft cover. Minor rubbing to the covers. Ever so slight waviness to the bottom of the text block. Signed by Herms on the title page. Book is in very good condition. Signed by Author(s).

Paperback. Zustand: Very Good. Bill Bissett / George Herms / Jess / Al Neil (illustrator). First Edition. 60 pages. Catalogue for an exhibition at the Vancouver Art Gallery, October 19, 1989 to January 1, 1990. Investigates affinities among four artists whose work has been shaped by their living on the Pacific Coast of North America. Printed on glossy stock. Illustrated in colour and black and white. Clean and unmarked with very light wear. A high-quality copy.

Zustand: Good. 8vo. Oblong. Card, Very Good. Illustrated. George Herms One Man Show at Catharine Clark Gallery (SF).

Zustand: Good. Dealer Brochure. 8vo. Soft Covers. 6 pp. Very Good. Color plates. Brochure accompanies an exhibition at L.A. Louver June 7 to July 12, 1986. Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author.Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA) (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-1977). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.

Taschenbuch. Zustand: Gut. DE. 350 S. Mit altersbedingten Lager- und Gebrauchsspuren. W2-HK22 Sprache: Deutsch Gewicht in Gramm: 299.

4to. [20 pp]. Fine in side-stapled wrappers. Cover art by George Herms. Contributions by Robert Grosseteste, Julian Beck, John Thomas, Frank O'Hara, Gilbert Sorrentino, and several others.

Hardcover. Zustand: Very Good. 1st Edition. SIGNED copy of this lovely two volume set featuring the work of the enigmatic George Herms. Crisp copy, with the books appearing scarcely to have been opened or handled, and with no wear to speak of. Signed and dated simply on the title page of the first volume. Slipcase has some very minor rubbing and staining, but is quite sturdy and attractive. May require additional shipping overseas. Signed by Author(s).

Cloth with Slipcase. Zustand: Fine Condition. Zustand des Schutzumschlags: No Jacket, As Issued. Slipcase hardback books, two volumes. 408 pages with 398 illustrations 244 in color. A bonus DVD showcases the entirety of Herms' opera The Artist's Life. Select Biography.

First Edition. First edition. Hardcover. First printing. Limited edition of 200 specially bound copies. Introduction by Salvatore Scalora. Essay by Craig Krull. Features a wide range of Fee's images along with some of his collaborations with George Herms and includes 66 tri-tone plates and 66 four color plates. A fine copy in black cloth boards with black and white image affixed to the front cover in a very near cloth slipcase and with a special cloth chemise that holds three original photographs by Fee. Each image is in fine condition and is signed and numbered on the verso. The book has also been signed by Fee as well. A very attractive production. This is a heavy and oversized book and will require extra shipping. Signed.

[24] pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held January 7 - 31, 1970 at Sidney Janis Gallery, New York. Artists in the exhibition included Marcel Duchamp, Kurt Schwitters, Hans Arp, Joan Miro, Buckminster Fuller, Jackson Pollock, Christo, Bruce Conner, Walter De Maria, Robert Rauschenberg, Robert Whitman, Ellsworth Kelly, James Rosenquist, Oyvind Fahlström, Lucas Samaras, Robert Indiana, Jim Dine, Jasper Johns, Claes Oldenburg, Robert Barry, Bruce Bauman, Arman, Barry Flanagan, Les Levine, Robert Gordon, George Kuehn, Fred Sandback, George Segal, Picasso, Man Ray, Francis Picabia, Allan Kaprow, Lawrence Weiner, Victor Burgin, Lloyd Hamrol, Peter Hutchinson, George Herms, Ernst Hesse, William Bollinger, Alan Saret, Robert Rohm, and Robert Watts. Good. Moderate wear and scruffing to covers. Contents clean and unmarked.

72 pp.; 27.8 x 21.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1982 issue of Journal, edited by Michael Delgado. Contents include: "On Pictures and Meaning," by John Brumfield; "On Number Time and Emotion," by John Whitney; "Defining the Avant-Garge," by Richard Hertz; "Art with a Capital "A" and Television Executives," by Michael Delgado; "The Art Economist," by Ken Friedman; "Bauhaus Brochure," by unattributed artists; "The Open Road of Risk: George Herms, Wallace Berman, the Beats, and West Coast Visionary Poetics," by Robert L. Pincus; "The Figurative Style of the Early Sixties: Brice, Lebrun, Warshaw," by Michael Kohn; "The Psychobiological Imperative," by Marilyn Ekdahl Ravicz; "Artist Pages," by Roger Herman, Jacobus Bos, and "My Parents in German," by Jim Morris "Colson's Corner," by unattributed artists. Cover art "Molecule Men" by Jonathan Borofsky. Very Good. Light dust soiling of covers and 1.4 cm. crease/bumping to bottom of publication. 3 mm. tear to top edge of spine. Contents clean and unmarked.

72 pp.; 27.8 x 21.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1982 issue of Journal, edited by Michael Delgado. Contents include: "On Pictures and Meaning," by John Brumfield; "On Number Time and Emotion," by John Whitney; "Defining the Avant-Garge," by Richard Hertz; "Art with a Capital "A" and Television Executives," by Michael Delgado; "The Art Economist," by Ken Friedman; "Bauhaus Brochure," by unattributed artists; "The Open Road of Risk: George Herms, Wallace Berman, the Beats, and West Coast Visionary Poetics," by Robert L. Pincus; "The Figurative Style of the Early Sixties: Brice, Lebrun, Warshaw," by Michael Kohn; "The Psychobiological Imperative," by Marilyn Ekdahl Ravicz; "Artist Pages," by Roger Herman, Jacobus Bos, and "My Parents in German," by Jim Morris "Colson's Corner," by unattributed artists. Cover art "Molecule Men" by Jonathan Borofsky. Good / Very Good. 2 mm. yellow stain to recto with dust soiling of covers. Additional light soiling across verso. Bumping of corners. Contents clean and unmarked.

Zustand: Good. [Exhibition brochure]. 8vo. [2 pp]. Single glossy color illustrated sheet, printed on both sides. Very good. 1 color plate. Brochure created to announce exhibition of works by George Herms at Gallery Paule Anglim in San Francisco, CA from February 29 through March 31, 2012. Scarce.From the Collection of the Art Historian Peter Selz.

Zustand: Good. 4to. Hard cover, Very Good, 76 pp. Color plates in folder encased in cardboard box.

28x22 cm. 76 pp. Richly illustrated with several fold-outs and including 3 book-lets and other loose objects. Loose objects as issued in cardcoard portfolio with string-and-button tie. The post-cards are missing from this copy, otherwise complete. The transparent cover has a bumped corner.

No Binding. Zustand: Fine. 1st Edition. 50 Color Plates With A Haiku On Each, With Cover Sheet. #46 Of 300 Copies Of A Limited Edition. ( Wikipedia Reports This Was Self-Published In 2005). Fine In Vellum Portfolio Enclosed In Box With Plate Of Thelonius Monk On Front Cover, Lettered On Black On One Side, Numbered In Pencil On The Flap. Contents Fine; Vellum Portfolio With Some Wrinkling And A 1/4" Tear At One Flap Fold; Box With Slight Wear And Aging. Per Wikipedia, Amber Rose Tamblyn (Born 1983) Is An American Actress And Writer. She First Came To National Attention In Her Role On The Soap Opera General Hospital As Emily Quartermaine At The Age Of 11. She Followed By A Starring Role On The Prime-Time Series Joan Of Arcadia, Portraying The Title Character, Joan Girardi, For Which She Received Primetime Emmy And Golden Globe Nominations. Her Feature Film Work Includes Roles Such As Tibby Rollins From The First Two The Sisterhood Of The Traveling Pants And Megan Mcbride In 127 Hours (2010), As Well As The Critically Acclaimed Film, Stephanie Daley Opposite Tilda Swinton Which Debuted At The Sundance Film Festival And For Which Tamblyn Won Best Actress At The Locarno International Film Festival And Was Nominated For An Independent Spirit Award. In 2021 She Starred Opposite Diane Lane In Fx's "Y The Last Man." Tamblyn Is A Published Author And Cultural Critic At Large. She Has Published Seven Books Across Genres, And Writes For The New York Times And Other Publications On Issues Of Gender Inequality And Women's Rage.

Paperback. Zustand: Very Good +. First Edition. [32]pp. Slim 12mo [18 x 11cm]; saddle-stapled in original printed wraps. Decorative strip of paper (obi-strip-like) stapled to the front cover which wraps around to the back cover. This strip of paper has three blank music bars printed on it and has various small colorful bits of fibrous material glued onto it. Sewn paper ribbon page marker also stapled to the front cover. Internal pages are photomechanically printed on plain light blue paper. Three of the internal pages have additional pieces of white paper tipped-on, which have black and white photographs printed on them (these appear on page [2] (Hilda Shum's contribution) and on pages [30-31] (Christopher Rauschenberg's contribution). Also, laid-in at pages [31-32] is a tiny piece of paper that looks like a paper fortune (as in from a fortune cookie) which reads: "You will enjoy peace and harmony in your home." The rear inside cover has a small ink stamp on it (which reads: "Support Your Local Small Museum). The rear inside cover also has a small business-sized card mounted onto it, which is illustrated and printed ("Manitoba Museum of Finds Art | Member in Good Sitting"). This copy is clean, showing only a few light bumps, and the occasional soft crease or light smudge. A nice copy of this fragile, ephemeral work. Fascinating anthology publication that contains literature, art, poetry, photographs, and illustrations ? largely constructed by hand and with care. Guest Editor: Alberta Mayo. Cover by Joanne Rruff. Contributors: Robert Allard, Wendy Cadden, Judy Grahn, George Herms, Louis Hock, Sol LeWitt, Sandra McKee, Jim Nisbet, Christopher Rauschenberg, Joanne Rruff, Hilda Shum, Louise Steinman, and Charley Wong. Dedicated to Taylor Adams.

32 pp.; 17.1 x 25.4 cm.; staple bound; black-and-white; edition size 2000; unsigned and unnumbered; offset-printed; Fall 1976 premiere issue of Choke, edited by Barbara Burden and Jeffrey Gubbins. Contents include: "Editorial;" "Studio as Fortress," by Michael McMillen; "Figueroa Flowers," by George Herms; "Sharp Wits & Hot Tongues," by Tom Wudl; "Consolidated B-24 'Liberator,'" by Margaret Nielsen; "Empty Sky," by Scott Grieger; "Diamond Mind," by Bruce Nauman; "Habitable Environments," by Edward Wortz; "B-Car," by Chris Burden; "Thick Foliage," by Guy de Cointet and "Goodbye to the Bicentennial," by Billy Adler. Very Good / Fine. Light edge-wear with light overall soiling of covers. 4 mm. of bumping to right side edge of publication. Contents clean and unmarked.

60 pp.; 27.7 x 21.1 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; October / November 1977 issue of the periodical "Journal." Edited by Michael Auping. Contents include: "In Memorium: Mitchel David Duggan;" "A Conversation with George Herms," by Susan C. Larsen; "Notes on a Recent Project," by Helen and Newton Harrison; "Some Recent Legislation;" "Book Review," by Richard Armstrong; "A Dialogue with Raul Guerrero," by David Trowbridge; "Crepe de Chine," by Kim MacConnel; "A New-Found Career," by Martha Rosler; "Asians," by Hap Tivey and Melinda Wortz; "For Your Information" "The Visiting Artist," by Peter Plagens. Cover by John Baldessari featuring the artist's personal rubber stamp reading "I SUPPOSE SO." Reference : "John Baldessari Catalogue Raisonné, Volume Six: 2011 - 2019" by Patrick Pardo, Robert Dean, Michael Auping, Philipp Kaiser, David Platzker. New Haven, CT : Yale University Press, 2020, pp. 622. Very Good. Mailed copy with mailing marks and mailing wear and printed address sticker on verso. Edge wear along top edge of verso with a 2 mm. tear. 3 mm. tear to top edge of recto.Light fingerprint and yellow soiling of covers and light creasing near bottom corners of covers. Contents clean and unmarked.

5 vol.: vol. 1: 57 pp. ; vol. 2: 58 pp. ; vol. 3: 42 pp.; vol. 4: 66 pp. ; vol. 5: 50 pp.; 5 vol.: 23.2 x 14.6 cm. (each); glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. Volume I: "The Relationship Between Art and Architecture," held in Santa Monica, CA, January 21-22, 1989. Participants included: Frank O. Gehry, Daniel Buren, Jean-Louis Cohen, Cesar Pelli, Donald Judd, Irving Lavin, Germano Celant, Henry N. Cobb, Christopher Knight, Mildred Friedman, John Chamberlain, Peter Eisenman, Robert Irwin, Michael Graves, Nancy Wexler, Henry T. Hopkins, and Michael Rotondi. Volume II: "Art + Architecture + Society," held in Toronto, Canada, July 22-23, 1989. Participants included: Henry T. Hopkins, Michael Rotondi, Diana Agrest, Lynda Benglis, Scott Burton, Adele Freedman, April Greiman, Alanna Heiss, Craig Hodgetts, Walter Hopps, Catherine Ingraham, Eric Owen Moss, Matt Mullican, Larry Richards, David Ross, Alexis Smith, and Leon Whiteson. Volume III, "Art Fairs : Plans and Process," held in Los Angeles, CA, December 5-6, 1989. Participants included: O. Kelley Anderson Jr., Brian Angel, Dr. Alberto Anfossi, Rosina Gómez Baeza, Dr. Emil Bammatter, Thomas P. Blackman, Van Deren Coke, Michelle De Angelus, Milton Esterow, Anita Kaegi, Claudio Bruni Sakraischik, Allan Schwartzman, Leif Ståhle, Tamara Thomas, Robert Thomson. Volume IV, "Conservation and Contemporary Art," held in Richmond, VA, June 4-5, 1990. Participants included: Henry T. Hopkins, Billie Milam, Albert Albano, James Bernstein, Sharon Blank, Victoria Blyth Hill, Tom Branchick, William Leischer, Carol Mancusi-Ungaro, Ross Merill, Roy De Forest, Tim Ebner, George Herms, Duane Hanson, Rotraut Klein-Moquay, Ida Kohlmeyer, Miriam Shapiro, Paul Brach, Zora Sweet Pinney, and Nora Halpern Brougher. Volume V, "Support for the Arts in Unsupportive Times," held in Los Angeles, CA, December 4-5, 1990. Participants included: Nora Halpern Brougher, Henry T. Hopkins, Cee Scott Brown, Marie Cieri, Pamela Clapp, Gary Garrels, Stanley Grinstein, David Ireland, Steven D. Lavine, Bella Lewitzky, Lisa Lyons, Anne MacDonald, Peter Norton, Max Palevsky, Claire Peeps, Dr. Thomas Reese, Joy Silverman, Tina Summerlin, Ella King Torrey, Joel Wachs, and Frederick R. Weisman. "Twice each year the Frederick R. Weisman Art Foundation conducts workshops dealing with issues of importance to those involved in the creation, exposition, collection, conservation and education of international contemporary art in all of its manifestations. These workshops bring together approximately eighteen experts in closed session for two days. The topic is determined by the Foundation but the direction that conversation takes is determined by the participants. There is no agenda. The workshops are taped, transcribed, edited, published in the present form and distributed to participants, interested parties, museums and libraries." -- Henry T. Hopkins, director. Very Good / Fine. Set of 5 volumes. Light rubbing and yellowing of cover edges and light yellowing of pages, otherwise Fine. Contents clean and unmarked.

First edition. 23 1/4 x 17 3/4 inch illustrated poster. Two old folds, small stain along the left edge. In all, very good.

Zustand: Very Good +. Los Angeles: Fellows of Contemporary Art / Laguna Art Museum, 1992. First Edition; published simultaneously with hardback. Quarto (29cm); 143pp. Publisher's stiff photographic wraps with wide French flaps. Images, black-and-white and color, throughout. Wraps bumped at spine ends and corners. Spine lightly faded and slightly cocked. Binding sound. Textblock, endsheets, and interior pages clean. Very Good or better. A survey of the Los Angeles art scene of the 60s and 70s with special attention paid to the work of Wallace Berman, Eleanor Antin, Robert Heinecken, Douglas Huebler, Ed Ruscha, and others. Published to accompany a traveling exhibition by the same name. Between 1992 and 1994, Proof was shown in six cities in the US.

Zustand: Good. Dealer Catalogue. 18mo. Soft Covers. 24 pp. Very Good. Signed with his first name only with a dedication to Gerry and Paula on the back cover. The "Poet Heroes" included Ata, (Marjorie) Cameron, Kirby Boyle, Diane DiPrima, Philip Lamantia, Michael McClure, David Meltzer, Kenneth Patchen, The Stone Brothers (Wallace Berman & Robert Alexander) and Lew Welch.Color plates. Catalogue accompanies an exhibition at Los Angeles Municipal Art Gallery September 8 to November 1, 1992. Acknowledgments by Edward Leffingwell; main text (essay, titled 'A Drug Store for Artie') by Leffingwell and Herms. Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author.Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA) (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-1977). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.