George charles moore smith (54 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. Smith's study comprises a table of plays performed at Cambridge University during the Renaissance period, an introduction and actor lists. Series: Cambridge Library Collection - Literary Studies. Num Pages: 124 pages, black & white illustrations. BIC Classification: DSB. Category: (P) Professional & Vocational. Dimension: 216 x 140 x 8. Weight in Grams: 180. . 2010. 1st Edition. paperback. . . . . Books ship from the US and Ireland. …

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. xiv, 233 p. : ill., ports. ; 26 cm. ISBN 9780520029996, 9780520037199, 0520029992, 0520037197 OCLC 3289253 LCCN 75007193 LC ML3561.J3 S39 Dewey 785.420973 ; gray cloth in pictorial dust jacket ; Contents: Preface / Chadwick Hansen -- Introductions -- Introducing the Jazz Record 1943 / Art Hodes -- Jazz Record: the first year, 1944 / Art Hodes and Dale Curran -- Jazz Record remembered, 1973 / Art Hodes -- Part 1: Facts Of Life / Art Hodes -- Rainbow cafe -- Everybody's in the union -- Playing for kicks -- Wingy, Louis and me -- Liberty Inn drag -- Jam session -- Cops -- Taxi dance hall -- Big bands: 1 -- Big bands: 2 -- Making a record -- Enlightenment-through radio -- Blues for Bennie -- Blues for the dago -- Blues for Nick and tricky Sam -- Blues for 52nd street -- Part 2: Beginnings-Blues, Boogie-Woogie And Ragtime -- Cow cow and the boogie-woogie / Cow Cow Davenport -- Mama don't low no music / Cow Cow Davenport -- Blues in his heart / Jasper Wood -- Rag alley story / Rudi Blesh -- Little brother / Eurreal Montgomery -- Preserve genuine early ragtime / S Brunson Campbell -- They all had it / S Brunson Campbell -- Scott Joplin / R J Carew -- Baby, I done got wise / William "Big Bill" Broonzy -- Memories of Bessie Smith / Carl Van Vechten -- Bessie Smith / Art Hodes -- Really the blues / Milton (Mezz) Mezzrow -- I remember the queen /Zutty Singleton -- Part 3: New Orleans And All That Jazz -- New Orleans trumpeters / Cy Shain -- Jazz music of the gay '90s / John A Provenzano -- Mardi Gras, chic la pai / John A Provenzano -- Mr Armstrong and Mr Robbins / transcribed by Lorraine Lion -- When Armstrong came to New York / Kaiser Marshall -- King Oliver's last tour / Fred Moore -- King's nephew / Dave Nelson, as related to Danny Barker -- Mostly about Morton / Omer Simeon -- Oh, Mr Jelly / Charles Edward Smith -- Oh, play that thing / Warren "Baby" Dodds -- Forty-eight years on the string bass / Pops Foster -- Blues for Jimmy / Vincent McHugh -- Tribute to Joe Darensbourg / John Wittwer -- Once upon a time / Eddie Edwards -- Kid Ory / Alma Hubner -- Letter from Bunk / Bunk Johnson -- Jam session with Bunk / Lewis Eaton -- Play number nine / George Lewis -- New Orleans trombone / Jim Robinson -- Big eye Louis Nelson / Robert Goffin -- Part 4: Second Line -- Baby Dodds knew how / George Wettling -- Drummer from Chicago / Earl Wiley -- Drummer Danny / Bob Aurthur -- Kazoo come on / Jack Bland -- As I knew Eddie Lang / Jack Bland -- Idyll of the kings / Amy Lee -- Riverboat Jess / Mary Peart -- Barrelhouse Frank Melrose / Pete Daily -- Davenport piano / Floyd Bean -- Portrait of George Bruni(e)s / Amy Lee -- Modest George / Harvey Lebow -- Bud Freeman said it / Jasper L Wood -- Pee Wee's soul is music / Alma Hubner -- Rod Cless as I knew him / Ray Cless -- Muggsy Spanier / Alma Hubner -- Hear that ragtime band / Dale Curran -- Wild William / Bob Aurthur -- Talking about boze / Mary Peart -- Dixieland, twin city style / Paul (Doc) Evans -- Gentleman of jazz / Fats Baker -- Music is a business / Fats Baker -- Village tavern league / George Avakian -- Musicians are independent / G F Quittner -- Part 5: Lest We Forget -- Gram-o-phone days / Dale Curran -- Recording with Panassie / Mezz Mezzrow -- I'm a sweet Papa Pigment / Alsion Blair -- St Louis Jazzman / Ed Crowder and A F Niemoeller -- Drums on the Mississippi / Harry Dial -- Everybody loves Cecil / H B M -- Music is my business / Henry Goodwin -- Fats Waller and James P / James McGraw -- Trouping with Fats Waller / Gene Sedric -- You got to be original, man / Allan Morrison -- Sidney Bechet, musical father to Bob Wilber / Al Avakian -- Selections from the gutter / Art Hodes ; FINE/FINE. Book.…

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Hardcover. Zustand: Good. Undated, circa 1880's, good condition, light wear to extremities, some marks to boards, corners bumped, internally the text block is square & tight with light age spotting, original owners bookplate. George Cruikshank and Phiz (illustrator).

Taschenbuch. Zustand: Neu. Neuware - 'College Plays Performed in the University of Cambridge' provides a comprehensive historical survey of the rich theatrical traditions within the halls of one of the world's oldest academic institutions. G.C. Moore Smith meticulously documents the production of plays across various Cambridge colleges, offering profound insight into the academic and cultural life from the medieval period through the Renaissance. This work examines the evolution of drama in a university setting, tracing the transition from Latin academic plays to the flourishing of vernacular English performance. By cataloging performance records, identifying student authors and actors, and describing the unique staging conditions of the time, Smith preserves a vital chapter of literary and educational history. The study illuminates how these collegiate stages served as crucial training grounds for early dramatic forms, ultimately influencing the professional playwrights of the Elizabethan and Jacobean eras. This scholarly exploration remains an essential resource for readers interested in the history of British theater, Renaissance literature, and the intellectual milieu of Cambridge University. It highlights the enduring connection between academic life and the performing arts, capturing the vibrant creative spirit of university scholars throughout the centuries.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Taschenbuch. Zustand: Neu. Neuware - Edward the Third is a play written by the world-renowned playwright, William Shakespeare. The play is based on the historical events of the reign of Edward III of England. With poetic language and engaging characters, Shakespeare brings the medieval world to life and offers insights into the human condition. This play is a must-read for anyone interested in literature and history.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…