george a storey (12 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Zustand: Very Good. Gilbert, Sir John; H. S. Marks; John Tenniel;; G. A. Storey; George Du Maurier; Charles Keene; Linley Sambourne; Harry Furniss et alia. (illustrator). Facsimile of Punch's Almanack for 1882. Quarto, paper covers, some browning otherwise in very good condition, printed on heavy paper, staple binding, including covers 22 pages. [QP].

Zustand: New. In.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book is part of the TREDITION CLASSICS series. The creators of this series are united by passion for literature and driven by the intention of making all public domain books available in printed format again - worldwide. At tredition we believe that a great book never goes out of style. Several mostly non-profit literature projects provide content to tredition. To support their good work, tredition donates a portion of the proceeds from each sold copy. As a reader of a TREDITION CLASSICS book, you support our mission to save many of the amazing works of world literature from oblivion.

Taschenbuch. Zustand: Neu. Neuware - Unlock the secrets of visual representation with George Adolphus Storey's 'The Theory and Practice of Perspective.' This classic treatise on drawing technique provides a comprehensive exploration of perspective, essential for artists, architects, and anyone interested in technical drawing. Delve into the fundamental principles that govern how we perceive and depict three-dimensional space on a two-dimensional surface. A valuable resource for both students and seasoned professionals, this book offers clear explanations and practical guidance, emphasizing the relationship between theory and application. Whether you're studying art, architecture, or simply seeking to improve your drawing skills, 'The Theory and Practice of Perspective' offers timeless instruction. Explore the intricacies of perspective drawing and gain a deeper understanding of architectural representation with this carefully prepared print edition. A cornerstone text in the field of art instruction, it offers enduring insights into the art of creating realistic and compelling images.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Taschenbuch. Zustand: Neu. The Theory and Practice of Perspective | George A. Storey | Taschenbuch | Englisch | 2025 | E-Kitap Projesi & Cheapest Books | EAN 9786256235892 | Verantwortliche Person für die EU: Bookmundo, Delftsestraat 33, 3013 AE ROTTERDAM, NIEDERLANDE, info[at]bookmundo[dot]com | Anbieter: preigu.

Buch. Zustand: Neu. Neuware - Unlock the secrets of visual representation with George Adolphus Storey's 'The Theory and Practice of Perspective.' This classic treatise on drawing technique provides a comprehensive exploration of perspective, essential for artists, architects, and anyone interested in technical drawing. Delve into the fundamental principles that govern how we perceive and depict three-dimensional space on a two-dimensional surface. A valuable resource for both students and seasoned professionals, this book offers clear explanations and practical guidance, emphasizing the relationship between theory and application. Whether you're studying art, architecture, or simply seeking to improve your drawing skills, 'The Theory and Practice of Perspective' offers timeless instruction. Explore the intricacies of perspective drawing and gain a deeper understanding of architectural representation with this carefully prepared print edition. A cornerstone text in the field of art instruction, it offers enduring insights into the art of creating realistic and compelling images.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

LETTER ONE (to Wolfestan): 4pp, 12mo. Bifolium. Damage to text (including signature 'E. A. Storey') along inner edge of last page by clumsy removal from mount, repaired with archival tape. Otherwise in good condition, lightly aged. Folded. Wolfestan's letter is 'capital' and he hopes he will send it 'as it exactly backs up my own statement'. On thte previous day he saw and responded to 'the letter of G Roberts': 'the fact is that in the lecture itself I spoke of the scientific theories & said that although they were deeply interesting they were of little use to painters who had to deal with pigments or paints and not with those elements of light which cause the various sensations to the red-seeing or gree-seeing or violet seeing nerves'. He considers the 'report in the Builder' 'very imperfect and disjointed, made by an utter ass', and he does not think there is 'a single sentence in it that I could fairly say is mine'. If he publishes the lecture he will send it to him. Returning to Wolfestan's letter he finds that it 'will go far to explain the difference between artists and scientists on the subject of colour'. LETTER TWO (to Mrs A'Beckett'): 3pp, 12mo. Bifolium on grey paper. Damp staining on blank reverse of second leaf, otherwise in good condition. He and his wife were looking forward to her 'at home', but could not attend because he had to write a memoir of his brother-in-law, whose death took place the day after he saw her. 'It was for 'The Magazine of Art' and of couse was wanted immediately, in fact almost by return of post, and I could not get it finished till late last evening.' He exclaims, 'What wretches printers are and even editors, sometimes, have no patience, no mercy, their only motto being "Hurry up" -'.