George a rich (9 Ergebnisse)

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  • Sprache: Englisch

    Verlag: HardPress Publishing, 2018

    0461644568 / 9780461644562

    • Softcover

    Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes KönigreichPBShop.store UK

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    Zustand: Neu

    EUR 15,36

    EUR 3,88 Versand 
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    Anzahl: 15 verfügbar

    PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

  • Verlag: Lane Publishing Co.

    • Hardcover

    Anbieter: ThriftBooks-Dallas, Dallas, TX, USAThriftBooks-Dallas

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    Zustand: Gebraucht - Ausreichend

    EUR 14,63

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    Hardcover. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

  • Verlag: Lane Publishing Co.

    • Hardcover

    Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USAThriftBooks-Atlanta

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    Zustand: Gebraucht - Befriedigend

    EUR 14,63

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    Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

  • Verlag: Sunset Magazine

    Anbieter: Wonder Book, Frederick, MD, USAWonder Book

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    Verbandsmitglied: ABAAILAB

    Zustand: Gebraucht - Befriedigend

    EUR 16,45

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    Zustand: Good. Good condition. (Guide, Fireplaces, Cooking) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

  • Verlag: Sunset Magazine

    Anbieter: ThriftBooks-Dallas, Dallas, TX, USAThriftBooks-Dallas

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    Zustand: Gebraucht - Befriedigend

    EUR 31,09

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    Unknown. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

  • Sprache: Englisch

    Verlag: HardPress Publishing, 2020

    0461644568 / 9780461644562

    • Softcover

    Anbieter: moluna, Greven, Deutschlandmoluna

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    Zustand: Neu

    EUR 19,32

    EUR 48,99 Versand 
    Versand von Deutschland nach USA

    Anzahl: Mehr als 20 verfügbar

    Zustand: New. KlappentextrnrnThis is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the origina.

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    Zustand: Gebraucht - Sehr gut

    EUR 58,58

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    Soft cover. Zustand: Fine. 4th Edition. 4th ed ; 80 pages : illustrations ; 28 cm OCLC 42370499 ; photographic stiff paper wrappers ; February 22-24, 1991 ; Founded in 1988 by author, collector, and former high school English teacher Bruce Johnson, the Arts & Crafts Conference and Antiques Show has been recognized for more than two decades for its dedication to the education of the Arts & Crafts collector. Each February, the National Arts and Crafts Conference brings to The Omni Grove Park Inn & Spa the foremost authorities, authors, dealers, publishers, speakers, and craftspersons from across the country-all assembled yearly in one historic hotel for one landmark weekend. New collectors learn more here in one weekend than they can in an entire year anywhere else. Experienced collectors keep returning to renew treasured friendships and increase their knowledge and appreciation for the Arts & Crafts movement. ;The historic Grove Park Inn, now owned by Omni, is a perfect Arts & Crafts destination. Its interiors a tribute to the Arts and Crafts era of design, this Asheville historic hotel attracted the affluent and middle class of the early 20th Century with its reputation as a house of healing and comfort amidst the Blue Ridge Mountains. This tradition continues today as its one of a kind subterranean spa, its gorgeous sunset terrace views, and comforting natural interiors attracts visitors from all over, including many U.S. Presidents. Seminars and craft shows take place in Arts & Crafts-movement hotspots around the country. The one not to miss is the largest: a three-day conference and simultaneous antiques and juried contemporary crafts and furnishings shows, held in the Blue Ridge Mountains at the Grove Park Inn. At the shows, over a hundred antiques vendors and contemporary craftspeople fill multiple rooms and line the corridors of one wing; you'll see furniture, pottery, textiles, metalwork and jewelry, lighting, fine art But what makes this conference so special is its focus on education-deep learning. Hands-on workshops cover such things as embroidery and printmaking. Lectures are offered, and small affinity groups meet (pottery collectors, say, or people researching native plants in Arts & Crafts-era gardens). Opportunities run almost around the clock. House tours and walking tours are arranged.The skylit subterranean spa-"43,000 square feet of peace and quiet"-has mineral pools, therapeutic waterfalls, a lap pool with underwater music, eucalyptus steam rooms, fireside lounges with healthy snack options . . . and a full complement of treatments including European facials, body wraps, and massage. Dealers not only show their wares (both old and new) but also participate as lecturers and small group discussion leaders, generously sharing their knowledge with attendees, who range from entry-level to mature collectors. ; Contents: Architecture of the Arts & Crafts Movement / Wilbert R Hasbrouck -- George Ohr: The mad potter of Biloxi / Dr. Eugene Hecht -- Walt Whitman: Poet for the American Arts & Crafts Movement / A. Patricia Bartinique -- The best of the rest: Stickley Brothers, Lifetime & Other Mission furniture / Christian G. Carron The Grove Park Collection: An Arts & Crafts tour / Bruce E Johnson -- We grew from a school: Biltmore Industries / Bruce E Johnson -- Arts & Crafts textiles: Sorting out the tangled threads / Gillian Moss -- A new face at the Grove Park Inn / Bruce E Johnson ; magnifying glass from Capital Arts & Antiques is present in its slipcase ; small mark on front cover, else FINE. Book.…

  • Zustand: Gebraucht

    EUR 114,41

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    [8] pp.; 22.8 x 15.3 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christminster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. Artists include Stephen Aljian, Alan Belcher, Paul Benney, Zeke Berman, Ellen Berkenblit, Keiko Bonk, Tom Brazelton, Barry Bridgwood, Nancy Brooks Brody, Chris Chevins, Craig Coleman, Rich Colicchio, Michael Collins, George Condo, Gregory A. Crane, Mark Dean, Jimmy de Sana, Futura, Robert Garratt, Dana Garrett, Judith Glantzman, Arthur Gonzalez, Rodney Alan Greenblat, Kathleen Grove, Richard Hambleton, Kiely Jenkins, Sermin Kardestuncer, Elizabeth Koury, Stephen Lack, Leora Laor, Robert Loughlin, Paul Marcus, Frank Moore, Peter Nagy, Michael Ottersen, Steven Parrino, Rick Prol, Hope Sandrow, Michael Sangaris, Bruno Schmidt, Peter Schuyff, Huck Snyder, Ahbe Sulit, Frederick Sutherland, Meyer Vaisman, Oliver Wasow, Dondi White, David Wojnarowicz, Robert Yarber, Zephyr, and Rhonda Zwillinger. "The exhibition includes work from seventeen galleries located in the East Village or the area east of Second Avenue, just below Houston Street: CASH, Christminster, Civilian Warfare, East 7th Street Gallery. Executive Gallery, 51 X, Fun Gallery, Garet/ Kohn Gallery, Gracie Mansion. International with Monument, Nature Morte, New Math, Oggi-Domani, Pat Hearn. Piezo Electric, P.P.O.W. and Sharpe Gallery. Work by artists associated with the galleries have been selected by the individual gallery directors, and Helene Winer, organizer of the exhibition. Helene Winer is a past Director of Artists Space and currently co-owner of Metro Pictures a commercial gallery in SoHo. As part of Artists Space''''s celebration of its 10th anniversary season, she has organized this exhibition to examine a growing number of artist organized commercial exhibition spaces. Ms. Winer''''s past experience with the non-profit art community and her present position in the commercial art world offer a unique outlook on this new trend. In keeping with Artists Space''''s support of new art through both its Exhibition Program and Grants Program, NEW GALLERIES OF THE LOWER EAST SIDE is a look at a new outlet for emerging art: an outlet which straddles the lines between the artists cooperative, the non-profit alternative space, the artist organized independent exhibition and the commercial gallery. NEW GALLERIES OF THE LOWER EAST SIDE acknowledges the recent appearance and rapid proliferation of more than twenty commercial art galleries that are introducing new artists and art. This phenomenon has created overnight, it seems, active new exhibition outlets for artists, an on-going vehicle for massive social opening events, a Sunday activity for the art audience, a new map in the Gallery Guide and a new focus of excitement and energy in the art community. The galleries are now numerous and offer more than the aesthetic that was first presented by the pioneers (Gracie Mansion, Fun Gallery and 51 X) and which has come to be associated with the East Village. They are very professional enterprises that intend to provide serious support and attention to the artists they show. Many of the galleries are artist owned. The artist/owners who converted storefronts to studios have now converted these studios to galleries. Most of these owners work at jobs separate from the gallery to support the activity and many live ''''behind the shop." The East Village Eye and New York Beat play the role that the SoHo News and the Village Voice did for SoHo and Tribeca. The East Village and the Lower East Side of New York has been an area many artists moved to, since SoHo and then Tribeca have been increasingly gentrified, a fate that may now befall the East Village itself. Over the years the art community has found ''''alternative'''' means of creating needed opportunities for artists to exhibit their work to at least their peers, and occasionally to a broader audience. In the fifties. New York artists opened cooperative galleries on Tenth Street. Later, alternative spaces opened with government funding: commercial galleries moved from Uptown to Downtown for both space and accessibility to the artists. community artists organized their own temporary exhibitions such as the Times Square Show, and now, in a period of two years, some 25 commercial galleries have opened on the Lower East Side, the majority in 1983."--from exhibition press release Very Good / Fine. Light yellowing of cover edges, otherwise Fine. Contents clean and unmarked. …

  • Zustand: Gebraucht

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    unpaginated; 27.3 x 17.9 cm.; staple bound; duotone; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Newcomb Gallery, Tulane University, New Orleans, May 1981. Traveled to PS1, Long Island City, NY, April - May 1982; Planfield, New Jersey, August, 1982; Contemporary Arts Center, January 1983; Art Cars life size conversion for Krewe of Clones, Mardi Gras, new Orleans (featuring a car by Linda Benglis) and Barbara Gillman Gallery, Florida, February 1983. Concept and curation by Emery Clark. Artists included: Ron Filson, Mark Grote, Francie Rich, Mignon Faget, Missy Maloney, Tina GIrouard, Bob Tannen, Didi Susan Dubelyew, Issa Eismont, George Dudley, Peter Balintffy, Pat Ball, Charlotte Curley, Ersy, Jesselyn Benson Zurik, Pat Jessee, Beverly Overton, Lynda Benglis, Dona Lee Lief, Franc Palaia, Michelle Milosh, John Wallace, Deborah J. Winsten, Dale Milford, Brian A. Thompson, Jacqueline Humphries, Richard Tuttle, and many, many others. Good / Very Good. 5 cm. dog-ear to lower right corner of recto and title page with two 4 mm. tears and a 6 mm. tear to upper edge of recto. Moderate yellowing of paper from age. Contents clean and unmarked. …