Sprache: Englisch
Verlag: Bay Foreign Language Books, 2002
ISBN 10: 8086223094 ISBN 13: 9788086223094
Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Zustand: Acceptable. Item in acceptable condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
Sprache: Englisch
Verlag: Bay Foreign Language Books, 2002
ISBN 10: 8086223094 ISBN 13: 9788086223094
Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: Bay Foreign Language Books, 2002
ISBN 10: 8086223094 ISBN 13: 9788086223094
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: Bay Foreign Language Books, 2002
ISBN 10: 8086223094 ISBN 13: 9788086223094
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.
Hardcover. Zustand: Good.
Hardcover. Zustand: Very Good. Has a remainder mark.
Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Zustand: New. Num Pages: 160 pages, 1. BIC Classification: AVGJ. Category: (G) General (US: Trade). Dimension: 302 x 236 x 14. Weight in Grams: 786. . 2013. paperback. . . . . Books ship from the US and Ireland.
Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
EUR 10,71
Anzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: Very Good.
Sprache: Englisch
Verlag: Bay Foreign Language Books, 2002
ISBN 10: 8086223094 ISBN 13: 9788086223094
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
EUR 20,63
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.
Verlag: Baset Books, Prague, 2008
ISBN 10: 8086223094 ISBN 13: 9788086223094
Anbieter: Antiquariat Puderbach, Dresden, Deutschland
5th edition. Paperback 20x14 cm, cover moderately worn, 335 pages. Gewicht in Gramm: 420.
hardcover. Zustand: Very Good.
hardcover. Zustand: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.
Softcover. Zustand: Fair. Spuren von Feuchtigkeit / Nässe; Leichte Rillen / Abschürfungen / Risse / Knicke. For the love of Prague : from the tragedy of communism to the comedy of capitalism. Od tragédii komunismu, ke komedii kapitalismu.
EUR 20,21
Anzahl: 15 verfügbar
In den WarenkorbHardcover. Zustand: Fine. New & unread, however may have light shelf wear to cover face, edges or corners. Shipped from the UK within 2 business days of order being placed.
EUR 22,30
Anzahl: Mehr als 20 verfügbar
In den WarenkorbHardcover. Zustand: New. Shipped from the UK within 2 business days of order being placed.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 45,85
Anzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 1st edition. 128 pages. 9.50x12.00x0.75 inches. In Stock.
Verlag: Rubinstein
ISBN 10: 9047603249 ISBN 13: 9789047603245
Anbieter: Mooney's bookstore, Den Helder, Niederlande
Zustand: Very good.
EUR 66,07
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 1st edition. 160 pages. 9.50x12.00x0.50 inches. In Stock.
Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Verlag: Rubinstein
ISBN 10: 9047603249 ISBN 13: 9789047603245
Anbieter: Mooney's bookstore, Den Helder, Niederlande
Zustand: Very good.
Verlag: By the author (1968), no place, 1968
Anbieter: G. F. Wilkinson Books, member IOBA, GRASS VALLEY, CA, USA
Verbandsmitglied: IOBA
Hardcover. Zustand: Fine. Unpaged; (98) pp. ; 5' x 8 1/2"; plain red cloth over boards; tan endpapers; hand-drawn and colored drawings on each page (you can feel the ink on the paper's surface). Designed in the form of a flip book, which format Deitch had used in 1967 with "Nudnik, the cut finger fumble", published by Cinémathèque Canadienne occasion of the World Retrospective of Animation Cinema as part of Expo 67. This work appears to have never been published in book form, but was produced as a film. The book appears to be unique, bound as a 'pitch bible' for The Giants. There are several pastedown replacements/edits on pages form textual parts, to half, to whole page. It appears that some leaves, are actually two pages stuck together, as another way of removing or editing parts, or reusing the back side of a page to redraw a part. One of these was just separated enough to be able to see partial drawings 'inside' so to speak. Eugene Merril Deitch (born August 8, 1924) [1] is an American illustrator, animator and film director. Based in Prague since 1959, Deitch is known for creating animated cartoons such as Munro, Tom Terrific, and Nudnik, as well as his work on the Popeye and Tom and Jerry series. The background leading up to the creation of The Giants as a film, as well as its sensational reception and subsequent banishment, is a fascinating and complex drama. The inspiration for the story, according to Deitch, was the Israeli - Palestinian conflict: "But first, back to the dilemma of the offer by the Czechs to back an original film by me. I didn't want to offend them with an all-out no. I just said that I couldn't afford to do a film without a hard-currency backer. But that didn't stop me from thinking about the idea, and a statement I had long wished to make about the futility of violence - violence begetting counter-violence. The seemingly endless blow and counter-blow between Israel and the Palestinian was on my mind. It had been going on a long time already in the mid-60s, and as of this writing it is still going on. So even though I couldn't make such a film for the Czechs, (The Prague government at that time strictly backed the Palestinian - no evenhanded story about that could possibly be filmed here, however I might mask it. ) But I nursed a hope that I might someday find a backer, so I worked up a storyboard. I titled it, 'The Giants'." It was to be staged with symbolic characters, two equally ugly, snarling, spitting dwarfish figures, one solid blue, and the other a flaming magenta, on a deathly landscape. They hurl venomous insults at each other, to the constant, irritating, rasping sound of locusts. One dwarf loudly calls out the name of his protector. Thunderous, earthshaking footsteps are heard, and giant feet and legs, the same color as the summoning dwarf, stride in and stand behind him. Then the other dwarf turns and calls out the name of his protector. More thundering footsteps, and a giant of his color strides in. Then the two dwarfs goad each of their giants to engage in a series of blows and counter blows. After numerous drastic exchanges, and a devious peace conference, the two giants ultimately abandon their two irreconcilable clients to fight it out by themselves. But the mean-spirited dwarfs have no stomach for personal battle, and so cling together in a terrified embrace, repeatedly moaning," How will we get along without our protectors?" "I got the wildest designer in the country, Vratislav Hlavat_, to give the film the highly bizarre look the story demanded. Hlavat was not only a wild designer, but also a wild adventurer. He and few other hot-eyed pals were flying on natural gas in homemade balloons! I brought in my most promising assistant, Milan Klikar, to do the layouts. Then, just as we were ready to begin animation, the Russians came in! After a week of terror, I put Zdenka and the Giants layouts in my little Saab car, and drove over the border to Austria. I couldn't take a chance of being expelled from the country,