Gavin robbins (13 Ergebnisse)

Zustand: New. What is the future of Continental philosophy of religion? This title includes essays that address the new thinkers and movements that have gained prominence since the generation of Derrida, Deleuze, Foucault, and Levinas and how they will reshape Continenta.

Zustand: New. What is the future of Continental philosophy of religion? This title includes essays that address the new thinkers and movements that have gained prominence since the generation of Derrida, Deleuze, Foucault, and Levinas and how they will reshape Continenta.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. 383 Pp. Black Cloth, Stamped In White And In Blind. Book Fine Except For Previous Owner's Information On Front Pastedown Hidden By The Dj Flap. Dj With Just A Touch Of Rubbing At Corners, Price Clipped, 1/8" Tear At Bottom Of Rear Spine Edge. Book Signed By Alan Crawford, Pamela Robertson, And One Other (Indecipherable Name). With A 1" Thick Group Of Softcover Books And Booklets, Other Publications, Announcements, And Extracted And Photocopied Articles, All Recent And Around The Time Of The Exhibition. Color And B/W Photographs Throughout (illustrator). Signed by Author(s).…

Soft cover. Zustand: Very Good. 1st Edition. 4. - 383pp - 249 Color & B/w reproductions. published as Exhibition Catalogue: Glasgow museums, MacLellan Galleries May 25 - September 30, 1996. Fist edition (paper). Text in English. Original wrappers. Very good condition.

HC. First Edition unpaginate, 20 pp., Illustrations The Illustrations in this book are printed letterpress from line blocks made from proofs of the original linocuts. The inks used are Fishburn's Colour Finder and Fishburn's black letterpress AP3189. The paper is Wiggins Teape All British Fluorescent shade smooth s/o 22x30 200 gsm. The case is printed letterpress on Tumba Tre Kronor cover paper No. 10338 with Fabriano Ingres Blue Laid end papers. Typeface: Monotype Univers Light. (685). Scarce edition. Upper corner bruise through paper, lower corner lightly bruised. Faint staines on cover, 1 larger, some little dots. Clean inside. No dust jacket, as issued. Gavin Robbins, Illustrator, (illustrator).…

Hardcover. Zustand: Fine. First edition. Oblong quarto. Illustrated cloth. Fine. Issued without dust jacket.

ff. [10]. 6 linocuts printed in colour [2 x red : 2 x green : 2 x blue]. Light maroon paper boards, lettered in black, a very small bump to the foot of the spine and a small mark on the fore-edge of the front board, the rear board a little scuffed and marked.

No Binding. Zustand: Fine. No Jacket. First Edition. Thistles, no. 14 of only 40, signed by the artist and poet in pencil, printed in red and black, slight creasing from being rolled, image 520 x 420 mm. on sheet 620 x 490 mm., [Sagar & Tabor A15a.1, Exeter Collage of Art, 1967]From the ?ÄòGravestones?Äô series. Signed by Author.…

Unbound. Zustand: Fine. Broadside. Illustrated with linocuts by Gavin Robbins. Measuring 18" x 23". Rolled else fine with a tiny bit of creasing at one corner, far from the image. Copy 8 of 75 printed, Signed beneath the image by both Hughes and Robbins. The two had previously collaborated on a large six-broadside portfolio titled *Gravestones* in 1967. (N.B. *OCLC*11 copiesincorrectly attributes the linocuts to "Gary Robbins.").…

Unbound. Zustand: Fine. Broadside. Illustrated with linocuts by Gavin Robbins. Measuring 18" x 23". Rolled else fine. Copy 2 of 75 printed, Signed beneath the image by both Hughes and Robbins. The two had previously collaborated on a large six-broadside portfolio titled *Gravestones* in 1967. (N.B. *OCLC*11 copiesincorrectly attributes the linocuts to "Gary Robbins.") Sagar & Tabor A19. …

Unbound. Zustand: Near Fine. Large broadside. Image measuring 25" x 12½" on approximately 36" x 24" paper. Loosely rolled, some light marginal creasing and one tiny tear far from the image, a bit of light tanning, a bright, near fine copy. Copy 20 of 40 printed, as part of a six-broadside portfolio titled *Gravestones*. *Sagar & Tabor* A15.a.1; "The publication of these broadsides is very hazy; it is unlikely that there was a formal date of publication or a fixed price." Published in book form (in much smaller format) in 1968, the introduction acknowledges that they were created at the Exeter College of Art. *S&T* also quote Hughes as writing "[Robbins] made it as a project on [sic] his art course. ." A large and striking broadside with a small limitation.…

Unbound. Zustand: Near Fine. Large Broadside. Image measuring 12" x 25" on approximately 24" x 36" paper. Loosely rolled, a bit of light marginal creasing far from the image, four tiny spots in the right margin, and a bit of light tanning around the image, a bright, near fine copy. Copy 19 of 40 printed, as part of a six-broadside portfolio titled *Gravestones*. *Sagar & Tabor* A15.a.1; "The publication of these broadsides is very hazy; it is unlikely that there was a formal date of publication or a fixed price." Published in book form (in much smaller format) in 1968, the introduction acknowledges that they were created at the Exeter College of Art. *S&T* also quote Hughes as writing "[Robbins] made it as a project on [sic] his art course. ." A large and striking broadside with a small limitation.…

Unbound. Zustand: Near Fine. Large Broadside. Image measuring 17" x 32½" on approximately 24" x 36" paper. Loosely rolled, some light marginal creasing not affecting the image, and a bit of faint tanning almost not worth mentioning, a bright, near fine copy. Copy 18 of 40 printed, as part of a six-broadside portfolio titled *Gravestones*. *Sagar & Tabor* A15.a.1; "The publication of these broadsides is very hazy; it is unlikely that there was a formal date of publication or a fixed price." Published in book form (in much smaller format) in 1968, the introduction acknowledges that they were created at the Exeter College of Art. *S&T* also quote Hughes as writing "[Robbins] made it as a project on [sic] his art course. ." A large and striking broadside with a small limitation.…