garton john (27 Ergebnisse)

Paperback. Zustand: Very Good. East of York: Photographic Memories of Tang Hall Heworth and Lawrence Street This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Hardcover. Zustand: Very Good. Dust Jacket Included. 1990. Natural History. University Press of Kansas. 197p., very good cloth and dust jacket. 10/25.

Paperback. Zustand: As New. No Jacket. Garton, Dr. John (illustrator). Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Brand New. 74 pages. 9.00x6.00x0.19 inches. In Stock.

Paperback. Zustand: Brand New. 142 pages. 9.00x6.00x0.36 inches. In Stock.

Zustand: New. In.

Zustand: New. In.

Zustand: New. Garton, Dr. John (illustrator). In.

Paperback. Zustand: Brand New. 1st edition. 332 pages. 9.13x5.98x0.94 inches. In Stock.

Paperback. Zustand: Brand New. 1st edition. 366 pages. 9.00x6.00x0.92 inches. In Stock.

Paperback. Zustand: Brand New. 358 pages. 6.00x0.90x9.00 inches. In Stock.

Zustand: Good. Paperback, kaart, 8vo.

Hardcover. Zustand: As New. Still shrinkwrapped. Accompanying an exhibition of the same name at the MFA in Boston, which is the first major exhibition dedicated to the artistic rivalry of the three greatest Venetian painters of the sixteenth century. This was at a time when Venice was one of the richest and largest cities in Europe and demand for paintings was a fertile climate for competition and innovation. Essays range from examinations of new techniques to essential institutions such as state commissions and the patronage system. This is a heavy item and may require additional postage if being shipped outside of Europe. 9781848220225 4to. Exhibition Catalogue.

Broché. Zustand: Etat satisfaisant. in-8 Description :192 pp. Rayures sur la couverture. Langue : français Nb de volumes : 1.

Zustand: New. Garton, Dr. John (illustrator).

Taschenbuch. Zustand: Neu. Garton, Dr. John (illustrator). Neuware.

hardcover. Zustand: New. 1st.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: Used - Very Good. Used - Like New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Illustrated Boards. Zustand: Near Fine. Eric Ravilious (illustrator). Text volume without portfolio. Edition A. This is copy 18 of 75 copies. 48 pp. Line block design on tipped-in fine paper. 31 wood engravings reproduced at actual size in line block. Cloth spine with paper title label over patterned boards. Clean. This book commemorates the fiftieth anniversary of the death of Ravilious. 0906030285 8vo.

Zustand: New. 2008. 01st Edition. Hardcover. . . . . . Books ship from the US and Ireland.

Buch. Zustand: Neu. Neuware - Of the triumvirate of sixteenth-century Venetian painters, Titian, Veronese, and Tintoretto, Paolo [Caliari] Veronese (1528-1588) best conveyed Venice's civic splendor. His masterpieces in the Doge's Palace conferred on the Republic a magnificence and authority that was rapidly dwindling by the end of the Renaissance. But on a private level, he also reshaped the fashions of the Serenissima through a steady stream of portrait commissions. Many members of Venice's most elite families sat for Veronese, as did notable artists and authors, including Titian and Sir Phillip Sidney. Once regarded as Venice's best portraitist, his talents in this genre unfortunately remain largely unknown to modern audiences. This book offers the first comprehensive study of the approximately forty portraits that survive. Shedding new light on early works, such as the pendants of the Da Porto and the frescos of the Barbaro in the Palladian villa at Maser, Professor Garton also examines Paolo's images of women within the larger polemics surrounding the anonymous beauties of Giorgione, Palma il Vecchio, and Titian. The author analyzes Veronese's innovations in martial portraiture, melancholic portrayals of artists and nobility, and evocations of the antique. Relevant issues of social history, class insecurity, and poetic convention are all brought to bear in deciphering the meanings of these images and what they reveal about the painter and his clientele. This layered study of Venice's golden age of painting ends appropriately with a glance at the 'moderns' who profited most from the study of Veronese's portraits: Jean-Baptiste Carpeaux, Henri Fantin-Latour, Mary Cassatt, and Henri Matisse. A complete catalogue of Veronese's portraits follows the chapters.

First Edition. Near fine paperback copy; wrapper edges very slightly dulled. Remains well-preserved overall; tight, bright, clean and especially sharp-cornered. Notes; Signed by five of the contributors : John Garton, Jerry Nolan, David Sexton, Raymond Chapman, Peter Berresford Ellis. Physical description; xii, 212 pages ; 24 cm. Notes; Foreword and two contributions by Seamus Heaney ("In Memoriam Francis Ledwidge" and "To Edward Thomas on the Lagans Road"). Compiled by John Garton and Cat Blake. Subjects; Battle of Fontenoy. 1745. Irish history. Wild Geese. Irish literature. 21st century. Irish Literary Society. 3 Kg.

Hardcover. Zustand: NF. Zustand des Schutzumschlags: dj. First Edition. Small 4to 9" - 11" tall; 87 pages; Signed by Author & Illustrator. Near Fine in Fine+ dust jacket. Multi-author novel, with a chapter for each of the 13 authors and illustrated by Alex McVery. Signed by all 14 contributors in a limitation of 550 copies, this being the PC copy. Book is near fine with only issue being a closed tear on the side of the 2nd autographed page, book is otherwise as new, unread. Dust jacket as new with a clear protective cover. The 1st of the Signature Series. Signed.

First edition, first printing. Limited edition. Publisher's original patterned paper covered boards over blue cloth spine, with titles in red on a paper label to the spine. Illustrated throughout in black and white with 31 wood block engravings by Eric Ravilious. Original tipped in wood engraving made by Eric Ravilious for the title page of the 'Travel' category for the Dent Everyman Library. Set in Perpetua which was designed by Eric Gill c1925 and was used by Dent to accompany Ravilious's 'Everyman' Designs from 1935 - 1953. Printed by Michael Mitchell at the Libanus Press on Zerkall mould-made paper and bound by Smith Settle. A fine copy, the binding square and firm, the contents are clean throughout and without inscriptions or stamps. Issued in a edition of 425 copies of which this is number 325. There was also an edition of 87 copies, numbered in Roman numerals, which accompanied a portfolio of twenty original wood engravings by Eric Ravilious. Published to commemorate the 50th anniversary of Eric Ravilious's death in September 1942. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

Cloth binding under dustjacket, 268 pages, 220 x 280 mm, illustrations: 135 b/w, 52 col. English text. *fine copy. ISBN 9781905375233. Of the triumvirate of sixteenth-century Venetian painters, Titian, Veronese, and Tintoretto, Paolo [Caliari] Veronese (1528-1588) best conveyed Venice?s civic splendor. His masterpieces in the Doge?s Palace conferred on the Republic a magnificence and authority that was rapidly dwindling by the end of the Renaissance. But on a private level, he also reshaped the fashions of the Serenissima through a steady stream of portrait commissions. Many members of Venice?s most elite families sat for Veronese, as did notable artists and authors, including Titian and Sir Phillip Sidney. Once regarded as Venice?s best portraitist, his talents in this genre unfortunately remain largely unknown to modern audiences. This book offers the first comprehensive study of the approximately forty portraits that survive. Shedding new light on early works, such as the pendants of the Da Porto and the frescos of the Barbaro in the Palladian villa at Maser, Professor Garton also examines Paolo?s images of women within the larger polemics surrounding the anonymous beauties of Giorgione, Palma il Vecchio, and Titian. The author analyzes Veronese?s innovations in martial portraiture, melancholic portrayals of artists and nobility, and evocations of the antique. Relevant issues of social history, class insecurity, and poetic convention are all brought to bear in deciphering the meanings of these images and what they reveal about the painter and his clientele. This layered study of Venice?s golden age of painting ends appropriately with a glance at the ?moderns? who profited most from the study of Veronese?s portraits: Jean-Baptiste Carpeaux, Henri Fantin-Latour, Mary Cassatt, and Henri Matisse. A complete catalogue of Veronese?s portraits follows the chapters. John Garton, Ph.D., is assistant professor of liberal arts at the Cleveland Institute of Art. 0 g.