garrett lucy (13 Ergebnisse)

Zustand: Very Good. First Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Bueno. : Este libro ofrece una visión general de la arquitectura del siglo XX, explorando diversos estilos y tendencias dentro del contexto de los movimientos sociales de la época. Con ilustraciones a color y en blanco y negro, el libro analiza edificios de todo el mundo, desde el Art Nouveau hasta el Posmodernismo, pasando por el Modernismo. Es una guía esencial para estudiantes y aficionados de la arquitectura que deseen comprender la evolución de los edificios que nos rodean. EAN: 9788432920134 Tipo: Libros Categoría: Arte y Cultura Título: Introducción a la arquitectura del siglo XX Autor: Lucy Peel| Polly Powell| Alexander Garrett Editorial: CEAC Idioma: es-ES Páginas: 128 Formato: tapa blanda.

128 S. Gebunden mit Schutzumschlag. Chartwell Books 1989. Mit zahlr. z.T. farb. Abbn. [K 330].

Paperback. Zustand: Brand New. Nico Photos; Elizabeth Sullivan (illustrator). 221 pages. 8.90x0.70x6.00 inches. In Stock.

Zustand: New.

Paperback. Zustand: Very Good. Paperback in very good condition. HCW. Used.

Zustand: New.

Zustand: New. In.

Zustand: New.

Zustand: New. The Technology and Construction Court ( TCC ) deals with legal cases that often require specialist technical expertise. This can lead to complex and sometimes lengthy proceedings. In light of the Jackson reforms and developments in cost controls in the T.

Paperback. Zustand: Brand New. 282 pages. 9.69x6.85x0.64 inches. In Stock.

Hardcover. Zustand: Brand New. 304 pages. 10.00x7.00x0.75 inches. In Stock.

Zustand: Good. Portfolio with 34 original graphic works by Northern California artists, each signed and numbered. One of 50 cloth and board slipcases by Taurus Bookbindery, Berkeley. 12 x 9.25 inches.DANGER PORTFOLIOArtist IndexIn no particular order, this portfolio contains the following original works of art:Robilee Frederick: Ash and Bone Ash and oil on drafting tissue; Gordon Huether: Solvent Enamel on monoprint on Reeves BFK paper;Bruce Cannon: Biological Counter Timers, Document Drawing, Mixed Media and Ink on Vellum; Kurt Kemp: Big Mouth Man with Dangerous Bird Intaglio; Nora Auston: Crushed Ink on paper; Andries Fourie: Land Mine, Inkjet print on vellum; Decatur Blue: Bombs Away, Toilet seat cover in glassine; Aaron De Beers: Trained Predators, Inkjet print; Eric Sanchez: Thank Heaven for Little Boys, Inkjet print; Constance Maher: Blood Drip, Construction paper and glue; Ry Rocklen: Nuclear Winter Wonderland, Drawing and glitter on card stock; Dennis Raines: Untitled, Intaglio; Brendan Carroll: Danger, Polaroid transfer; Rob Keller: Blood Hounds, Dog blood on various media; Lucy Puls: Ictus et Macula (Kitchen Knife), Ink on paper; Dona Kopol Bonick: Don't Let Me Be Misunderstood, Inkjet print with bullet hole; Connie Walsh: Untitled, Flocking on photo Inkjet paper; Rob Ceballos: Untitled, Woodcut on Arches paper; Ray Beldner: In Case of Emergency, Inkjet print on Kozo paper; Xavier Tiernan: Untitled, Burns on Reeves BFK paper; Joel Mesler: Cutting Cocaine Lines into Love Letters, Offset print; Ed Osborn: VLF Study #1, Very low frequency spectrogram of earth's natural radio activity; Ben Diller: Danger/Peril, Double woodblock print on Reeves BFK paper; Philip Wagner: Untitled, Offset print; Karen Hill: Folding Laundry, Inkjet print;Nancy Willis: Traces, Lipstick transfer on BFK Reeves paper; John Bonick: Bare It, Magnified sunlight and worry lines on waxed paper; William F. Wilson: II Stigmata, Mixed media inkjet print; Jackie Perez Gratz: Proof C, prints in evidence bag with label; Connell Ray Little: Untitled, Ink on card stock; Riccardo Toronto: War Surplus Hero, Offset print; Mark Garrett: Entropy II, Laser print;Lenny Gonzalez: Noel & Knoller, Inkjet photo print; Zakron: The Fear of Being Held Captive, Silver gelatin print individually processed to last an unknown amount of time.Danger logo design by Lewis deSoto.Each of these portfolio boxes was hand made and assembled by the show's curators. The Danger essay by Alison Bing was letterpress printed on Arches paper. Special thanks to Diane Newel at Taurus Bookbindery and Lisa Rappaport at Littoral Press, both in Berkeley, California.- Rob Keller and John Banick, Co-CuratorsNot all the portfolios contain all the prints so custom orders can be filled.