Gardella ignazio (6 Ergebnisse)

Soft cover. Zustand: Very Good. Paperback. No notes or highlights. Sunning to edges of front cover. Light wear to corners.

Trade paperback. Zustand: Fair. The format is approximately 8.75 inches by 9.5 inches. 311, [1] pages. Illustrated front cover. Illustrations (some in color). Cover worn, soiled and scuffed. Somewhat cocked. Some pages in two column format. Publishers ephemera laid in. Text in Italian, English, French, and German noted. The Summary includes The situation of industrial design in Italy by Gillo Dorfles; Doubts arising between form and content in design by Ignazio Gardella; The design process by Bruno Munari; Therole of the institutions; Triennale, ADI (Industrial Design Association), the CXOmpasso d"Oro and Smau Awards by Rodlfo Bonetto; Design/item/image by Angelo Cortesi, Gianfrance Frattini and Gotto Stoppino; The plan by Giotto Stoppino, The product by Gianfranco Frattini' The media by angelo Cortesi' and a Note on Italian furniture magazines by Alessandro Mendini. The present book--that provides an impressive cross-section of the Italian furniture design over a thirty year period, is a re-edition of the catalog featuring the important exhibit held between the end of 1980 and the beginning of 1981 at the Koln stadt Museum. It was important to us to make available to the American public in general and to the furniture businessmen in particular the reprinted catalog that--except for little adjutment--strictly reflects the original edition. "Italy has played a special role in applied arts and crafts for a very long time. While the arrival of mechanization made manual activities superfluous in the realm of mass produced items, the ancient Italian tradition of manufacturing ceramics, glass, wood, straw and fabrics was such that even in those sectors in which industrial production had the upper hand (for instance, furniture and furnishing in general), some of the prerogatives of the Italian character remained: namely imagination and the quest for good form". (Gillo Dorfles, "The situation of industrial design in Italy", in the catalogue: "Italienishes Mobel Design", ICE 1980, pg. 12-21) In planning this exhibition, the utmost importance was given to the objects, whose visibility was a priority for the visitor. Communication was understood as the relationship between objects and media, with design being the basic tool for product planning. A very simple system of small, low tables and textile panels marked off the exhibition areas, where objects were arranged in chronological order. Very low-voltage halogen bulbs, used in the "Scintilla" system - which had been specially designed for these spaces - lit up the furniture and exhibition panels with dazzling light and without creating any disturbing shadows. Re-edition of the Exhibit Catalog [stated]. …

Soft cover. Zustand: Very Good. 2nd Edition. 8° - 301pp - B/w reproductions. Ignazio Gardella and Italian professionalism - Ignazio Gardella (1905-1999) Italian architect, engineer, academic, and designer born in Milan in a Genovese family of architects, as his father, Arnaldo Gardella, and his grandfather, Ignazio Gardella Senior, were also architects. First edition, text in ITalian. Original boards. In Very good condition.…

Soft cover. Zustand: Fine. 1st Edition. 8° Ob. -155pp - Color & B/w reproductions. ALFA ROMEO Drawings and design by the Alfa Romeo offices in Arese (1905-1999) Italian architect and designer, in his university years he came into contact with other young protagonists of the Milanese scene together with whom he took part in the creation of the Italian Modern Movement. First edition, text in ITalian and English. Original Binding. In FIne condition.…

Soft cover. Zustand: Very Good. 1st Edition. 4° - 24pp - Color & B/w reproductions (one tri-folded). MILANO VERDE Regulatory plan for the Sempione-Fiera area in Milan - Extract from the Casabella-Costruzioni magazine No. 132 December 1938-XVII. First edition, text in Italian. Original spiral binding. In Very good condition.…

Milano, (SAME), 1936, [maggioottobre], Prima edizione. Raro il catalogo, qui in ottimo esemplare con bella provenienza dalla biblioteca dello storico dell'arte Giulio Bariola (1873-1956), comprato dalla Libreria Treves di Pavia il 18 settembre 1936, come da note autografe siglate e fattura di vendita allegata. Guida / catalogo della sesta Triennale, quella più plasmata da Giuseppe Pagano, che disegnò il Padiglione Nuovo (rovinato dai bombardamenti e demolito nel dopoguerra) per accogliervi le mostre poi immortalate nei volumi che compongono la collana «Quaderni della Triennale» dell'editore Hoepli: «Nuova architettura», «Antica oreficeria», «Architettura rurale», «Tecnica dell'abitazione», «Arti industriali», «Scuole d'arte», «Arte decorativa», «Urbanistica» e «Scenotecnica». -- Partecipazione diffusa di Bruno Munari, con il mosaico decorativo astratto eseguito dalla S.A.R.I.M. di Venezia entro la mostra di urbanistica, le opere esposte alla mostra di scenotecnica e il fotomosaico a illustrare la mostra dell'enciclopedia. Nuovi archivi del futurismo vol. 1, n. 1936/9; Come comete: Annunci e messaggi nella grafica della Triennale, p. [46] n. VI; Munari tutto di carta n. 146. 215 x 155 mm. Prima edizione. Raro il catalogo, qui in ottimo esemplare con bella provenienza dalla biblioteca dello storico dell'arte Giulio Bariola (1873-1956), comprato dalla Libreria Treves di Pavia il 18 settembre 1936, come da note autografe siglate e fattura di vendita allegata.…