Gambin lee (32 Ergebnisse)

Zustand: New. In English.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: New. In English.

Zustand: New. In English.

Paperback. Zustand: Brand New. 320 pages. 9.00x6.00x0.73 inches. In Stock.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Taschenbuch. Zustand: Neu. Neuware - In oppressive darkness, successful novelist Stephen King sits on his throne mapping out a new story of the macabre. But there is a problem; he's stuck. Writer's block has set in. But soon familiar voices offer advice and King begins to type: the flow comes and goes just as distractions and inspirations surface - then disappear then reappear. Real life begins to merge with his creative stream of consciousness and his creations start to mirror and comment on his own existence in a terrifying downward spiral. This is the script of an original Play by Lee Gambin.…

Zustand: New. In English.

Zustand: New. In English.

Hardcover. Zustand: Brand New. illustrated edition. 320 pages. 9.33x6.26x0.98 inches. In Stock.

Kartoniert / Broschiert. Zustand: New.

Paperback. Zustand: Brand New. illustrated edition. 502 pages. 9.02x5.94x0.94 inches. In Stock.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Paperback. Zustand: Brand New. 476 pages. 10.00x6.97x1.06 inches. In Stock.

Paperback. Zustand: Brand New. 536 pages. 9.92x7.01x1.22 inches. In Stock.

Hardcover. Zustand: Brand New. 502 pages. 9.13x6.14x1.50 inches. In Stock.

Paperback. Zustand: Brand New. 812 pages. 9.00x6.00x1.83 inches. In Stock.

Hardcover. Zustand: Brand New. 476 pages. 7.00x1.06x10.00 inches. In Stock.

Hardcover. Zustand: Brand New. 812 pages. 6.00x1.69x9.00 inches. In Stock.

Hardcover. Zustand: Brand New. 536 pages. 7.00x1.19x10.00 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - 'It's Not A Monster.It's Just A Doggy.' Based on the bestselling novel by prolific author Stephen King, Lewis Teague's masterfully conceived, created and performed film adaptation of Cujo hit theatres in 1983 - a year that became a benchmark for King adaptations with both The Dead Zone and Christine also terrifying audiences around the same time. Cujo would impress critics and fans alike, and would be regarded as one of the most successful of King's stories brought to the screen during the eighties. The film would also showcase a phenomenal performance from star Dee Wallace, who throws herself into the rich and complicated part of alienated adulteress Donna Trenton, making it a true tour de force role for a woman. Along with Wallace's poignant and dedicated control of the protagonist, this horror classic would feature some of the most thrilling and exhilarating animal action ever put to screen. Lead by dog trainer Karl Lewis Miller, the multiple St. Bernards used to portray the titular rabid canine would terrify hardened horror devotees with brilliantly orchestrated attack sequences during the film's climactic siege sequence that would see Dee Wallace trapped inside a dead Ford Pinto with child actor Danny Pintauro along for the harrowing ride. With it's sophistication and deep subversive intelligence, Cujo is a biting critique on the breakdown of the American family, an electric take on the 'woman in the storm' story trope, a personal and introspective ecologically themed horror film (a subgenre usually socially and politically motivated) and a perfectly realised example of the power of circumstance. It also thoroughly scrutinizes fear - both real and imagined - in a sharp and magnetic manner. Lee Gambin's book analyses the entire film scene by scene - and along with the academic input there is exhaustive coverage of the production. This is the ultimate in 'making of' books, where no stone has been left unturned. From the film's problematic early days with originally assigned director Peter Medak being fired, to detailed insight into screenwriter Barbara Turner's take on the source material, to Lewis Teague being brought in to take over as director along with cinematographer Jan de Bont and beyond, this definitive tome features over thirty candid interviews with cast and crew such as stars Dee Wallace, Daniel Hugh Kelly and Danny Pintauro, director Lewis Teague, composer Charles Bernstein, as well as stunt man Gary Morgan who played Cujo in many scenes (care of a St Bernard costume). There are many more additional voices who were on set represented in the book such as Danny Pintauro's parents as well as some highly deserving and loving insight about the late great animal trainer Karl Lewis Miller, from his daughter Teresa Ann Miller. With over 200 pictures (most of which have never been seen), this is the perfect tribute to a modern classic - a pure celebration of eighties horror, Stephen King, dogs in film, powerhouse performances from women and much more. The bottom line here is this.everything you have ever wanted to know about Cujo is in this book.…

Zustand: New.

Zustand: New.

Buch. Zustand: Neu. Neuware - This is the HARDBACK version. The movie musical has been a much loved genre since motion pictures found a voice and learned to sing. Throughout the decades, audiences thrilled to the glamour of the musicals of Busby Berkley and were emotionally invested in stories about Austrian nuns and the King of Siam with the musicals from Rodgers and Hammerstein. With the advent of Rock 'n Roll, Heavy Metal, R&B, Motown, Punk Rock, and Disco entering the public consciousness, musicals started to sing a very different tune.Into the 1970s, the movie musical became a daring, dangerous, and divinely decedent cinema experience. Lee Gambin's We Can Be Who We Are: Movie Musicals from the 1970s explores this explosive energy and diversity. From the quirky sophistication of On A Clear Day You Can See Forever and the dark unnerving genius of Cabaret to the sweet sentimentality of Charlotte's Web, Gambin's book offers insightful film criticism while exhaustively covering the decade.Some of the films Gambin examines include Phantom of the Paradise, Grease, The Wiz, Rock'n'Roll High School, Bedknobs and Broomsticks, All That Jazz, Godspell, Hair, The Rose, Saturday Night Fever, The Rocky Horror Picture Show, Willy Wonka and the Chocolate Factory, Pete's Dragon, Tommy, Kiss Meets The Phantom of the Park, and many, many more.The book also features incredible brand new interviews from dozens of extremely talented artists who made these movies possible: director John Carpenter discussing his biopic Elvis; Lesley Ann Warren giving fascinating insight into the made for TV production It's A Bird.It's A Plane.It's Superman; auteur filmmaker Norman Jewison delivering two very different musicals with Fiddler on the Roof and Jesus Christ Superstar. This book is loaded with numerous production stories and candid insights into how these films were made and received. Gambin's book also features loads of wonderful photos, many of which have never before been seen including wonderfully candid behind the scenes stills.…