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Verlag: University of Chicago Press, 2024
ISBN 10: 0226831760 ISBN 13: 9780226831763
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Verlag: Getty Research Institute,U.S., 2025
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Zustand: New. Über den AutorMichael Gallope is associate professor of cultural studies and comparative literature at the University of Minnesota. He is the author of Deep Refrains: Music, Philosophy, and the Ineffable, also publishe.
Sprache: Englisch
Verlag: The University of Chicago Press, 2017
ISBN 10: 022648369X ISBN 13: 9780226483696
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In den WarenkorbZustand: New. Über den AutorMichael Gallope is associate professor in the Department of Cultural Studies and Comparative Literature at the University of Minnesota, as well as affiliate faculty in the Department of American Studies and the .
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Taschenbuch. Zustand: Neu. Neuware - 'From 1958 to 1978 in New York a series of atmospheric irruptions emerged in the history of music, fraught with dissonance, obscurity, and volume. Beyond expanding musical resources into dissonance and noise with a familiar polemical edge, a group of musicians were thinking with sound: crafting metaphysical portals, aiming one to go somewhere, to get out of oneself. For many artists and thinkers of the postwar period, the self was taken to be ideological, given, normal. Their strange, intense, disorienting music was a way out, beyond, through the other, through the collective, through an ecstatic mystery. Their work had material underpinnings: radios, amplifiers, televisions, multi-track recording studios, and long-playing records. Some of the results were intricate, esoteric, and fractured; some of it oceanic and inconsistent. It was often difficult to tell the difference. In this new project, Michael Gallope discusses the work of several musicians who played key roles in these musical irruptions: David Tudor, Ornette Coleman, the Velvet Underground, Alice Coltrane, and Richard Hell and Patti Smith. Their work involved a larger group of collaborators, some of them among the mid-twentieth century's most celebrated artists and musicians: John Cage, Merce Cunningham, Lou Reed, Andy Warhol, and John Coltrane. This project is a history of the thinking embedded in their collective work, and it is a critical exposition of this period of time. Gallope details how avant-garde musicians of the postwar period in New York explored the philosophical dimensions of music's ineffability. He contends that the musicians at the center of each chapter-all of whom are understudied, and none of whom are traditionally taken to be composers-not only challenged the rules by which music was written and practiced, but also confounded gendered and racialized expectations for what critics took to be legitimate forms of musical sound. From a broad historical perspective, their arresting music electrified a widely recognized social process of the 1960s: a simultaneous affirmation and crisis of the modern self'.
Sprache: Englisch
Verlag: University of Chicago Press, 2024
ISBN 10: 0226831760 ISBN 13: 9780226831763
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Taschenbuch. Zustand: Neu. The Musician as Philosopher | New York's Vernacular Avant-Garde, 1958-1978 | Michael Gallope | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2024 | University of Chicago Press | EAN 9780226831763 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.
Sprache: Englisch
Verlag: University of Chicago Press, 2024
ISBN 10: 0226831744 ISBN 13: 9780226831749
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Sprache: Englisch
Verlag: University Of Chicago Press Nov 2017, 2017
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Taschenbuch. Zustand: Neu. Neuware - Deep Refrains is a wide-ranging investigation of the philosophy of music. Michael Gallope asks what it means for music to 'speak' when it is not saying anything in particular. To answer this question, he turns to the writings of some of the most revered thinkers of the twentieth century--Ernst Bloch, Theodor Adorno, Vladimir Jankelevitch, Gilles Deleuze, and Felix Guattari. For these theorists, Gallope argues, the paradox that music is both ineffable and yet harbors deep philosophical wisdoms is fertile ground for thinking outside of conceptual boundaries. It provides the lens for a utopian potentiality that inspires hope (Bloch), an ethical critique of modernity (Adorno), an exemplification of the ephemeral movement of lived time (Jankelevitch), and a sonic extension of the syncopated, contrapuntal rhythms of sense and social life (Deleuze and Guattari). Gallope argues that a philosophical engagement with music's ineffability rarely calls for silence or declarations of the unspeakable. Rather, it asks us to think through the ways in which the impact of music is made to address complex philosophical problems specific to the modern world.
Sprache: Englisch
Verlag: University of Chicago Press, 2024
ISBN 10: 0226831744 ISBN 13: 9780226831749
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In den WarenkorbZustand: New. 2024. First Edition. hardcover. . . . . . Books ship from the US and Ireland.
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In den WarenkorbZustand: New. Über den AutorMichael Gallope is associate professor of cultural studies and comparative literature at the University of Minnesota. He is the author of Deep Refrains: Music, Philosophy, and the Ineffable, also publishe.