Galembo phyllis (34 Ergebnisse)

Hardback. Zustand: Good. Some forty scholars examine California's prehistory and archaeology, looking at marine and terrestrial palaeoenvironments, initial human colonization, linguistic prehistory, early forms of exchange, mitochondrial DNA studies, and rock art. This work is the most extensive study of California's prehistory undertaken in the past 20 years. An essential resource for any scholar of California prehistory and archaeology.…

Paperback. Zustand: Good.

First Edition. First edition. Large softcover. 169 pages. Features a foreword by David Byrne and essays by Robert Farris Thompson, Joseph Nevadomsky, Norma Rosen, and Zeca Ligiero. A collection of color photographs taken in Nigeria. A very good plus copy in wrappers with some very minor wear. Internally a clean copy. …

First Edition. First edition. Hardcover. 208 pages. Features an introduction by Chika Okeke-Agulu. A collection of over 100 color photographs by Phyllis Galembo. A clean and tight very near fine copy in a near fine dust jacket with some very minor wear. A very nice copy.

Hardback. Zustand: New. For over two decades, Phyllis Galembo has documented cultural and religious traditions in Africa and among the African Diaspora. Traveling widely throughout western and central Africa, and regularly to Haiti, her subjects are participants in masquerade events-traditional African ceremonies and contemporary costume parties and carnivals- who use costume, body paint, and masks to create mythic characters. Sometimes entertaining and humorous, often dark and frightening, her portraits document and describe the transformative power of the mask. With a title derived from the Haitian Creole word maské, meaning "to wear a mask", this album features a selection of over a hundred of the best of Galembo's masquerade photographs to date organized in country-based chapters, each with her own commentary. The book is introduced by art historian and curator Chika Okeke-Agulu (himself a masquerade participant during his childhood in Nigeria), for whom Galembo's photographs raise questions about the survival and evolution of masquerade tradition in the twenty-first century.…

Hardcover. Zustand: Very Good. First Edition. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Hardcover. Photographer Phyllis Galembo was invited to Nigeria in 1985 to document the research of her friend and colleague, Norma Rosen, on the design and use of traditional Edo altars, ritual objects, and ceremonial dress. From this and subsequent journeys comes this collection of spectacular photographs and essays on Nigerian and Brazilian shrines and ritual figures. The first section of this book contains rare photographs of traditional priests and priestesses and the shrine objects they use. Both the essay by Rosen, an ordained Olokun priestess, and Galembo's powerful photographs illuminate some of West Africa's elaborate cultural and religious traditions. The second section explores the Brazilian form of ancient African spiritual religion brought to the New World during the Atlantic slave trade of the sixteenth century. The connection between the Ivory Coast of Africa and the New World has been acknowledged in works on the history, anthropology literature, folklore and music of the two areas, but never has visual documentation of this depth and quality been made available. This books breaks new ground in the study of African Diaspora while it provides powerful photographs that are, above all, a celebration of the senses.…

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. minor wear and creasing.

Hardcover. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

First Edition. First edition. Softcover. 16 pages. Exhibition catalog for a show that ran October 30 through November 20, 1989. Essay by James R. Hugunin. Includes 6 illustrations with 2 in color. A very good copy in stapled wrappers with a tiny chip and tear to top of the glassine cover wrapper and with laid in errata slip. Uncommon.…

paperback. Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Zustand: very good. Foreword by David Byrne. Essays by Robert Farris Thompson, Joseph Nevadomsky, Norma Rosen, Zeca Ligiero. Numerous color photographs throughout. xiii +169 pages, square 4to, glossy pictorial wrappers; long crease and light soiling to rear cover. Albuquerque: University of New Mexico, 1993. First softcover edition. Internally fine, a very good copy.…

Zustand: New. . 2016. Hardcover. . . . .

208 S., mit farbigen Fotoabbildungen. Gutes Exemplar. Sprache: Englisch Gewicht in Gramm: 1200 24 x 22,5 cm. Orig.-Pappband mit fotoillustrierten Orig.-Umschlag (oberes Kapital etwas bestossen).

Zustand: acceptable. This copy has clearly been enjoyedâ"expect noticeable shelf wear and some minor creases to the cover. Binding is strong, and all pages are legible. May contain previous library markings or stamps.

Hardcover. Zustand: Brand New. 208 pages. 9.50x8.50x0.50 inches. In Stock.

Zustand: New. . 2016. Hardcover. . . . . Books ship from the US and Ireland.

Softcover. Zustand: Fine. Exhibition catalog. Octavo. 10pp. Stapled wrappers. Fine. Program for a month long-exhibition and festival hosted by The Caribbean Cultural Center in New York (and in conjunction with several other organizations) that showcased the work of the African Diaspora found in the traditions of Cuban, Haitian, Brazilian, and other Caribbean cultures. Featured are works by Mestre Didi, Phyllis Galembo, Juan Boza, and Virgil Young, along with an examination the collective divination objects of the region.…

Gebundene Ausgabe. Zustand: Sehr gut. 208 Seiten Galembo, Phyllis & Chika Okeke-Agulu von Chris Boot LTD, 2010. Hardcover mit Schutzumschlag, 208 Seiten, mit zirka 80 ganzseitigen Abbildungen, in sehr gutem Zustand, KU-2096 25.08.2015 9781905712175 Sprache: Englisch Gewicht in Gramm: 1157.

Zustand: NEW.

Hardcover. Zustand: Brand New. 238 pages. 10.50x9.50x1.25 inches. In Stock.

Hardcover. Zustand: new. Hardcover. For over two decades, Phyllis Galembo has documented cultural and religious traditions in Africa and the African Diaspora. Traveling widely throughout western and central Africa, and regularly to Haiti, her subjects are participants in masquerade eventstraditional African ceremonies and contemporary costume parties and carnivalswho use costume, body paint and masks to create mythic characters. Sometimes entertaining and humorous, often dark and frightening, her portraits document and describe the transformative power of the mask. With a title derived from the Haitian Creole word maske, meaning to wear a mask, this album features a selection of more than 100 of the best of Galembo's masquerade photographs to date, organized in country-based chapters, each with her own commentary. Now back in print by popular demand, the book is introduced by art historian and curator Chika Okeke-Agulu (himself a masquerade participant during his childhood in Nigeria), for whom Galembo's photographs raise questions about the survival and evolution of masquerade tradition in the 21st century. Maske is an album of Phyllis Galembos powerful and thrilling masquerade photographs, from Nigeria, Benin, Ghana, Sierra Leone, Burkina Faso, Zambia, and Haiti. Introduced by art historian Chika Okeke-Agulu, Galembos pictures describe traditional masqueraders and carnival characters and are themselves works of vivid artistic imagination. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Zustand: New. Maske is an album of Phyllis Galembo s powerful and thrilling masquerade photographs, from Nigeria, Benin, Ghana, Sierra Leone, Burkina Faso, Zambia, and Haiti. Introduced by art historian Chika Okeke-Agulu, Galembo s pictures describe traditional masquerad.

Buch. Zustand: Neu. Neuware - For over two decades, Phyllis Galembo has documented cultural and religious traditions in Africa and the African Diaspora. Traveling widely throughout western and central Africa, and regularly to Haiti, her subjects are participants in masquerade eventstraditional African ceremonies and contemporary costume parties and carnivalswho use costume, body paint and masks to create mythic characters. Sometimes entertaining and humorous, often dark and frightening, her portraits document and describe the transformative power of the mask. With a title derived from the Haitian Creole word maské, meaning to wear a mask, this album features a selection of more than 100 of the best of Galembo's masquerade photographs to date, organized in country-based chapters, each with her own commentary. Now back in print by popular demand, the book is introduced by art historian and curator Chika Okeke-Agulu (himself a masquerade participant during his childhood in Nigeria), for whom Galembo's photographs raise questions about the survival and evolution of masquerade tradition in the 21st century.…

Zustand: Very Good.

Gebunden. Zustand: New. &Uumlber den AutorrnrnPhyllis Galembo received her MFA from University of Wisconsin at Madison in 1977, and was a professor in the Fine Arts Department of SUNY Albany from 1978 to 2018. Galembo s photographs are included in numerous public an.

Zustand: Very Good.

Buch. Zustand: Neu. Neuware - The acclaimed photographer of African masks turns her lens to the astounding mask cultures of MexicoSince 1985, photographer Phyllis Galembo has traveled extensively to photograph sites of ritual dress in Africa and the Caribbean. In her latest body of work, collected in this new publication, Galembo turns to Mexico, where she captures cultural performances with a subterranean political edge. Using a direct, unaffected portrait style, Galembo captures her subjects informally posed but often strikingly attired in traditional or ritualistic dress. Masking is a complex tradition in which the participants transcend the physical world and enter the spiritual realm. Masks, costumes and body paint transform the human body and encode a rich range of political, artistic, theatrical, social and religious meanings on the body. In her vibrant color photographs, Galembo highlights the artistry of the performers, how they use materials from their immediate environment to morph into a fantastical representation of themselves and an idealized vision of a mythical figure. In a gorgeous, fascinating photographic survey of Mexico's masking practices, Galembo captures her subjects suspended between past, present and future, with their religious, political and cultural affiliationstheir personal and collective identificationsdisplayed on their bodies. Photographer Phyllis Galembo (born 1952) received her MFA from the University of WisconsinMadison in 1977, and was Professor in the Fine Arts Department of SUNY Albany from 1978 to 2018. A 2014 Guggenheim Fellow, Galembo has photographs in numerous public and private collections, including the Metropolitan Museum of Art and the New York Public Library. Her photographs of ritual masks in Africa, the Diaspora and beyond have been the subject of several monographic publications, including Maske (Aperture, 2016).…

Buch. Zustand: Neu. Phyllis Galembo: Maske | Phyllis Galembo | Buch | Gebunden | Englisch | 2016 | Aperture | EAN 9781597113533 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Hardback. Zustand: New. For over two decades, Phyllis Galembo has documented cultural and religious traditions in Africa and among the African Diaspora. Traveling widely throughout western and central Africa, and regularly to Haiti, her subjects are participants in masquerade events-traditional African ceremonies and contemporary costume parties and carnivals- who use costume, body paint, and masks to create mythic characters. Sometimes entertaining and humorous, often dark and frightening, her portraits document and describe the transformative power of the mask. With a title derived from the Haitian Creole word maské, meaning "to wear a mask", this album features a selection of over a hundred of the best of Galembo's masquerade photographs to date organized in country-based chapters, each with her own commentary. The book is introduced by art historian and curator Chika Okeke-Agulu (himself a masquerade participant during his childhood in Nigeria), for whom Galembo's photographs raise questions about the survival and evolution of masquerade tradition in the twenty-first century.…