gado frank (29 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Former library book; Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Zustand: Near Fine. Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Softcover. Zustand: Fine. First edition. Stapled wrappers. The slightest of toning to the edges, still easily fine, in mailing envelope, which is probably, but not definitely, original. Issued as a special issue of the college magazine *The Idol*.

8vo. xvii, 548pp. Notes, index. Original boards in dustwrapper. Black and white illustrations, a very good ex-library copy.

Zustand: Very Good. No dust jacket. The cover and content are both in very good condition.

Softcover. Zustand: Good. First edition. xlix, 159pp. White glossy wrappers. Wrappers worn and soiled, just about very good. Includes interview with John Dos Passos, Robert Penn Warren, Glenway Wescott, John Barth, Robert Coover, and John Updike. Laid in is an envelope addressed to the famous Gotham Book Mart, on the verso the name Henry Wescott is written.

Softcover. Zustand: Very Good. Volume XLVII. 32pp. Illustrated from black and white photographs by Mark Boylan. Wrappers. Very good with the wrappers a trifle sunned with some soiling to the front wrapper, and a small tear on the bottom of the front wrapper. First edition of this special issue of this magazine.

Softcover. Zustand: Fine. Volume XLIX, Number 2. Cover by Carol A. Hill. Octavo. 36pp. Fine in stapled wrappers.

paperback. Zustand: Molto buono (Very Good). Selection and introduction by Frank Gado . 8vo. pp. 190. . Molto buono (Very Good). . . . Book.

Softcover. Zustand: Fine. Volume XLVII. Tall octavo. 32pp. Illustrated from black and white photographs by Mark Boylan. Fine in wrappers. The issue is dedicated to a conversation between Updike and Gado.

Softcover. Zustand: Fine. Edited by Frank Gado. Octavo. Wrappers. Covers a trifle sunned, otherwise a fine copy. First edition of this special issue of this magazine.

Zustand: Very Good. Unused, some outer pages have minor shelf wear, book content is in like new condition.

Softcover. Zustand: Near Fine. Volume XLVIII. 32pp. Illustrated from black and white photographs by Mark Boylan. Wrappers. Covers a trifle sunned with some foxing on the front wrapper, otherwise a near fine copy. First edition of this special issue of this magazine.

Paperback. Zustand: Brand New. 564 pages. 9.50x6.25x1.50 inches. In Stock.

Softcover. Zustand: Fine. Volume XLVII. 32pp. Illustrated from black and white photographs by Mark Boylan. Wrappers. Covers a trifle sunned, otherwise a fine copy. First edition of this special issue of this magazine.

Softcover, with editors' handwritten compliments card laid in. Octavo (23cm); stapled white paper wrappers; [2],3-32pp; black-and-white photographic (halftone) illustrations throughout. Published as a Special Issue, Vol. XLV, at the literary quarterly of Union College for The Idol. Trace wear and soil; Very Good+. Interview between Frank Gado and John Dos Passos includes photographs of Dos Passos throughout, and conversation with Alfred Thimm, Ken Kobland, William Dougherty, Paul Beals, Peter Wagoner, and Peter Feldstein. [87603].

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 159 pages. First edition, first printing. Inscribed by Gado on the first sheet. A collection of conversations between American novelists & groups of students & facility at Union College. Writers include Glenway Wescott, John Dos Passos, Robert Penn Warren, John Barth, Robert Coover & John Updike. Fine book in a fine dust jacket. A beautiful copy! Signed by Author(s).

paperback. Zustand: Molto buono (Very Good). Prima edizione (First Edition). With Glenway Wescott, John Dos Passos, Robert Penn Warren, John Updike, John Barth, Robert Coover . 8vo. pp. XLIX + 160. . Molto buono (Very Good). Consistente alone di umido alle copertine e ai tagli (Minor mildew damage to covers). Prima edizione (First Edition). . Book.

Zustand: New. InhaltsverzeichnisPreface xiiiThe Early Years 1The Forties Films 37Playwright Bergman 93The Lengthening Shadows of Summer 137Quests 189God s Silence 258A Twilight World 314&quotAccelerating Necro.

Paperback. Zustand: Brand New. 160 pages. 8.25x5.25x0.75 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - An enormous study (575 pages) of the stories, plays and screenplays of Bergman seen as a single 40-year dream play. Gado spent 17 years writing this think-piece, which successfully isolates an Oedipal paradigm at the basis of Bergman's work. He focuses on the screenplays for his psycholiterary analysis, barely scratches at biography, except where a marriage or Bergman's tax problems may impinge on his choice of text. For example, in his middle period, Bergman's marriage to a concert pianist turned him to chamber films (Through a Glass Darkly, The Communicants - known here as Winter Light - and The Silence), partly in imitation of Strindberg's chamber dramas and partly in imitation of chamber music. Bergman had exhausted himself artistically after the rousing successes of Smiles of the Summer Night, The Seventh Seal, Wild Strawberries and the lesser success of The Magician. These screenplays had somewhat slyly suggested strong closures for each work, but this was only sleight-of-hand to mask his themes' ragged endings. He needed a new direction and found it in music and in Korosawa's Rashornon, which he admired intensely and turned to good effect in The Virgin Spring. Gado studies each of Bergman's many stories and plays written before his ad. vent as a filmmaker, when he still hoped to grab Strindberg's banner in the theater. He found that he was not a playwright, was not capable even of a polished short story or novel. Gradually, he discovered that what he did so really well was use the camera as a pen. In one segment of his early Dreams, he allowed the camera to tell much of the story and this was his breakthrough, giving him a weapon with which to begin his major mode. But, whether writing his early theater pieces or his screenplays, he essentially worked on variations of his punishing infancy and youth as the son of a widely admired but weak-willed (and sex-starved) minister and a domineering female intellectual. Bergman himself, according to his siblings, has overblown the family climate - but it's all real to him. Bergmanians must have this indispensable study, which will be the corner stone of all future studies until a definitive biography appears. It's intelligent, deep-running, and readably unpedantic, but not stylish or witty. (Kirkus Reviews).

Paperback. Zustand: Brand New. 160 pages. 8.25x5.25x0.75 inches. In Stock.

Soft cover. Zustand: Good. clean, solid, staple bound, staples a bit rusty, light damp stains, signed by editor, from the collection of John Barth (marked with a stamp on front cover). KRM/Signed nonfiction. Signed by Author(s).

First Edition. First Printing, softcover. Octavo (23cm); stapled white pictorial paper wrappers; 32pp; black-and-white photographic (halftones) and illustrations throughout. Updike's signed bookplate laid in. Modest shelf-wear, with creases to wrappers and tiny tears to extremities; Good. Published as a special issue of The Idol, Volume XLII (Spring 1971), edited by James Lieb. Interview includes John Updike, Frank Gado, James Lieb, Mark Urman, Michael Hollander, Patty Etkin, Judy Steinbach, and Paul Andrews. Photographs and Updike's illustrations throughout text. [85149]. Signed.