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Book by Gado Frank
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Acknowledged as one of the greatest filmmakers of this or any other time, Bergman has with few exceptions written his own screenplays-an uncommon practice in the film industry-and for this practice critics refer to him as a "literary" filmmaker: In this work, Gado examines virtually the entire range of Bergman's literary output. While treating the matter of the visual presentation of Bergman's films, Gado concentrates on story and narrative and their relationship to Bergman's personal history.Gado concludes that whatever the outward appearance of Bergman's works, they contain an elementary psychic fantasy that links them all, revealing an artist who hoped to be a dramatist, "the new Strindberg," and who saw the camera as an extension of his pen.
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- VerlagDuke University Press
- Erscheinungsdatum1986
- ISBN 10 0822305860
- ISBN 13 9780822305866
- EinbandTapa blanda
- Anzahl der Seiten566
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The Passion of Ingmar Bergman
Anbieter: Better World Books, Mishawaka, IN, USA
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Zustand: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects. Artikel-Nr. 11611834-6
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The Passion of Ingmar Bergman
Verlag:
Duke University Press Okt 1986, 1986
ISBN 10: 0822305860
ISBN 13: 9780822305866
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Taschenbuch
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
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Taschenbuch. Zustand: Neu. Neuware - An enormous study (575 pages) of the stories, plays and screenplays of Bergman seen as a single 40-year dream play. Gado spent 17 years writing this think-piece, which successfully isolates an Oedipal paradigm at the basis of Bergman's work. He focuses on the screenplays for his psycholiterary analysis, barely scratches at biography, except where a marriage or Bergman's tax problems may impinge on his choice of text. For example, in his middle period, Bergman's marriage to a concert pianist turned him to chamber films (Through a Glass Darkly, The Communicants - known here as Winter Light - and The Silence), partly in imitation of Strindberg's chamber dramas and partly in imitation of chamber music. Bergman had exhausted himself artistically after the rousing successes of Smiles of the Summer Night, The Seventh Seal, Wild Strawberries and the lesser success of The Magician. These screenplays had somewhat slyly suggested strong closures for each work, but this was only sleight-of-hand to mask his themes' ragged endings. He needed a new direction and found it in music and in Korosawa's Rashornon, which he admired intensely and turned to good effect in The Virgin Spring. Gado studies each of Bergman's many stories and plays written before his ad. vent as a filmmaker, when he still hoped to grab Strindberg's banner in the theater. He found that he was not a playwright, was not capable even of a polished short story or novel. Gradually, he discovered that what he did so really well was use the camera as a pen. In one segment of his early Dreams, he allowed the camera to tell much of the story and this was his breakthrough, giving him a weapon with which to begin his major mode. But, whether writing his early theater pieces or his screenplays, he essentially worked on variations of his punishing infancy and youth as the son of a widely admired but weak-willed (and sex-starved) minister and a domineering female intellectual. Bergman himself, according to his siblings, has overblown the family climate - but it's all real to him. Bergmanians must have this indispensable study, which will be the corner stone of all future studies until a definitive biography appears. It's intelligent, deep-running, and readably unpedantic, but not stylish or witty. (Kirkus Reviews). Artikel-Nr. 9780822305866
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The Passion of Ingmar Bergman
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Kartoniert / Broschiert. Zustand: New. InhaltsverzeichnisPreface xiiiThe Early Years 1The Forties Films 37Playwright Bergman 93The Lengthening Shadows of Summer 137Quests 189God s Silence 258A Twilight World 314"Accelerating Necro. Artikel-Nr. 674788349
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