Gabriele simongini (32 Ergebnisse)

Zustand: Buone. Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.

Cloth. Zustand: Fine Condition. Fine Condition. 88 pages color illustrations throughout. Published on the occasion of the exhibition from the Acquavella Contemporary Art, Inc., New York NY September 11-October 18, 2019. Biography. Chronology. Book.

Zustand: BUONO USATO. IED. Da revisionare INGLESE Disponibile il volume I. Legatura in cartonato rigido telato, con titolo in oro al piatto e dorso, protetta da sovraccoperta con bandelle, illustrata da tavole a colori in entrambi i piatti. Buonissimo lo stato interno, pagine ben tenute, velate da brunitura, cosà come i tagli, integri e puliti. Ricco percorso iconografico di riproduzioni di opere pittoriche di Cappuccio, D' Arcevia, Nosek, Scialoja e disegni di Pizzulli e Quagliani, a colori e in bianco e nero. Numero pagine 78.…

Zustand: OTTIMO USATO. Da revisionare INGLESE Libro usato che à già stato letto, ma in condizioni ottime. Nessun danno evidente alle coperte, potrebbe presentare minimi segni di usura alle copertine e alle pagine. Nessuna pagina mancante o strappata, nessuna sottolineatura/evidenziazione di testo nà scritte ai margini. La foto corrisponde al libro in vendita. Altre foto su richiesta. Opera incompleta, disponiamo del volume 1, suggestivo percorso illustrato, sovraccoperta lucida con bandelle. Numero pagine 78.…

Heft. Zustand: Gut. Einbandkanten sind leicht bestoßen. der Zustand ist ansonsten ordentlich und dem Alter entsprechend gut. ITALIENISCH. Sprache: Italienisch Gewicht in Gramm: 260.

Hardcover. Zustand: Very Good. Some light shelfwear, otherwise this book is new and unread. Shipped from the UK within 2 business days of order being placed.

Hardcover. Zustand: Fine. This book is still shrinkwrapped, although shrinkwrap is worn and torn in places, there is a very small tear on the front side of the book's spine, otherwise it is brand new and unread. Shipped from the UK within 2 business days of order being placed.

Zustand: Buone. italiano Condizioni dell'esterno: Molto buone Condizioni dell'interno: Ottime.

Zustand: NEW.

4°. 88 S., durchgehend bebildert. OLn., OU. Schönes Exemplar.

Zustand: OTTIMO USATO. Da revisionare ITALIANO IL LIBRO Ã USATO, PERTANTO POTREBBE PRESENTARE LIEVI DIFETTI/IMPERFEZIONI. LA FOTO CORRISPONDE AL LIBRO IN VENDITA. Catalogo della mostra svoltasi presso le Scuderie di Palazzo Aragona a Vasto dal 12 luglio al 26 ottobre 2014. Numero pagine 119.

Zustand: BUONO USATO. Da revisionare ITALIANO Catalogo della Mostra personale dedicata al pittore Francesco Guerrieri dal titolo " L'infinito finito ", tenutasi dal 4 ottobre al 4 novembre 2011, presso la Galleria Ricerca d'Arte di Roma. Brossura commercilae, copertina morbida illustrata a colori appena sgualcita alle punte, ma comunque in ottime condizioni, carte ricche di illustrazioni ben conservate e perfettamente fruibili. N. pag. 4.…

paperback. Zustand: Molto buono (Very Good). Con 36 tavole a colori . 8vo. pp. 70. . Molto buono (Very Good). . . . Book.

Zustand: Good. Condizioni dettagliate: Buone, lievi abrsioni sul dorso, copertina flessibile.

Zustand: BUONO USATO. Da revisionare Francese Volume inerente la mostra tenutasi al Teatro dei Cappuccini a Lussemburgo dal 13 al 30 settembre 2006. Volume a cura di Gabriele Simongini, testo di Sandro Parmigiani. Curatrice della mostra Giuseppina Nori. Brossura editoriale con risvolti leggermente stanca alle estremità del dorso. Pagine ben salde alla cerniera, su carta patinata, con ampio margine. Lieve fioritura al taglio superiore. Numerose le opere illustrate nel testo, con didascalia. Numero pagine 71.…

Zustand: OTTIMO USATO. Da revisionare INTERLINGUE Catalogo dell'esposizione allestita presso la Fondazione Museo "Venanzo Crocetti" di Roma, dal 19 settembre al 15 ottobre 2009. Carte interne lucide e in ottime condizioni malgrado ai margini ci sia un velo di ossidazione giallognola, cerniera stretta, 56 le riproduzioni a colori delle opere esposte, alcune su sfondo nero. Brossura filo refe in cartoncino pieghevole con ampi risvolti informativi, l'usura ordinaria del patinato non compromette il buonissimo stato del volume. Edizione bilingue italiano/inglese, traduzione di Paul Metcalfe e Kary Hannan. N. pag. 9.…

Zustand: Good. Folio. 88 pp. Near Fine. Hard Cover. Turquoise cloth covered boards. Dust Jacket. Color and B&W plates throughout; fold out.ISBN: 9780998115665 0998115665.Acquavella Galleries is pleased to present their first exhibition of works by Wang Yan Cheng, from September 11 - October 18, 2019. This exhibition of new work, featuring 20 paintings from this year, is the artist's first solo presentation in the United States. Since his early training as a representational artist, Wang Yan Cheng has developed a deep understanding of painting in terms of structure, color and technique. In recent years he has frequently gone beyond the "abstract." He hopes to merge Eastern and Western aesthetic development, to guide people away from traditional concepts, and to feel the artist's love for creation. Wang Yan Cheng's foundation is never a pure canvas in the metaphoric sense. He has reached beyond the canvas with various methods to make the works "immersed and cultivated." Using his ideas, he is able to exercise artistic control over his medium; his paintings thus inhabit a wonderful place between inevitability and chance and achieve "imperfect perfection." Born in 1960, after graduating from Shandong University of Arts, Wang Yan Cheng went to Central Academy of Fine Arts in Beijing to complete his academic art education in China. Later in 1989 he traveled to France and studied at Jean Monnet University (Saint-E?tienne), where he was able to broaden and expand his creative vision of art. In the past 30 years, Wang Yan Cheng has traveled from the East to the West and has returned from the West to the East. Over time, he has found a profound affinity between Oriental philosophy and Western science and pushed his paintings to engage micro and macro themes. In the 20th century, Chu Teh-Chun and Zao Wou-Ki introduced Eastern aesthetic concepts into Western abstract painting working in the form of lyrical abstraction. Following in the tradition of established lyrical abstractionists Zao Wou-Ki and Chu Teh-Chun, both of whom are recognized internationally, Wang Yan Cheng approaches painting with a different texture, language and visual energy than his two predecessors. In his paintings, Wang Yan Cheng elevates the image to the level of microcosmic vision, using energy, detailed texture and traditional culture to create his unique artistic language. Continuing in the tradition of lyrical abstraction, Wang Yan Cheng builds a majestic momentum from the shapes and colors, drawing on an atmospheric flow that comes from his soul. Each composition follows traditional Chinese cosmology to explore the mysterious driving force of the origin of the universe. The artist departs from the restraints of techniques and concepts, embracing instead the power of spirit and the experience of love. Thus, Wang Yan Cheng's paintings form "a cosmic rhythm that embodies the spirit of the Oriental and Taoist philosophy, that open a universe, in bigger and bigger collisions." (quote by art critic Jia Fangzhou). Today, Wang Yan Cheng maintains studios in Paris and Beijing. Major solo museum exhibitions have been held at the Guangdong Museum of Art (2000) and Musée de Montparnasse, Paris (2010). In 2014, the National Museum of History in Taipei mounted an extensive retrospective of the artist. Wang Yan Cheng was also selected to participate in the Shanghai Museum of Art Biennial (2002), the French Pavilion at the Shanghai World Expo (2010), and the Chinese Pavilion at the Milan International Expo (2015). Over the past 20 years, he has won the honor of Chevalier des Arts et Lettres, the Legion of Honour and the Commander Medal of French Arts and Literature. He is the first Chinese artist to have won three medals of honor from the French government.Collection from San Francisco Museum of Modern Art. …

Zustand: Good. Folio. 88 pp. Near Fine. Hard Cover. Turquoise cloth covered boards. Dust Jacket. Color and B&W plates throughout; fold out.ISBN: 9780998115665 0998115665.Acquavella Galleries is pleased to present their first exhibition of works by Wang Yan Cheng, from September 11 - October 18, 2019. This exhibition of new work, featuring 20 paintings from this year, is the artist's first solo presentation in the United States. Since his early training as a representational artist, Wang Yan Cheng has developed a deep understanding of painting in terms of structure, color and technique. In recent years he has frequently gone beyond the "abstract." He hopes to merge Eastern and Western aesthetic development, to guide people away from traditional concepts, and to feel the artist's love for creation. Wang Yan Cheng's foundation is never a pure canvas in the metaphoric sense. He has reached beyond the canvas with various methods to make the works "immersed and cultivated." Using his ideas, he is able to exercise artistic control over his medium; his paintings thus inhabit a wonderful place between inevitability and chance and achieve "imperfect perfection." Born in 1960, after graduating from Shandong University of Arts, Wang Yan Cheng went to Central Academy of Fine Arts in Beijing to complete his academic art education in China. Later in 1989 he traveled to France and studied at Jean Monnet University (Saint-E?tienne), where he was able to broaden and expand his creative vision of art. In the past 30 years, Wang Yan Cheng has traveled from the East to the West and has returned from the West to the East. Over time, he has found a profound affinity between Oriental philosophy and Western science and pushed his paintings to engage micro and macro themes. In the 20th century, Chu Teh-Chun and Zao Wou-Ki introduced Eastern aesthetic concepts into Western abstract painting working in the form of lyrical abstraction. Following in the tradition of established lyrical abstractionists Zao Wou-Ki and Chu Teh-Chun, both of whom are recognized internationally, Wang Yan Cheng approaches painting with a different texture, language and visual energy than his two predecessors. In his paintings, Wang Yan Cheng elevates the image to the level of microcosmic vision, using energy, detailed texture and traditional culture to create his unique artistic language. Continuing in the tradition of lyrical abstraction, Wang Yan Cheng builds a majestic momentum from the shapes and colors, drawing on an atmospheric flow that comes from his soul. Each composition follows traditional Chinese cosmology to explore the mysterious driving force of the origin of the universe. The artist departs from the restraints of techniques and concepts, embracing instead the power of spirit and the experience of love. Thus, Wang Yan Cheng's paintings form "a cosmic rhythm that embodies the spirit of the Oriental and Taoist philosophy, that open a universe, in bigger and bigger collisions." (quote by art critic Jia Fangzhou). Today, Wang Yan Cheng maintains studios in Paris and Beijing. Major solo museum exhibitions have been held at the Guangdong Museum of Art (2000) and Musée de Montparnasse, Paris (2010). In 2014, the National Museum of History in Taipei mounted an extensive retrospective of the artist. Wang Yan Cheng was also selected to participate in the Shanghai Museum of Art Biennial (2002), the French Pavilion at the Shanghai World Expo (2010), and the Chinese Pavilion at the Milan International Expo (2015). Over the past 20 years, he has won the honor of Chevalier des Arts et Lettres, the Legion of Honour and the Commander Medal of French Arts and Literature. He is the first Chinese artist to have won three medals of honor from the French government.Collection from San Francisco Museum of Modern Art. …

Zustand: BUONO USATO. Da revisionare ITALIANO Dedica con probabile firma autografa di Sigfrido Oliva, monografia interamente illustrata dalle incisioni in nero dell'Artista corredate da didascalie a margine, brevi testi introduttivi di Gabriele Simongini e Renzo Vespignani. Carte interne patinate e debolmente ingiallite in cornice, buonissimo lo stato, cerniera salda. Brossura in cartoncino flessibile con ampie bandelle, pigmento lievemente indebolito causa usura del film protettivo, buone le condizioni conservative. N. pag. 191.…

Zustand: OTTIMO USATO. IED. Da revisionare ITALIANO Libro usato che à già stato letto, ma in condizioni ottime. Nessun danno evidente alle coperte, potrebbe presentare minimi segni di usura alle copertine e alle pagine. Nessuna pagina mancante o strappata, nessuna sottolineatura/evidenziazione di testo nà scritte ai margini. La foto corrisponde al libro in vendita. Altre foto su richiesta. Presente sovraccoperta. Numero pagine 149.…

Zustand: new.

Zustand: OTTIMO USATO. Da revisionare ITALIANO IL LIBRO à USATO, PERTANTO POTREBBE PRESENTARE LIEVI DIFETTI/IMPERFEZIONI. LA FOTO CORRISPONDE AL LIBRO IN VENDITA. La pittura di Scolamiero à evocativa, raffinata, sinestetica (pittura che à anche poesia, pittura che à anche musica, pittura che à anche danza), solcata sempre da un vento malinconicamnete inquieto che à prima di tutto soffio e respiro interiore. Curatore: Simongini, Gabriele. Numero pagine 72. Il copyright dei dati à di Informazioni Editoriali I.E. Srl.…

Zustand: BUONO USATO. Da revisionare ITALIANO Catalogo delle opere dell'Artista, passeggiata virtuale attraverso bellissime incisioni su tavole a tutta pagina, con testo critico ridotto al minimo. Brossura con bandelle, copertina con bandelle illustrata nei due piani, minime le imperfezioni da manipolazione, danno da piccolo urto in quarta, interno conservato allo stato del nuovo. N. pag. 106.…

Zustand: OTTIMO USATO. Da revisionare ITALIANO Legatura editoriale, copertina flessibile, in cartoncino, plastificata; lievi tracce d'uso. Pagine ottimamente conservate. Illustrato con materiali in nero, e a colori fuori testo. Numero Pagine 47.

Zustand: OTTIMO USATO. Da revisionare ITALIANO IL LIBRO à USATO, PERTANTO POTREBBE PRESENTARE LIEVI DIFETTI/IMPERFEZIONI. LA FOTO CORRISPONDE AL LIBRO IN VENDITA. Catalogo della mostra svoltasi presso il Museo Carlo Bilotti, Villa Borghese a Roma, dall'8 marzo al 9 giugno 2019. La pittura di Scolamiero à evocativa, raffinata, sinestetica (pittura che à anche poesia, pittura che à anche musica, pittura che à anche danza), solcata sempre da un vento malinconicamnete inquieto che à prima di tutto soffio e respiro interiore. Curatore: Simongini, Gabriele. Numero pagine 72. Il copyright dei dati à di Informazioni Editoriali I.E. Srl.…

24x17 cm; (36) pp. Brossura editoriale. Monografia realizzata in occasione della mostra personale organizzata presso la Galleria Lazzari 1997 dal 18 ottobre - 12 novembre 1997. Con testi di Piero Dorazio, Gabriele Simongini, Roberta Perfetti. 13 tavole a colori e alcune fotografie in nero dedicate all'opera del noto artista napoletano, Sduardo Palumbo.…

Zustand: new.

Zustand: NEW.

21x21 cm; 83, (1) pp. Brossura editoriale. Ottimo esemplare. Monografia dedicata all'opera del noto artitsa siciliano, Francesco Ferlisi.

Zustand: new.