g burck (13 Ergebnisse)

Hardcover. Zustand: Très bon. Légères traces d'usure sur la couverture. Edition 1965. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Slight signs of wear on the cover. Edition 1965. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. 25 x 16,5 cm. Originalbroschur, am unteren Rückenbezug mit 1 cm Ausriss. Vollständig mit den Seiten 65 - 112 der fortlaufenden Jahrgangs-Seitenzählung sowie den Seiten 1-3 der bibliographischen Beilage. Guter, sauberer Zustand. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Lesen Sie etwas Schönes auf einer Bank in der Frühlingssonne! Wir haben die passende Lektüre. -- Wir kaufen Ihre werthaltigen Bücher! K10026-422740.

Cartonnage de l'éditeur. 248 pages.

Hardcover. Zustand: Befriedigend. Für das Alter (!) ein guter Zustand.---.

Couverture rigide. Zustand: bon. RO20271581: 1970. In-8. Relié. Etat d'usage, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 248 PAGES - Relié imitation bois + plaque type métallique sur le 1er plat et le dos - Quelques illustrations noir/blanc, dans le texte. . . . Classification Dewey : 658-Gestion des entreprises privées et publiques.

Couverture souple. Zustand: bon. RO80216889: 1970. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Papier jauni. 248 pages. Plaque de métal sur le dos et sur la couverture. . . . Classification Dewey : 330-Economie.

Couverture rigide. Zustand: bon. RO30027410: 1965. In-12. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 248 pages. . . . Classification Dewey : 330-Economie.

Couverture rigide. Zustand: bon. RO20052397: 1970. In-8. Cartonnage d'éditeurs. Très bon état, Couv. fraîche, Dos impeccable, Intérieur frais. 248 pages. Quelques illustrations en noir et blanc dans le texte. Relié imitation bois. . . . Classification Dewey : 658-Gestion des entreprises privées et publiques.

Couverture souple. Zustand: bon. R240059176: 1968. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 110 pages - quelques figures en noir et blanc dans et hors texte. . . . Classification Dewey : 650-Gestion et services connexes.

Soft cover. Zustand: Very Good. Hugo Gellert, Jacob Burk / Burck, Etc. (illustrator). 1st Edition. 24 Pp. Illustrated New-York-Based Journal, Published 1931-1933, One Of Several Spanish-Language Rags Published In Different Countries, Each Focused On A Particular Area, All Intimately Connected To The Soviet Union And Its "Communist Party" Units Abroad; The Madrid Journal Was Published 1931-1978. Rear Cover With List Of Mundo Obrero Publications In Spanish, With Illustration Of A Massive Chinese Peasant Sweeping Away Representatives Of U. S. Imperialism, British, Japanese, And French, "Manos Fuera De China". Light Wear And Browning, Light Damp Stain In Upper Right Corner. Worldcat Shows Two Institutional Holdings Of These Original Editions, But Microfilm Is More Generally Available. The Cover Artist, Hugo Gellert (Born Hugó Grünbaum, 1892 -1985), Was A Hungarian-American Illustrator And Muralist. A Committed Radical And Member Of The Communist Party Of America, Gellert Created Much Work For Political Activism In The 1920S And 1930S. It Was Distinctive In Style, Considered By Some Art Critics As Among The Best Political Work Of The First Half Of The 20Th Century. His Family Immigrated To New York In 1906. Gellert Studied In Art Schools In New York. He Had Said That "Being An Artist And Being A Communist Are One And The Same." He Used His Art To Advance His Ideals For The Common People. Much Of His Art Depicted What He Saw As The Injustices Of Racial Divides And Capitalism. Often His Works Were Captioned With Slogans To Further The Illustration. The Working Day, For Example[3] Shows A Black Laborer Standing Back To Back With A White Miner. It Is Accompanied By A Phrase From Karl Marx's Das Kapital, "Labor With A White Skin Cannot Emancipate Itself Where Labor With A Black Skin Is Branded. Opposed To World War I, Gellert Published His First Anti-War Art In 1916. His Work Was Prominently Featured Both In The Illustrated Magazine Of The Hungarian Socialist Federation Of The Socialist Party Of America, El?re (Forward), As Well As Max Eastman's Radical Monthly Magazine The Masses From This Time. He Also Created Numerous Illustrations For Eastman's Successor Magazine, The Liberator, Including The Cover Art For The First Issue, As Well As Sundry Publications Of The Communist Party Usa After Its Formation, Such As The Workers Monthly And The New Masses. Later, Gellert Was Offered A Position As A Staff Artist For The New Yorker Magazine. In 1925, He Moved To The New York Times. In 1927, Gellert Was Appointed The Leader Of The Anti-Horthy League, The First American Anti-Fascist Organization. In This Capacity, He Organized A Demonstration Against U.S. President Calvin Coolidge, And Both He And His Wife Were Arrested While Picketing The White House. In 1932, The Museum Of Modern Art In New York City, Feeling Uncomfortable About Gellert's Public Persona And Politics, Petitioned To Have Gellert's Work Removed From Its Collection. However, They Were Forced To Reconsider When Other Artists, Many Of Whom Did Not Share Gellert's Social Idealism, Came To His Defense As Fellow Artists And Threatened To Withdraw Their Own Works. In 1934 Gellert Was Among The Leaders Of The Artists Committee Of Action, An Informal Group Which Had Formed To Protest Nelson Rockefeller's Destruction Of Diego Rivera's Mural Man At The Crossroads Early In The Year At Rockefeller Center. Gellert Was Instrumental In The Establishment Of Art Front Magazine, Which Started Publication In November 1934 And Was At First Jointly Published By The Aca And The Artists Union. In 1939, Gellert Helped Organize The Group, "Artists For Defense". He Later Became The Chairman For "Artists For Victory", An Organization That Included Over 10,000 Members. Gellert's Social Commentary, His Work And His Beliefs Have Placed Him Among The Greatest American Social Artists Of The Art Deco Era, According To Experts In The Field.

Couverture souple. Zustand: bon. R260194884: 1968. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 110 pages. . . . Classification Dewey : 372.7-Livre scolaire : mathématiques.

Zustand: Good. Envoi rapide Bon état; la tranche du haut un petit peu sali. 17x25cm. 1970. Cartonné. 248 pages. Good.

1840, herbonden in halflinnen, vi, 211 pp., stempel tekst en vlekjes op gegraveerde titelpagina, verkleurd, netjes herbonden.