fuss adam (65 Ergebnisse)

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. Fuss, Adam (Photographer) (illustrator). First Edition. 64pp. A Smithsonian Series. Size: 4to - over 9¾" - 12" Tall.

First Edition. First edition. Softcover. 64 pages. Part of the Photographers at Work series. Features Constance Sullivan's interview of Fuss and a biography by Richard B. Woodward. Includes an interview with Fuss along with numerous black and white images taken with a a pinhole camera. A clean very near fine copy in photo-illustrated wrappers.

First Edition. First edition. Hardcover. 112 pages. Published in conjunction with a majore exhibition that ran September 25, 2002 through January 12, 2003 in Boston and then March 2 through May 11, 2003 at Kunsthalle Bielefeld in Germany. Essay by Thomas Kellein. Includes over sixty illustrations, with most in black and white. A very near fine copy in illustrated boards with a cloth spine. No dust jacket as issued.

Zustand: New. 2003. hardcover. . . . . . Books ship from the US and Ireland.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:1560986220.

First Edition. First edition. Softcover. Features a text contribution by Lynne Tillman. Includes images Roger Ballen, Uta Barth, Petah Coyne, Adam Fuss, Martin Parr, Hiroshi Sugimoto, and Jeff Wall. A fine copy in wrappers.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Binding is sound. This book shows minimal sign of wear to the cover, binding, or pages. Dust jacket condition is Good. Secure packaging for safe delivery.

Zustand des Schutzumschlags: dj. First Edition. First edition and first printing. Large hardcover. An often ethereal collection of 26 tritone and four color plates. A very good copy in blue cloth boards with some foxing and in a very good dust jacket with some light edge wear and some foxing as well. Still a solid copy of this nicely printed and designed book.

Zustand des Schutzumschlags: dj. First Edition. First edition and first printing. Hardcover. Features an essay by Eugenia Parry. Includes 57 color plates along with a number of smaller black and white illustrations. A clean very near fine copy in a very near fine dust jacket.

First Edition. First edition. Softcover. 103 pages. Exhibition catalog for a show from September 2003. A collection of 104 images. A very near fine copy in stapled wrappers.

Hardcover. Zustand: Very Good. Hardcover catalogue of the 1998 exhibition at the Mathew Marks Gallery in New York. Nineteen full page colour reproductions along with numerous smaller images. Interview with Adam Fuss. Studio photographs by Jenny Linn. Minor wear and a few tiny edge tears to dust jacket. No marks to covers or inside pages. s70f9a.

Zustand: as new. [Concept and realization: Thomas Kellein with Adam Fuss]. New York : D.A.P., Distributed Art Publishers, 2003. Hardcover. 112 pp. color illustrations. 25 cm. This catalog accompanies the exhibitions at the Museum of Fine Arts, Boston, Sept. 25, 2002 - Jan. 12, 2003 and Kunsthalle Bielefeld, March 2 - May 11, 2003. - With Jacques-Louis Daguerre, William Talbot Fox, Etienne Jules-Marey and William Blake as his predecessors, Adam Fuss creates photograms and daguerreotypes that evoke a general poetic and spiritual vision akin to urbanites of the 1800s, people who have lost contact with nature and God. While technically seeking to refine the beginnings of photography, Fuss attempts, in the 100 new works presented here, to record life and death. Colorful spirals created by pendulums lead into great depths; snakes create geometric waves in water; loving pairs of rabbits appear in silhouette; a hunched woman cries; sunflowers sprout withered leaves and broken stems; otherwise placid water bears the concentric marks of water drops; the shadows of silvery children's clothing hover in mid-air; light reflects on birds in flight--and all, for Fuss, mark the simultaneous presence and absence of the corporeal under the title My Ghost. Condition : as new copy. ISBN 9781891024764. Keywords : ART,

First edition. 8vo., 112 pp., largely illustrated from color photographs. Cloth-backed illustrated paper over boards, issued without dust jacket. Near fine. Essay by Thomas Kellein.

Zustand des Schutzumschlags: dj. First Edition. First Edition. Published in conjunction with an exhibition at Matthew Marks Gallery on October 9 through December 24, 1997. Near Fine in a Fine dust jacket.

Zustand: Good.

Zustand: New. &Uumlber den AutorAlan Fuss grew up on a small farm in central Nebraska, between North Loup and Scotia. After receiving a B.S. degree in Zoology at the University of Nebraska, Lincoln, completed his medical education at the University o.

Hard Cover. Zustand: Good. Zustand des Schutzumschlags: Good. Limited. Hardback with dust-wrapper. Unpaginated. Illus. Limited to 1000 copies only. D/w slightly worn and chipped to edges, with previous price sticker to rear of d/w. Page edges a little age-discoloured. A pleasing copy. (p18).

24,5 x 17,5 cm. Zustand: Gut. 112 Seiten ; Überwiegend mit Illustrationen Original Halbleineneinband wenig berieben. Innen in sehr gutem Zustand. In Deutsch und Englisch. Bitte beachten Sie unsere Bilder. PG-0108 Sprache: Deutsch Gewicht in Gramm: 593.

Hard Cover. Zustand: Near Fine. This is a near fine hardcover copy without dust jacket as issued, with almost no wear. Completely clean. Essay on the Taj Mahal by Wayne E. Begley. Illustrated in color with photographs by Adam Fuss. 12" high X 11" wide. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.

Soft cover. Zustand: Very Good. No Jacket. 1st Edition. First Edition / First Print. Paperback copy, no dustjacket as issued. Colour photographs throughout. Not library copy, no inscriptions, no creasing to spine, small indentation to spine. (3/3).

hardcover. Zustand: Wie neu. 112 Seiten; 9781891024764.1 Gewicht in Gramm: 1.

Cloth. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 60 pages 32 illustrations 17 in color. There is some foxing to the top edge of the pageblock, with general mild shelfwear to the edges of the boards and rubbing to the jacket. Conversation with Adam Fuss. Studio Photographs by Judy Linn. Published on the occasion of the exhibition from October 9-December 24, 1997. Book.

hardcover. Zustand: fine. Zustand des Schutzumschlags: fine. Adam Fuss (illustrator). First. Profusely illustrated in color and in black and white. tall 4to, pictorial white boards, d.w. (Santa Fe): Arena Editions, (1997). First Edition. Fine in fine dust wrapper. Inscribed by the artist in multi-colored pencil.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. First edition, first printing. Hardcover. Photographically illustrated laminated paper-covered boards, with dust jacket. Photographs by Adam Fuss. Essay by Eugenia Parry. 132 pp. with 57 four-color plates, and numerous black and white reference illustrations. 12-1/4 x 9-7/8 inches. Out of print. Scarce. New in publisher's shrink-wrap. Selected as one of the top ten books on photography in 1997 for the New York Times Book Review. From the publisher: "Adam Fuss has emerged as one of the bold and truly creative artists utilizing photography today. Fuss's photograms clearly break from those of his predecessors, Man Ray, Moholy-Nagy, and Talbot, and while striking a chord of homage, the images redefine how and what we see in pictures, viscerally and intellectually. Like an eighteenth-century experimenter, Fuss utilizes organic and raw materials in an unusual approach, revealing spiritual and emotional process. Live snakes, the entrails of rabbits, eggs, cow liver, sperm, flowers, and stained glass circumscribe the vital, often mysterious energies emitted from these pictures.".

First Edition. First edition. Hardcover. 193 pages. Retrospective monograph for a show that ran January 27 through April 17, 2011. Features essays by Cheryl Brutvan and Christopher Bucklow. Includes numerous color and black and white images., a chronology, list of previous exhibitions, bibliography, glossary of techniques and a checklist. A very good plus copy in photo-illustrated front boards with a cloth rear board and spine with some bumping to the corners. No dust jacket as issued.

183 pp.; 30 x 27.3 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph on the photography collection of Groupe Lhoist in Belgium. Edited by Pauline de Laboulaye and Jacqueline de Ponton D'Amécourt. Introduction by Pierre Apraxine. Artists include Mac Adams, John Baldessari, Lothar Baumgarten, Bernd & Hilla Becher, Max Becher, Andrea Robbins, Barbara Bloom, Christian Boltanski, Rudolph Bonvie, Denis Brihat, Ellen Brooks, Victor Burgin, Jean-Marc Bustamante, Sophie Calle, Sarah Charlesworth, Pierre Cordier, Lili Dujourie, Jeanne Dunning, Sylvie Eyberg, Patrick Faigenbaum, Peter Fischli/David Weiss, Gunther Förg, Michel François, Peter Fraser, Adam Fuss, Lynn Geesaman, Gilbert & George, Nan Goldin, Rodney Graham, Andreas Gursky, Jan Henle, Craigie Horsfield, Alfredo Jaar, Louis Jammes, Jürgen Klauke, Karen Knorr, Wilmar Koenig, Suzanne Lafont, Marie-Jo Lafontaine, Louise Lawler, Richard Long, Urs Luthi, Robert Mapplethorpe, Guy Mees, Hélène Mugot, Vic Muniz, Bruce Nauman, Luigi Ontani, Pierre & Gilles, Sigmar Polke, Richard Prince, Olivier Richon, Gerhard Richter, David Robbins, Michal Rovner, Thomas Ruff, Andres Serrano, Cindy Sherman, Laurie Simmons, Seton Smith, Thomas Struth, Hiroshi Sugimoto, jan Vercruysse, Didier Vermeiren, Not Vital, Jeff Wall, Boyd Webb, William Wegman, and James Welling. Text in French. Good. Moderate sunning and discoloration of covers, rubbing of cover edges, and bumping of bottom right corner. Light dust soiling of text block edge, contents clean and unmarked.

Taschenbuch. Zustand: Neu. Neuware - How can I reconcile my faith and science Is there even a conflict between the Bible and science Why do we live in a world with good and evil Is there a simpler way to understand end-times prophecies How should we interact with people of other faiths, or with those who have no faith What is Judeo-Christianity How should we live Should we allow our faith and politics to mix, and should faith leaders give political endorsements What are the essential components of our faith Why do we worship God Why do we do good works Does God have a greater purpose for my life Do I believe in miracles.

Hardcover. Zustand: New. 1st Edition. First edition, first printing. Boldly signed and dated in blue felt-tip marker on the half-title page by Fuss. Hardcover. Photographically illustrated paper covered boards and fine gray cloth covered spine with title stamped in black. Photographs by Adam Fuss. Essay in German and English by Thomas Kellein. Includes list of plates, exhibition history, and bibliography. Designed by Büro Beckmann. 112 pp., with 54 four-color plates and 8 additional color illustrations. 9-5/8 x 7 inches. Published on the occasion of the 2002-2003 exhibitions at the Museum of Fine Arts, Boston, and Kunsthalle Bielefeld, Germany. New (opened only for signature). From the publisher: "With [Louis-Jacques Mandé] Daguerre, William [Henry Fox] Talbot, [Etienne-Jules] Marey and William Blake as his predecessors, Adam Fuss creates photograms and daguerreotypes that evoke a general poetic and spiritual vision akin to urbanites of the 1800s, people who have lost contact with nature and God. While technically seeking to refine the beginnings of photography, Fuss attempts, in the 100 new works presented here, to record life and death. Colorful spirals created by pendulums lead into great depths; snakes create geometric waves in water; loving pairs of rabbits appear in silhouette; a hunched woman cries; sunflowers sprout withered leaves and broken stems; otherwise placid water bears the concentric marks of water drops; the shadows of silvery children's clothing hover in mid-air; light reflects on birds in flight--and all, for Fuss, mark the simultaneous presence and absence of the corporeal under the title My Ghost." Signed by Author.