Funk edward j (14 Ergebnisse)
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Paperback. Zustand: Brand New. 314 pages. 9.00x6.00x0.79 inches. In Stock.
Sprache: Englisch
Verlag: Edward Funk, 2015
- Softcover
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- Softcover
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Taschenbuch. Zustand: Neu. Neuware.
- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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Taschenbuch. Zustand: Neu. Neuware.
Sprache: Englisch
Verlag: Amazon Digital Services LLC - KDP Print US, 2015
- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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Taschenbuch. Zustand: Neu. Neuware - This book is composed of Loretta Young's 1990 conversations with me (Edward Funk) about her movie years.In the concurrent new book, 'Behind the Door: the Real Life of Loretta Young', I delve into a select few of Loretta Young's ninety-eight films; enough to know she was a major movie star and… her battles to get there and remain for the next twenty-five years. Yet, Loretta and I had discussed ninety-one of her films and that left so much material behind. Since 1990, voices able to recall a career from the silent era, through the golden years of film, have been extinguished. Loretta's isn't just any voice; she tells us from an Academy Award winning star's perspective. She discusses the actors, the directors, the producers, the clothes (and more clothes!), what she learned about acting, her innumerable 'crushes' on her leading men, her reputation as being 'difficult', the roles she wanted, the roles she didn't. It's eighty thousand words of memories, a discussion of which, hopefully, classic film buffs will enjoy eavesdropping. Excerpts: When the camera rolled, he (jimmy Cagney) was in character; there was no getting around it. And I think for a woman to have a man, who is violent that way, but she's the only one he's sensitive with and sweet and soft with, it's doubly important to her then. Even playing a character in a picture, you felt a part of that. Acting, I think, is a wonderful bit of therapy for anyone because you can do, really, anything that you might be tempted to, and you really aren't doing it, because you're only acting. Because there's a lot of attraction, I find, in evil. Usually, it's so covered up with beauty that you don't see the evil.Nothing turns me off quicker than somebody who's not infatuated or thinks I'm divine.If you are a star, you don't have to act like a star. You are a star. You know that by how much money you get; you know that by where your name appears.You can only make love for three minutes as long as the camera is rolling, and passionate love if you want, and the minute the camera is over, no responsibility whatsoever. You call that just a job Well, it's not quite 'just a job,' is it I know I want things my way. I know in the studio, everyone used to say and they still do, that I'm not the easiest person in the world to work with.producers and writers. I know I'm not.I was given the #1 dressing room at the studio for MAN'S CASTLE. I didn't know at that time that at the back of the closet of that dressing room there was a door that led right into Harry Cohn's private office. I think Alan (Ladd) was very conscious of his looks. He would not look beyond a certain point in the camera because he didn't think he looked good. What difference does it make what a man looks like so long as he looks like a man With a woman, it's very important. These are women's tricks. It's a model's walk. It allows you to swing your body without swinging your hips because the whole body goes with it. I know it's showing off. Otherwise it would not please me most when the camera is going because everybody is going to look at me big, blown-up.You'd be surprised how important a movie star feels at times. Reigning kings and queens don't mean very much unless they come into your life in the way this did. But just to meet a king or queen, I don't know, I'd never go out of my way to do it. Now, I loved love scenes, all the touching and petting because I liked men. I liked them then, and I still like them.(Speaking to director Jules Dassin): I can't continue. I don't think you're any happier with me than I am with you. One of us is going to go, and I think, unfortunately for you, at this point, I'm a bigger star than you're a director. It isn't easy for a beautiful woman to be a faithful wife. If she's happily married, yes. Very easy for her to be. But if she's unhappily married and she's attractive, it's very difficult. Very.
- Softcover
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EUR 16,53
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Zustand: New.
Sprache: Englisch
Verlag: Amazon Digital Services LLC - KDP Print US, 2015
- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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Taschenbuch. Zustand: Neu. Neuware - This project began in 1990, but my life went into a different direction and was never published. Then, in 2012, Linda Lewis, Loretta Young's daughter-in-law, called, urging me to finally bring this book to life. I'll be forever grateful to Loretta Young, a guarded woman by nature, who finally… decided to tell a very personal story. In doing so, she enlisted the help of her three sisters and life-long friends. These people have all passed on, but their voices are vividly in the present.Loretta Young was a luminous beauty and movie star. She went from '20s late silents, to early '30 s Warner Brothers Depression heroine, to late '30s Twentieth Century Fox's leading glamour-star. Her peak movie stardom came in the late '40s. Then in the '50s, she waltzed through a door wearing a glamorous gown to introduce that week's episode of 'The Loretta Young Show'. Today, her name is connected with a 'secret baby' fathered by Clark Gable. And, wasn't there something about Spencer Tracy and Tyrone Power This book investigates all the above but so much more. This is the personal story of a woman, who happened to be a movie star, the major focus being on her relationships with the most important people in her life. Excerpts pertaining to Loretta's relationship with Clark GableGable arrived at Loretta's train compartment uninvited. She recalled,' I allowed him in as I would have any member of the crew, thinking he was there for a visit. He had other intentions. Very persistent intentions. He wasn't rough, but I kept saying no, and he wouldn't take no for an answer.'Loretta received a phone call from Ria Gable a few weeks later. Loretta recalled, 'I was in Mama's room and I picked up the phone. Mrs. Gable said, 'This is very presumptuous of me, but you may or may not know that there are rumors flying around town about you and my husband.''In 1998, when Loretta was eighty-five, she was watching television with Edward Funk. There was the mention of date-rape on the news, and she asked him what exactly did that mean. He explained to the best of his ability. The following day, Loretta called her daughter-in-law, Linda and said. 'I know now that there was a word for what happened to me with Clark.'Loretta recalled, 'We went for a drive up in the Hollywood Hills. He didn't say much, but it was apparent that he was agitated. With the long silences, I felt very uncomfortable and finally felt the pressure to say something. I blurted out, 'Would it make any difference if I told you that I wasn't pregnant ' He turned and looked at me and then asked, 'Well, are you or aren't you ' I felt like such a fool. I didn't know why I had said that except that I had tried to think of something to say he wanted to hear. I had to tell him that I was pregnant. His look toward me was one of total exasperation, and very little was said as he drove me home.' There would be some phone calls in the interim, but it would be more than a year before Loretta would see Clark Gable again. Loretta's sister, Sally, 'Loretta referred to Gable's visit earlier in the week, the first time he had seen his daughter, and said, 'Do you know after all that has gone on, all that we've gone through, instead of having any interest in his daughter, he tried to knock me down on the bed! Can you imagine, Sally That bastard! Who the hell does he think he is 'Loretta acted like she couldn't have been more flattered that MGM's two biggest male stars (Clark Gable and Spencer Tracy) would come to see her (on the set of UNGUARDED HOUR). Under her smile she thought differently. She reflected, 'I thought how different these two men were. Clark who was still married to Ria was in a hot romance with Carole Lombard. He was like a child, totally unaware of all the difficulty I'd been through. As for Spencer, I was afraid to look him in the eyes. Would they show love Would they show hurt I didn't have to look to know that they'd show both.'.
- Softcover
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Zustand: New.
Sprache: Englisch
Verlag: LIGHTNING SOURCE INC, 2015
- Softcover
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Sprache: Englisch
Verlag: LIGHTNING SOURCE INC, 2015
- Softcover
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Weitere BilderSprache: Deutsch
Verlag: Prestel-Verlag, München
- Hardcover
Anbieter: Butterfly Books GmbH & Co. KG, Herzebrock-Clarholz, DeutschlandButterfly Books GmbH & Co. KG
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In den WarenkorbHardcover. Zustand: Sehr gut. 152 Seiten Das Buch \'Verborgene Schätze\' erforscht die Welt der archäologischen Entdeckungen und verschollenen Kunstgegenstände. Es beinhaltet verschiedene Aufsätze über historische Funde und kulturelle Schätze. Zustand: Einband mit stärkeren Gebrauchsspuren, Seiten geringfügig gebräunt, insgesamt… GUTER Zustand. HC1-499-5/8-00722397 Sprache: Deutsch Gewicht in Gramm: 307.
Verlag: New York : Crown Publishers, 1941, 1941
- Hardcover
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In den WarenkorbHardcover. Zustand: Good. No Jacket. 2nd Edition. xi, 356 pages : illustrations ; 29 cm ; LCCN: 41-10057 ; LC: NK2230; Dewey: 749 ; OCLC: 813523 ; "Revised, February, 1941" ; dull orange cloth with brown lettering ; no dustjacket ; Contents: Part I. The development of decoration. Introductory ; Italy ; Spain ; France ; France: a…fter Louis XIV ; England ; England : the age of walnut ; England : the age of mahogany ; England : the age of satinwood ; The nineteenth century ; Early American ; The Federal Period and after ; The twentieth century ; Contemporary design -- Part II. The elements of decoration. Materials of decoration ; Fabrics ; Wall coverings ; Floor coverings ; Decorative objects ; Color ; Lighting ; Windows and window treatment ; Furniture and how to buy it -- Part III. The principles of decoration. Room planning and arrangement ; Rooms ; Seasonal change. ; numerous black and white plates ; drawings ; each architect, designer and photographer is indicated, and includes work by Alexander H Girard, Bassett & Vollum, Ruth Campbell Bigelow, Richard Averill Smith, F S Lincoln, Sarah Hunter Kelly, Hubert Robert, Douglas Sommerville, M Therese Bonney, Nancy McClelland, Mattie Edwards Hewitt, Arthur S Vernay, H Leo Gould, William Helburn, Katherine Park Studdiford, Paul J Woolf, Ralph Steiner, Joseph Mullen, Felix Augenfeld, Richard Garrison, Gilbert Rohde, William Lescaze, Paul Bry, William Muschenheim, Joseph Allen Stein, Calvert Coggeshall, John Funk, Richard Neutra, Alvar Aalto, Edward Stone, Dan Cooper, Roy Barley, Kurt Schelling, Frank Randt, Ida Webster, Lucille Schlimme, Margery Sill Wickware, Edna Kern, Harrie Lindeberg, Tommi Parzinger, William Lescaze, Morris Sanders, James F Eppenstein, Virginia Conner, Gottscho, Paul MacAlister, Harwell Hamilton Harris, Harold Costair, Verna Cook Solomonsky, Ethel A Reeve, Van Anda, Evans Moore, Robsjohn-Gibbings, Sylvia Holt, Paul Laszlo, Fred R Dapprich, and Drix Duryea ; great industrial and interior photography; also features 1930's and 1940's art deco, 1950's populux and madcap designs ; sunned , name on front endpaper ; foxing, spot on cover ; else G. Book.
- Hardcover
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Zustand: New. Redaktion: Thomas StodulkaThomas Stodulka ist Juniorprofessor fuer Sozial- und Kulturanthropologie und Psychologische Anthropologie an der Freien Universitaet Berlin.Redaktion: Anita von PoserAnita von Poser ist seit 2022 Professorin am .
