fritz eichenberg illus (18 Ergebnisse)

hardcover. Illus. by Fritz Eichenberg (illustrator). 1st. 8vo, 144 pp., First printing of the illustrated edition. Nearly fine copy in nearly fine dust jacket.

hardcover. Zustand: Fine copy in slipcase. Illus. by Fritz Eichenberg (illustrator). 1st. 8vo, 235 pp., Sandglass newsletter laid-in., Translated from the Russian by Constance Garnett with a preface by John T. Winterich.

hardcover. Zustand: Fine copy in slipcase. Illus. by Fritz Eichenberg (illustrator). reprint. Tall 8vo, 178 pp., Sandglass newsletter laid-in. Translated from the Russian by Babette Deutsch. Edited, with an introduction, by Avrahm Yarmolinsky.

Hardcover. Zustand: Very Good-. Zustand des Schutzumschlags: No Dust Jacket. Reissue Edition. 736 pages; color and B&W illustrations. Very minor shelf rubbing on the covers and spine. A couple of very minor, faint smudges on the exterior edges of textblock. Very Good condition otherwise. No other noteworthy defects. No markings except for a bookplate on front pastedown endpaper. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.

1st edition. Very good cloth copy in a good if somewhat edge-nicked and dust-dulled dust-wrapper. Remains quite well-preserved overall. Physical description: 31p : illustrations ; 21 x 28 cm. Subjects: Children's Fiction; Christmas stories; Wales Fiction; Children's Literature. 3 Kg.

Hardcover. Zustand: Fine. Limited ed. One of 1100 unnumbered copies. Hardcover in checkerboard patterned paper covered boards over brick colored cloth spine, illustrated paper lable front cover and paper title label on spine. 135 pp. Illustrated with drawings by Fritz Eichenberg. A fine, bright copy, a handsome little example of a deco-period binding.

Zustand: Fine. 484 pp., gilt-stamped full black leather (hardcover), a.e.g., moire endpapers and pastedowns, fine. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Octavo (23.5cm). Publisher's black full leather binding, titled and decorated in gilt to spine and boards; silk moiré endpapers; integral ribbon bookmark; all edges gilt; 235pp. A fine, unread copy. A collectible edition from the "100 Greatest Books Ever Written" series. Translated by Constance Garnett; illustrated throughout by Fritz Eichenberg.

Octavo (23.5cm). Publisher's saddle-tan full leather binding, titled and decorated in gilt to spine and boards; silk moiré endpapers; integral ribbon bookmark; all edges gilt; 343pp. A fine, unread copy. A collectible edition from the "100 Greatest Books Ever Written" series. Illustrated throughout after woodcuts by Fritz Eichenberg.

Zustand: VG. New York 1944 first edition thus. Doubleday Doran Limited Editions. No limitation number. Two matching hardcover 4to volumes, baby blue cloth. Translated from Russian by Constance Garnett. Illustrated by Eichenberg. 736p. VG+++, no wear, no owner marks; spines a bit toned. no djs and no box. Text clean, hinges not cracked, binding quite secure. Top edges gilt. Pictures available on request. Pair:

Lwd., Hardcover, no dust jacket, 279 S., gut erhalten.

Zustand: Near Fine. Zustand des Schutzumschlags: Very Good +. New York: Limited Editions Club, 1952. First Thus, Limited to 2000 sets of which this is no. 792. Three volumes; slim folios; publisher's pictorial cloth in glassine dust jackets, housed in original paper-covered slipcase; color illus. throughout. Glassine jackets a bit toned and lightly edge worn, small abrasion to slipcase spine label slightly affecting text, else a Near Fine set. King Midas signed by illustrator Fritz Eichenberg on colophon in rear; Pandora's Box is signed by illustrator Rafaello Busoni to the same; The Emperor's New Clothes is signed by both illustrator Ervine Metzl and translator Jean Hersholt. Publisher's prospectus laid in.

The artist's copy of this proof wood engraving, signed by him in pencil, and from his estate. This illustration headed Chapters 9 and 27 in Eichenberg's brooding edition of Wuthering Heights (1946, expanded from 1943). The initial run of proofs consisted of no more than ten unnumbered copies. Fritz Eichenberg (1901-1990) moved to the US in 1933 and quickly became acknowledged as one of the leading wood engravers of his generation, also illustrating such authors as Dostoevsky, Tolstoy, and Poe. His proofs for Wuthering Heights were reprinted in a signed run of 20 numbered copies in 1980 by Harold McGrath. The original blocks are now part of the Eichenberg Archive at Yale University's Sterling Library. Thin paper (154 x 228 mm) with card backing, image size approx. 53 x 90 mm. Mounted, framed, and glazed (frame size: 273 x 222 mm). Mild toning and creases, near-fine.

The artist's copy of this proof wood engraving, signed by him in pencil, and from his estate. This illustration headed Chapters 2 and 20 in Eichenberg's brooding edition of Wuthering Heights (1946, expanded from 1943). The initial run of proofs consisted of no more than ten unnumbered copies. Fritz Eichenberg (1901-1990) moved to the US in 1933 and quickly became acknowledged as one of the leading wood engravers of his generation, also illustrating such authors as Dostoevsky, Tolstoy, and Poe. His proofs for Wuthering Heights were reprinted in a signed run of 20 numbered copies in 1980 by Harold McGrath. The original blocks are now part of the Eichenberg Archive at Yale University's Sterling Library. Thin paper (154 x 227 mm) with card backing, image size approx. 54 x 92 mm. Mounted, framed, and glazed (frame size: 273 x 222 mm). Mild toning and creases, near-fine.

The artist's copy of this proof wood engraving, signed by him in pencil, and from his estate. This illustration headed Chapter 8 and 14 in Eichenberg's brooding edition of Wuthering Heights (1946, expanded from 1943). The initial run of proofs consisted of no more than ten unnumbered copies. Fritz Eichenberg (1901-1990) moved to the US in 1933 and quickly became acknowledged as one of the leading wood engravers of his generation, also illustrating such authors as Dostoevsky, Tolstoy, and Poe. His proofs for Wuthering Heights were reprinted in a signed run of 20 numbered copies in 1980 by Harold McGrath. The original blocks are now part of the Eichenberg Archive at Yale University's Sterling Library. Thin paper (151 x 226 mm) with card backing, image size approx. 54 x 91 mm. Mounted, framed, and glazed (frame size: 273 x 222 mm). Mild toning and creases, near-fine.

The artist's copy of this proof wood engraving, signed by him in pencil, and from his estate. This illustration headed Chapter 31 in Eichenberg's brooding edition of Wuthering Heights (1946, expanded from 1943). The initial run of proofs consisted of no more than ten unnumbered copies. Fritz Eichenberg (1901-1990) moved to the US in 1933 and quickly became acknowledged as one of the leading wood engravers of his generation, also illustrating such authors as Dostoevsky, Tolstoy, and Poe. His proofs for Wuthering Heights were reprinted in a signed run of 20 numbered copies in 1980 by Harold McGrath. The original blocks are now part of the Eichenberg Archive at Yale University's Sterling Library. Thin paper (152 x 227 mm) with card backing, image size approx. 53 x 90 mm. Mounted, framed, and glazed (frame size: 273 x 222 mm). Mild toning and creases, near-fine.

The artist's copy of this proof wood engraving, signed by him in pencil, and from his estate. This illustration headed Chapters 4, 12, and 21 in Eichenberg's brooding edition of Wuthering Heights (1946, expanded from 1943). The initial run of proofs consisted of no more than ten unnumbered copies. Fritz Eichenberg (1901-1990) moved to the US in 1933 and quickly became acknowledged as one of the leading wood engravers of his generation, also illustrating such authors as Dostoevsky, Tolstoy, and Poe. His proofs for Wuthering Heights were reprinted in a signed run of 20 numbered copies in 1980 by Harold McGrath. The original blocks are now part of the Eichenberg Archive at Yale University's Sterling Library. Thin paper (154 x 227 mm) with card backing, image size approx. 54 x 90 mm. Mounted, framed, and glazed (frame size: 273 x 222 mm). Mild toning, a little creasing with negligible wear to left margin, still near-fine.

The artist's copy of this proof wood engraving, signed by him in pencil, and from his estate. This illustration headed Chapters 10 and 19 in Eichenberg's brooding edition of Wuthering Heights (1946, expanded from 1943). The initial run of proofs consisted of no more than ten unnumbered copies. Fritz Eichenberg (1901-1990) moved to the US in 1933 and quickly became acknowledged as one of the leading wood engravers of his generation, also illustrating such authors as Dostoevsky, Tolstoy, and Poe. His proofs for Wuthering Heights were reprinted in a signed run of 20 numbered copies in 1980 by Harold McGrath. The original blocks are now part of the Eichenberg Archive at Yale University's Sterling Library. Thin paper (151 x 228 mm) with card backing, image size approx. 53 x 91 mm. Mounted, framed, and glazed (frame size: 273 x 222 mm). Mild toning and creases, near-fine.