Fritz eichenberg illus (18 Ergebnisse)

hardcover. 1st. 8vo, 144 pp., First printing of the illustrated edition. Nearly fine copy in nearly fine dust jacket. Illus. by Fritz Eichenberg (illustrator).

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Illus. By Fritz Eichenberg (illustrator).

Hardcover. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. Illus. By Fritz Eichenberg (illustrator).

hardcover. Zustand: Fine copy in slipcase. reprint. Tall 8vo, 178 pp., Sandglass newsletter laid-in. Translated from the Russian by Babette Deutsch. Edited, with an introduction, by Avrahm Yarmolinsky. Illus. by Fritz Eichenberg (illustrator).

Hardcover. Zustand: Fine. Limited ed. One of 1100 unnumbered copies. Hardcover in checkerboard patterned paper covered boards over brick colored cloth spine, illustrated paper lable front cover and paper title label on spine. 135 pp. Illustrated with drawings by Fritz Eichenberg. A fine, bright copy, a handsome little example of a deco-period binding.…

Octavo (23.5cm). Publisher's black full leather binding, titled and decorated in gilt to spine and boards; silk moiré endpapers; integral ribbon bookmark; all edges gilt; 235pp. A fine, unread copy. A collectible edition from the "100 Greatest Books Ever Written" series. Translated by Constance Garnett; illustrated throughout by Fritz Eichenberg.…

Octavo (23.5cm). Publisher's saddle-tan full leather binding, titled and decorated in gilt to spine and boards; silk moiré endpapers; integral ribbon bookmark; all edges gilt; 343pp. A fine, unread copy. A collectible edition from the "100 Greatest Books Ever Written" series. Illustrated throughout after woodcuts by Fritz Eichenberg.…

hardcover. Zustand: Fine copy in slipcase. 1st. 4to, 403 pp., Limited to 1500 numbered copies, signed by the illustrator., Translation by Leo Wiener Revised & edited for this edition by F.D. Reeve. With an introduction by Ernest J. Simmons. Illus. by Fritz Eichenberg (illustrator).

Lwd., Hardcover, no dust jacket, 279 S., gut erhalten.

Zustand: Near Fine. Very Good +. New York: Limited Editions Club, 1952. First Thus, Limited to 2000 sets of which this is no. 792. Three volumes; slim folios; publisher's pictorial cloth in glassine dust jackets, housed in original paper-covered slipcase; color illus. throughout. Glassine jackets a bit toned and lightly edge worn, small abrasion to slipcase spine label slightly affecting text, else a Near Fine set. King Midas signed by illustrator Fritz Eichenberg on colophon in rear; Pandora's Box is signed by illustrator Rafaello Busoni to the same; The Emperor's New Clothes is signed by both illustrator Ervine Metzl and translator Jean Hersholt. Publisher's prospectus laid in.…

The artist's copy of this proof wood engraving, signed by him in pencil, and from his estate. This illustration headed chapters 9 and 27 in Eichenberg's brooding edition of Wuthering Heights (1946, expanded from 1943). The initial run of proofs consisted of no more than ten unnumbered copies. Fritz Eichenberg (1901-1990) moved to the US in 1933 and quickly became acknowledged as one of the leading wood engravers of his generation, also illustrating such authors as Dostoevsky, Tolstoy, and Poe. His proofs for Wuthering Heights were reprinted in a signed run of 20 numbered copies in 1980 by Harold McGrath. The original blocks are now part of the Eichenberg Archive at Yale University's Sterling Library. Thin paper (154 x 228 mm) with card backing, image size approx. 53 x 90 mm. Mounted, framed, and glazed (frame size: 273 x 222 mm). Mild toning and creases, near-fine.…

The artist's copy of this proof wood engraving, signed by him in pencil, and from his estate. This illustration headed chapters 2 and 20 in Eichenberg's brooding edition of Wuthering Heights (1946, expanded from 1943). The initial run of proofs consisted of no more than ten unnumbered copies. Fritz Eichenberg (1901-1990) moved to the US in 1933 and quickly became acknowledged as one of the leading wood engravers of his generation, also illustrating such authors as Dostoevsky, Tolstoy, and Poe. His proofs for Wuthering Heights were reprinted in a signed run of 20 numbered copies in 1980 by Harold McGrath. The original blocks are now part of the Eichenberg Archive at Yale University's Sterling Library. Thin paper (154 x 227 mm) with card backing, image size approx. 54 x 92 mm. Mounted, framed, and glazed (frame size: 273 x 222 mm). Mild toning and creases, near-fine.…

The artist's copy of this proof wood engraving, signed by him in pencil, and from his estate. This illustration headed chapter 8 and 14 in Eichenberg's brooding edition of Wuthering Heights (1946, expanded from 1943). The initial run of proofs consisted of no more than ten unnumbered copies. Fritz Eichenberg (1901-1990) moved to the US in 1933 and quickly became acknowledged as one of the leading wood engravers of his generation, also illustrating such authors as Dostoevsky, Tolstoy, and Poe. His proofs for Wuthering Heights were reprinted in a signed run of 20 numbered copies in 1980 by Harold McGrath. The original blocks are now part of the Eichenberg Archive at Yale University's Sterling Library. Thin paper (151 x 226 mm) with card backing, image size approx. 54 x 91 mm. Mounted, framed, and glazed (frame size: 273 x 222 mm). Mild toning and creases, near-fine.…

The artist's copy of this proof wood engraving, signed by him in pencil, and from his estate. This illustration headed chapter 31 in Eichenberg's brooding edition of Wuthering Heights (1946, expanded from 1943). The initial run of proofs consisted of no more than ten unnumbered copies. Fritz Eichenberg (1901-1990) moved to the US in 1933 and quickly became acknowledged as one of the leading wood engravers of his generation, also illustrating such authors as Dostoevsky, Tolstoy, and Poe. His proofs for Wuthering Heights were reprinted in a signed run of 20 numbered copies in 1980 by Harold McGrath. The original blocks are now part of the Eichenberg Archive at Yale University's Sterling Library. Thin paper (152 x 227 mm) with card backing, image size approx. 53 x 90 mm. Mounted, framed, and glazed (frame size: 273 x 222 mm). Mild toning and creases, near-fine.…

The artist's copy of this proof wood engraving, signed by him in pencil, and from his estate. This illustration headed chapters 4, 12, and 21 in Eichenberg's brooding edition of Wuthering Heights (1946, expanded from 1943). The initial run of proofs consisted of no more than ten unnumbered copies. Fritz Eichenberg (1901-1990) moved to the US in 1933 and quickly became acknowledged as one of the leading wood engravers of his generation, also illustrating such authors as Dostoevsky, Tolstoy, and Poe. His proofs for Wuthering Heights were reprinted in a signed run of 20 numbered copies in 1980 by Harold McGrath. The original blocks are now part of the Eichenberg Archive at Yale University's Sterling Library. Thin paper (154 x 227 mm) with card backing, image size approx. 54 x 90 mm. Mounted, framed, and glazed (frame size: 273 x 222 mm). Mild toning, a little creasing with negligible wear to left margin, still near-fine. …

The artist's copy of this signed limited edition, one of 100 prints signed by Eichenberg in pencil, this copy being from his estate. This illustration of Heathcliffe was used to illustrate the cover art of Eichenberg's edition of 1943. Fritz Eichenberg (1901-1990) moved to the US in 1933 and quickly became acknowledged as one of the leading wood engravers of his generation, also illustrating such authors as Dostoevsky, Tolstoy, and Poe. The original blocks are now part of the Eichenberg Archive at Yale University's Sterling Library. Single sheet (348 x 254 mm), image size approx. 262 x 178 mm. Mounted, framed, and glazed (frame size: 433 x 339 mm). Gentle creases to edges, a couple of nicks repaired on reverse. Well-preserved condition.…

The artist's copy of this proof wood engraving, signed by him in pencil, and from his estate. This illustration, showing the final embrace of Catherine and Heathcliffe, was used to illustrate chapter 15 in Fritz Eichenberg's edition of 1943. The initial run of proofs consisted of no more than ten unnumbered copies. Fritz Eichenberg (1901-1990) moved to the US in 1933 and quickly became acknowledged as one of the leading wood engravers of his generation, also illustrating such authors as Dostoevsky, Tolstoy, and Poe. His proofs for Wuthering Heights were reprinted in a signed run of 20 numbered copies in 1980 by Harold McGrath. The original blocks are now part of the Eichenberg Archive at Yale University's Sterling Library. Thin paper (305 x 228 mm), image size approx 187 x 129 mm. Mounted, framed, and glazed (frame size: 358 x 288 mm). Excellent condition.…

The artist's copy of this proof wood engraving, signed by him in pencil, and from his estate. This illustration, showing Catherine looking across the moors, was used to illustrate chapter nine in Fritz Eichenberg's 1943 edition and for the covers of his 1946 edition. The initial run of proofs consisted of no more than ten unnumbered copies. Fritz Eichenberg (1901-1990) moved to the US in 1933 and quickly became acknowledged as one of the leading wood engravers of his generation, also illustrating such authors as Dostoevsky, Tolstoy, and Poe. His proofs for Wuthering Heights were reprinted in a signed run of 20 numbered copies in 1980 by Harold McGrath. The original blocks are now part of the Eichenberg Archive at Yale University's Sterling Library. Thin paper (305 x 228 mm), image size approx 187 x 129 mm. Mounted, framed, and glazed (frame size: 358 x 288 mm). Excellent condition.…