fredric march (29 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Three vintage studio still photographs from the 1964 film. Nominated for two Oscars, including Best Actor in a Supporting Role. Based on Fletcher Knebel and Charles W. Bailey's 1962 novel of the same name. A Cold War political thriller about an attempted coup in the US government. Although the pentagon expressed a dislike for the film, President John F. Kennedy was encouraging, even assisting in its production by arranging a visit to his home in Hyannis Port when the crew needed to shoot outside the White House. Shot on location in Arizona, California, Virginia, DC, and France. 8 x 10 inches. Near Fine. Newman, Pg. Spicer US.

Vintage studio still photograph from the 1962 film. With provenance stamp on the verso. Based on the 1959 play by Jean-Paul Sartre. A dying man invites his family to his home where they discover dark secrets about his past. Set in Germany, shot on location in Hamburg, Germany. 8 x 10 inches. Very Good, with some pin holes along the edges.

On one side of 11 x 12.5 cm leaf of pink paper, with rounded outer edges, detached from an autograph album. In fair condition, lighty aged and a little grubby. Reads: 'To | Michael | sincerely | Fredric March'.

Vintage studio still photograph from the 1950 German documentary film. A re-edited version of a German-Swiss film originally released in 1938, directed by Curt Oertel. Winner of the Academy Award for Best Documentary. 8 x 10 inches. Very Good plus.

dvd. Zustand: Wie neu. Seiten; DVD + Booklet - 9-71-5-L3 PW-35ZI-RU84 Sprache: Deutsch Gewicht in Gramm: 500.

Vintage studio still photograph from the 1962 film, here advertised under working title, "The Firebrand." Based on the 1945 play by Edwin Justus Mayer. A duke and duchess both have their eyes on other people, but do not want the other to know. 8 x 10 inches. Very Good plus, with one small tear to the top left corner and a small chip missing from the top right corner.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Illustrated by Bemelmans, Ludwig (illustrator). First Edition. Superlative provenance for this copy which is signed and inscribed by Bemelmans to "Freddy", short for Fredric March, upon half-title. On opposite page is the bookplate of Florence and Fredric March. "Fredric March (1897-1975) was an American actor, regarded as one of Hollywood's most celebrated stars of the 1930s and 1940s. He won two Academy Awards, a Golden Globe Award, and two Tony Awards as well as nominations for three BAFTA Awards and three Emmy Awards. March and his wife starred as the General and Miss Graves in the 1950 Broadway production of Bemelmans' play Now I Lay Me Down To Sleep. Ludwig Bemelmans (1898-1962) was a renowned Austrian-American writer and illustrator of children's books and adult novels." - Wikipedia. 312 p. Color Bemelmans illustration upon endpapers. Somewhat above-average wear to original khaki cloth. Slight spine lean. Cup ring on front board. Moderate wear to complete dust jacket now in glossy new archival protection. An very special example. Pomerance A10a. ; Endpapers; 8vo; Signed by Author.

Vinyl. Zustand: Sehr gut. 1 LP Includes the voices of Thomas Edison, P. T. Barnum, Caruso, Wm. Jennings Bryan, Teddy Roosevelt, Taft, Wilson, Hoover, F.D.R. , George M. Cohan, General Pershing, Einstein, Gandhi, Lindbergh, W. C. Fields, Babe Ruth, Knute Rockne, Will Rogers, Harding, Coolidge, Aimee Mc Pherson and many more. + + + Hülle und LP sehr gut erhalten. Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. ***ATTENTION U.S. CUSTOMERS: Due to the new tariffs, we are unable to ship packages to the USA at this time. Thank you for understanding.*** Sprache: Englisch Gewicht in Gramm: 2200.

Vinyl. Zustand: Gut. 1 Vinyl Hülle gut, LP sehr gut erhalten. Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. ***ATTENTION U.S. CUSTOMERS: Due to the new tariffs, we are unable to ship packages to the USA at this time. Thank you for understanding.*** Sprache: Englisch Gewicht in Gramm: 1100.

Zustand: Good. 18mo. Cardstock. Very good. 2 pp.Colored plate of Norma Shearer and Fredrich March on recto, blank postcard on verso."This is No. 27 of a series of cards appearing in the larger packings of DE RESZKE Cigarettes and other Godfrey Phillips Associated brands.".

Zustand: Good. 18mo. Cardstock. Very good. 2 pp.Colored plate of Fredric March on recto, blank postcard on verso."This is No. 17 of a series of 24 cards appearing in the larger packings of DE RESZKE Cigarettes and other Godfrey Phillips Associated brands.".

Revised First Draft script for the 1948 film. With faint manuscript pencil annotations, and watermarked CONTRACT FILE COPY throughout. Based on the 1946 Broadway play, and a prequel to the 1941 film "The Little Foxes." In the fictional town of Bowden, Alabama, the wealthy Hubbard family holds onto their old-South prominence and prestige through exploitation and cruelty. A searing portrayal of racism and class privilege in the post-Civil War American South. Set in Alabama. Green titled wrappers, noted as REVISED FIRST DRAFT on the front wrapper, rubber-stamped production No. 7494, dated June 9, 1947, with credits for screenwriter Vladimir Pozner. Title page integral on the front wrapper. 178 leaves, with last page of text numbered 169. Carbon typescript on onionskin stock, rectos only. Pages Very Good plus, wrapper Very Good plus with light foxing to the left edge, bound with three gold brads.

Barcelona, s/f. Ediciones Bibliotecas Films. Editorial Alas. Segunda edición. Rústica editorial. 70 pp., 21 x 15,5 cm. Ilustrado con fotografías a una tinta fuera de texto. Estado normal. CINE-NOVELA.

Zustand: Very good. Very good. - A 3-1/8 inch high by 6 inch wide sheet of light teal paper from an autograph album signed in full "Franchot Tone" in red ink under a small portrait clipped from a periodical. The sheet is also signed in red ink on the verso by Fredric March under a small portrait clipped from a periodical. There are binding stab marks along the inner edge of the sheet and both autographs are further identified in black ink along the top of the pages. Very good. The American actor, producer, and film, stage and television director Franchot Tone (1905-1968) was known for his leading roles in the 1930's and early 1940's. As a leading man he was known for his gentlemanly sophisticated roles. He went on to play supporting roles in the 1950's. He starred in many genres from romantic leads to noir films and World War I movies. On television, he had roles in "The Twilight Zone" and "The Alfred Hitchcock Hour". He was nominated for an Academy Award for Best Actor, along with his co-stars Clark Gable and Charles Laughton, for their roles in "Mutiny on the Bounty". He received a star on the Hollywood Walk of Fame. The American actor Fredric March (1897-1975) was one of Hollywod's most celebrated stars of the 1930's and 1940s'. He won Academy Awards for his roles in "Dr. Jekyll and Mr. Hyde" and for "The Best Years of Our Lives". He was also nominated for "The Royal Family of Broadway", "A Star is Born" and "Death of a Salesman". March also starred in "Death Takes a Holiday", "The Barretts of Wimpole Street", "The Dark Angel", "I Married a Witch", :Anna Kerenina", "Executive Suite", "The Bridges at Toko-Ri", "The Desperate Hours", among many others, with his final appearance in "The Iceman Cometh" in 1973.

150 : 80 mm.

Vintage borderless reference photographs from the 1962 film. With mimeo snipes affixed to the verso and provenance stamps on the verso. Based on the 1959 play by Jean-Paul Sartre. A dying man invites his family to his home where they discover dark secrets about his past. Set in Germany, shot on location in Hamburg, Germany. 10 x 8 inches. Near Fine.

Zustand: Good. . 8 pp. 45.8x33.8 cm (18x13¼"). Moderate wear, edges toned,."The film's title, as noted in the picture, comes from the Biblical passage of Proverbs 11:29: "He that troubleth his own house shall inherit the wind." Although the picture was copyrighted twice by Lomitas Productions, Inc., the first copyright, dated 2 Sep 1960 under number LP17779, lists the production company as Lomitas Productions, Germany, and was for a 16mm version. This version was probably shown at the film's premiere at the Berlin Film Festival on 25 Jun 1960. The second copyright, also held by Lomitas Productions, Inc. and for a 35mm version, was registerd on 12 Nov 1960 under number LP17367, and the company is listed by the copyright records only as Lomitas Productions. .Director Stanley Kramer stated in a Nov 1959 NYT article that he considered Inherit the Wind the third in his trilogy of socially provocative films beginning with The Defiant Ones (1958, see above) and On the Beach (1959, see below). The film is based on the play Inherit the Wind, which was inspired by the 1925 "Scopes Monkey Trial" in Dayton, TN. During that trial, then dubbed "The Trial of the Century," Chicago labor lawyer Clarence Darrow (1857?1938) defended teacher John T. Scopes (1900?1970). Scopes was accused of propounding Charles Darwin's theory of evolution in defiance of Tennessee's Butler Law, which prohibited the teaching of any theory other than creationism. The prosecution was led by fundamentalist politician William Jennings Bryan (1860?1925), who was known as "The Great Commoner." Bryan ran for United States President three times, in 1896, 1900 and 1908 and served as Secretary of State from 1913--1915. Unlike as depicted in the film, Bryan died not on the day the trial ended but five days later, of complications from diabetes. Another famous figure represented in the play and film versions of the story was H. L. Mencken (1880?1956), a journalist celebrated for his clever wit and iconoclastic liberalism. In the play and film, the names of the major characters are changed from Clarence Darrow to Henry Drummond; William Jennings Bryan to Matthew Harrison Brady; H. L. Mencken to E. K. Hornbeck; and John T. Scopes to Bertram T. Cates. Although the film's version of the trial hewed closely to actual events, in other areas many facts were changed. For example, unlike in the film, the real trial was initiated by the American Civil Liberties Union (ACLU), which considered the Butler Law, prohibiting the teaching of evolution in Tennessee classrooms, unconstitutional. When Dayton resident George W. Rappelyea learned of the ACLU's desire to test the law, he convinced Scopes, who rarely even taught evolution, to join the case. According to modern sources, because the theory of evolution was included in the state's textbook, many Tennessee teachers included it in the curriculum. Also in contrast to the film, according to some historians, Darrow wanted Scopes to be found guilty so he could appeal the decision to a higher court.

Vintage borderless matte-finish double-weight reference photograph from the 1934 film, showing a tender moment between actors Anna Sten and Fredric March. With the stamp of still photographer Kenneth Alexander on the verso. Based on Leo Tolstoy's 1899 novel "Resurrection." A Russian prince seduces an innocent young servant, leading to her pregnancy and subsequent termination from her job, forcing her into a life of poverty and degradation. The second of three films produced by Samuel Goldwyn to star the then-unknown Sten, who Goldwyn believed would become the "new Garbo," a prediction which ultimately proved incorrect. Set in Moscow. 7.5 x 9.5 inches. Very Good plus overall.

Vintage reference photograph from the set of the 1964 film, showing a camera crew on a truck bed capturing a location shot near the Preakness race track in northwestern Baltimore City. A Cold War political thriller about an attempted coup in the US government, based on the 1962 novel by Fletcher Knebel and Charles W. Bailey II. Although the Pentagon expressed a dislike for the film, President John F. Kennedy was encouraging, even assisting in its production by arranging a visit to his home in Hyannis Port when the crew needed to shoot outside the White House. Shot on location in Arizona, California, Virginia, Washington DC, and Paris. 10 x 8 inches. Near Fine.

Vintage reference photograph from the 1935 film, showing Greta Garbo as Anna Karenina on the train voyage home, draped in furs and wistfully looking out the window. From the archive of film historian and author Joel Finler. Based on the classic 1877 novel by Leo Tolstoy, about a young woman whose loveless marriage leads her to begin an affair with a dashing Czarist officer. Set in St. Petersburg. 10 x 8 inches. Lightly creased at the corners, else Near Fine.

Vintage reference photograph from the 1935 film, showing a ballroom interior, with crew members visible to the far left. MGM stamp on the verso. From the archive of film historian and author Joel Finler. Based on the classic 1877 novel by Leo Tolstoy, about a young woman whose loveless marriage leads her to begin an affair with a dashing Czarist officer. Set in St. Petersburg. 10 x 8 inches. Pinholes at the corners, else about Near Fine.

Vintage reference photograph of actor Fredric March and director Rouben Mamoulian with a camera crew on the set of the 1931 pre-Code horror film. Annotations in manuscript ink and pencil on the verso, and a National Film Archive stamp. From the archive of film historian and author Joel Finler. Based on the classic 1886 novella, and considered by many to be the definitive adaptation. Nominated for three Academy Awards, winning one for Best Actor for Fredric March. 8 x 10 inches. Very Good plus, lightly age toned.

Collection of nine vintage negatives from the 1931 pre-Code horror film. Based on the classic 1886 novella, and considered by many to be the definitive adaptation. Nominated for three Academy Awards, winning one for Best Actor for Fredric March. 6 x 4 inches. Fine. Housed in a paper envelope with annotations in manuscript pencil and ink.

Vintage reference photograph from the 1931 film, showing director Rouben Mamoulian on the set. Provenance stamp and annotations in manuscript pencil on the verso. Based on Robert Louis Stevenson's classic 1886 novella, and considered by many to be the definitive adaptation. A pre-Code film, the adaptation is often remembered for its strong sexual content, heavily edited after the film's 1936 re-release. Nominated for three Academy Awards, winning one for Best Actor for Fredric March. 8 x 10 inches. About Near Fine, with only light edgewear at the top and bottom edges to note.

First Edition. First edition. Signed by Clifford Odets in the year of publication, inscribed to actor Fredric March and his wife, "For Mr. + Mrs F. March, with the appreciation of the Group Theater. Sincerely, [signed] Clifford Odets 1/18/36." xiii, [i], 204 pp. Bound in publisher's navy cloth with gilt spine lettering. Very Good, edges foxed, in Very Good dust jacket, dulled spine panel, light wear and stain at foot. A great association between playwright Odets, with one of his more difficult plays, and Hollywood actor Fredric March, a major star of his day. Odets' thanking March for his patronage of the experimental Group Theater collective, who put on this play, is a nice bit of Great Depression-era theater context too. The Group Theater would last ten years total; their biggest success would be the following year with Odets' play Golden Boy.

FREDRIC MARCH (1897-1975) 3 OSCARORIG.-FILMVERTRAG mit Unterschrift - betr. Finanzen! 21.8.1952.

Vintage glossy 8x10 photo, signed and inscribed in fountain pen "To Mush from Fredric March." In fine condition, with some minor contrast to last name.

Signed album page, 7,75 x 10 inch, signed by Basil Rathbone in blue ink "Basil Rathbone - 1959" - also signed by Fredric March and Robert Morgenthau (and Abe Burrows verso) - Rathbone draws an arrow to March`s signature and writes "Love You!!", attractively mounted (removable) for fine display with photographs of Basil Rathbone in a costume portrait as Sherlock Holmes & Fredric March (altogether 16,5 x 11,75 inch), with browning - in fine to very fine condition.