Frederick gutekunst (5 Ergebnisse)

Loose Leaf. Zustand: New. Reproduction. Original title: Dr. Joseph Parrish and an Idiot German: Dr. Joseph Parrish und ein Idiot French: Dr Joseph Parrish et un idiot Spanish: Dr. Joseph Parrish y un idiota High-quality fine-art reproduction based on an original work from the Met. Creation period: 19th century (ca. 1858). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No. …

Loose Leaf. Zustand: New. Reproduction. Original title: [Man with Side Whiskers] German: [Mann mit Seitenflüstern] French: [Homme avec des whiskies latéraux] Spanish: [Hombre con bigotes laterales] High-quality fine-art reproduction based on an original work from the Met. Creation period: 19th century (1870s?80s). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

1 vols. Image 5-1/2 x 3-1/2 inches; Paper 9 x 6 inches. An attractive image of the good grey poet, inscribed in an unknown contemporary hand a line from Song of Myself (42): "And what is reason? and what is love? and what is life?" In his day books, Whitman recorded receiving photographs from Philadelphia portraitist Gutekunst in March 1880. This is a later phototype of the portrait, dated to the later 1880s from a signed example in the Berg Collection at NYPL. The image also appears as the frontispiece in the 1889 pocket edition of Leaves of Grass. Old markings from matting, some toning but very good 1 vols. Image 5-1/2 x 3-1/2 inches; Paper 9 x 6 inches. Signed.…

Unbound. Zustand: Very Good. First Edition. Large-format photogravure. Image measures approximately 11" x 14" on a sheet measuring 18¾ x 22¾". (N.B. The paper has been trimmed approximately 3/8" at the left, right, and bottom edges due to once having been framed with the edges curled around the glass.) Recto with some tanning-most apparent in a horizontal band at the poet's eyeline-and a bit of light foxing, and the unprinted verso with foxing, mostly confined to the top and bottom edges, and a bit of paper residue, very good overall. With Longfellow's facsimile signature in the lower margin. A striking large-format portrait of the American poet, reportedly made by the well-known Philadelphia photographer Frederick Gutekunst while Longfellow was in town for the Centennial. Gutekunst purchased the rights to the Phototype (photogravure) process in 1878, hence our date attribution.…

1 vols. 8vo. 1 vols. 8vo. An attractive image of the good grey poet. In his day books, Whitman recorded receiving photographs from Philadelphia portraitist Gutekunst in March 1880. This is a later phototype of the portrait, dated to the later 1880s from a signed example in the Berg Collection at NYPL. The image also appears as the frontispiece in the 1889 pocket edition of Leaves of Grass. Oval matting to 6 x 4 inches, masking some mild toning to outer edges of image from an earlier frame. Attractively framed and glazed (12 x 9 inches overall). Signed.…