Fratellini albert (17 Ergebnisse)

Zustand: Très bon état. In-8 19,6 cm sur 15,8. 351 pages. Occasion comme neuf. in-8°.

In-8 ( 205 X 140 mm ) de 265 pages, broché sous couverture illustrée en couleurs. 22 planches hors-texte. Bel exemplaire de l'édition originale, non coupé. Sciences Zoologie dressage cirque menagerie spectacle dompteur clown trapeziste.

Zustand: Bon état. in-8, broché, couverture illustrée, 265 pp., 12 planches hors texte. Bon état général.

Couverture souple. Zustand: Bon état. In-8 20,5 x 14 cm. Broché, couverture jaune illustrée en couleurs, 265 pp., 22 illustrations et documents hors-texte, table des illustrations, table des matières. Pliure au dos, sinon exemplaire en très bon état.

Couverture rigide. Zustand: Très bon. 1 vol. ; 145 x 210 mm ; (270 p.) : ; Broché couverture souple illustrée en couleurs ; dos correct avec trace de pliure ; nombreuses illustrations ( portraits , facsimile , photos . ) en noir hors texte sur papier glacé ; avec signature de l'auteur ; papier jauni en marge sinon intérieur en bon état ; 19F3.…

Couverture souple. Zustand: bon. R150121972: 1956. In-8. Broché. Etat d'usage, Couv. partiel. décollorée, Dos satisfaisant, Papier jauni. 265 pages.Couverture souple illustrée en couleurs.Planches photos en noir et blanc hors texte. . . . Classification Dewey : 800-LITTERATURE (BELLES-LETTRES).

Zustand: Bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Paris, Bernard Grasset, 1955, 6e édition. 20x14 cm. 265 p. + XVI láms. fot. b/n. Rústica. Intonso. Faja publicitaria editorial. Leves pliegues en cubiertas. Buen estado. (Ref. N. 807-P).

in-8, broché, 265 pages. Edition originale. Bel exemplaire. Illustrations en noir. NB. Les questions et commandes sont traitées dans les 48h, les expéditions reprendront le 9 octobre. Merci .

Couverture souple. Zustand: bon. R320164485: 1955. In-8. Broché. Etat d'usage, Couv. convenable, Coiffe en pied abîmée, Papier jauni. 265 pages - 1er plat illustré en couleur - quelques planches en noir et blanc - quelques annotations au crayon à papier à l'intérieur de l'ouvrage sans conséquence sur la lecture. . . . Classification Dewey : 791.3-Cirques.…

265 páginas, 2 hojas. Ilustrado con 22 fotografias en b/n fuera de texto. Cubiertas originales ilustradas con fotografia en color de los Fratellini. Buen estado. Sello biblioteca Daniel Devoto. Buena biografia sobre la familia de payasos mas famosa del mundo. Circo. 21x14 cm.

in-8, broché, couv jaune illustrée, 265p, nbses illustrations, bé dédicace.

Grasset 1955. Exemplaire brochà bon à tat gà nà ral.

BROCHE.

Zustand: Good. Page from a Liber amicorum with greeting and autographs from visiting dignitaries. Possibly signed during a visit to the Château du Clos Lucé. Three signatures on one page with date and one (Victor ) on another page .The European circus family, known as The Fratellini Brothers, was a trio of clowns: Paul, François and Albert (1877-1940, 1879-1951, 1886-1961 respectively) who, with their grace and their brilliant performing techniques, were internationally admired and motivated a revival of interest in the circus world in Paris after World War I. Their father, Gustavo Fratellini (1842-1905), a Florentine follower of the Italian patriot Giuseppi Garibaldi, was a trapeze artist and acrobat, and the eldest brother, Louis (1867-1909) worked as a clown with Paul. François and Albert also began their careers as a couple. When Louis died in 1909, he left a family without a supporter and Paul without a partner.To solve both problems, the remaining brothers formed a single trio act: François retained his traditional role as the elegant, pompous, white-faced clown; Albert, as the hapless and disastrous Augusto, designed a grotesque new makeup of high black eyebrows, an exaggerated mouth, and a bulging red nose (a makeup style that has influenced countless later clowns); and Paul joined the trio with a new character, the notary, with minimal makeup and a comic style midway between his brothers'. The Fratellini toured Europe and Russia before joining the Cirque Medrano in Paris during World War I. By 1923, they had Paris at their mercy and were admired not only by the general public but also by intellectuals such as the screenwriters Raymond Radiguet and Jean Cocteau, who created characters based on the Fratellini in their plays. Many of the Fratellini children also became circus performers, including Victor (1901-1979), Paul's son, and Paul's daughter, Annie (born in 1932), who continued the family tradition as great clowns in France. Albert's memoirs, "Nous Les Fratellini," were published in 1955.Albert Fratellini (1886-1961) was born in Moscow to the Fratellini circus family. He and his brothers, Paul and François, trained in Russia under one of the Durov brothers. The Fratellini Brothers' entrance lasted 45 minutes. They performed at the Cirque Medrano, where they developed many routines now considered classics. A frequent visitor to the Fratellini dressing room was Pablo Picasso. Albert Fratellini was described as a "superb comic actor." He is considered the father of the American Augustus as we understand it today. His makeup style influenced many famous Augustus, most notably Louis Jacobs. His performances were extravagant and crazy. The Fratellini received honors from the President of France during their run at the Cirque Medrano, and Albert was one of the most famous clowns in French history.…

84 :135 mm. Brustbild in Clownskostüm mit Unterschrift.

Pas de couverture. Zustand: Assez bon. Edition originale. Affiche originale, imprimée sur papier; dimensions: 54x42 cm; assez bon état général avec une pliure au milieu, la partie droite est un peu jaunie; la marge supérieure de la partie gauche est brunie; petites usures à la marge supérieure, surtout à droite avec de petites coupures, mais sans perte de papier. intéressante affiche, symbole de la créativité des années 1920 à Paris. …