Frank wiley (22 Ergebnisse)

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Bradley Clark (illustrator).

Hardcover. Zustand: VG+. 1st Edition. Hardback in Very Good+ condition with Very Good dust jacket. 8.5 X 1 X 11.25 inches. 240 pages. Previous owner name on front free endpaper - otherwise, interior is clean and unmarked. Tight binding, sharp corners, and very mild shelf wear. Mylar protected dust jacket does show moderate wear along edges and spine, but presents well . Quick shipping, excellent customer service. All books carefully packaged in boxes and ship with tracking information.…

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Brand New. 172 pages. 8.90x5.91x0.47 inches. In Stock. Keller, Arthur; Wiley, Frank (illustrator).

Zustand: New.

Hardcover. Zustand: Very Good. Includes dust jacket. 'First edition after a limited deluxe edition of 250 copies'. Edge wear and fading to dj. Old price sticker on back of dj. NEW EU 5 EURO CHARGE FOR IMPORTS IS INCLUDED IN OUR SHIPPING PRICE. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.…

Hardcover. Zustand: VG+. Hardback in Very Good+ condition with Very Good- dust jacket. 4to 11" - 13" tall. 343 pages. Signed by the author on the half title page - otherwise, the interior is clean and unmarked. Tight binding, sharp corners, light shelf wear. Dust jacket has chips and tears along edges and spine ends - see photos. Quick shipping, excellent customer service. All books carefully packaged in boxes and ship with tracking information.…

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. 1st Edition. Stated 1st edition. Signed and inscribed by author on first title page, "To Harold - Harold, this is of flying as we have known it. and with Regards Frank Wiley. Sept 12 1970." Binding tight; interior clean; map end papers; musty smell. Cream and gray quarter bound boards; gilt lettering on spine. Dust jacket in mylar; light general shelf wear; chipping at corners and spine ends; 1" closed tear upper rear. ".contains more than 200 rare aviation [black/white] photographs, and stories about the adventures of 100 pioneer pilots." - from back of dj. 343 pp. including index - A large book so priority or international shipping will cost extra. Signed by Author(s). …

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. First Edition After Ltd.Deluxe. 343pp.incl.index; HB quarter-bound; white w/gray-pic.cover &gray w/gilt; slight rub w/clean,tight pgs. DJ blue w/white-pic.cover; rubbed w/wear on edges&corners; some sml.dents. " .an exciting, yet authentic history of the beginnings of aviation in the great West. It contains more than 200 rare aviation photgraphs, and stories about the adventures of 100 pioneer pilots.".…

Paperback. Zustand: Brand New. 128 pages. 9.25x6.50x0.31 inches. In Stock.

Hardcover. Zustand: Very Good+. Zustand des Schutzumschlags: Very Good. First Edition After Limited Deluxe. 343pp.incl.index; HB quarter-bound; beige&blue w/gilt; slight rub w/clean,tight pgs. DJ blue w/white-pic.cover; rub&scuff w/chips&tears. " .an exciting, yet authentic history of the beginnings of aviation in the great West. It contains more than 200 rare aviation photographs, and stories about the adventures of 100 pioneer pilots." signed. Signed by Author(s).…

Hardcover. Zustand: Very Good. First Edition. Limited Collector's First Edition stated, No. 235 of 250 copies SIGNED by Wiley on a special tipped-in sheet; also INSCRIBED on the first blank page; 4to, khaki cloth boards, brown leather spine, no dj, missing slipcase; vg (boards bowed; leather on spine faded, worn and lightly scraped with three grease stains; owner's blindstamp on first blank page); 343pp incl. index. Inscribed by Author(s).…

hardcover. Zustand: New. In shrink wrap. Looks like an interesting title.

Zustand: New.

First Edition. First edition. Oblong softcover. Exhibition catalog for a show that ran February 8 through October 26, 2008. Terrific catalog that gives proper due to Hip Hop music and portraits of some of the artists associated with it. Features an introduction Brandon Brame Fortune, Frank H. Goodyear III, and Jobyl A. Boone. Includes a poem by Nikki Giovanni along with a statement by her and a brief biography. Also includes brief biographies and illustrations and images by Shinique Smith, Kehinde Wiley, David Scheinbaum, Jefferson Pinder, Tim Conlin and Dave Hupp. A very near fine copy in stapled wrappers with some very minor wear. …

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. private Library liquidation mylar cover minor marks bottom of spine like new unread.

First Edition. Softcover. First Edition. Produced in conjunction with an exhibition at the Des Moines Art Center that ran from March 6 to April 22, 1973. Very Good plus in wrappers, with brief scuffing overall and light toning on the front wrapper and spine.

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.…

Single Issue Magazine. Zustand: Good. First Edition. Pages 194-284 plus 16 pages of great vintage ads. Features: The Romance of the French Foreign Legion; Adrift in a Mine-Field - two men drift through a mine-field in a crippled seaplane, fending off mines with their bare hands!; That Night - a rice-planter's cyclone ordeal on Bordelieu Island off the Florida coast; An Englishwoman in South America - Mrs. Mayer-Nixson describes the ways of Chilean (Chilian) policemen, the curious manners and customs of the people, and the odd habits of Chilean servants; The End of the Rainbow - an adventure of Etienne, a half-breed trapper in Northern Canada who had not heard of WWI; Rua the Prophet - the curious history of a Maori fanatic, Rua Kenana, who established a native "New Jerusalem" in the heart of the wild and inaccessible Urewera Mountains of New Zealand - article with great photos; Canada's Last Frontier - part II of a photo-illustrated narrative of a trip to Canada's Eskimo country - including a photo of Fort McMurray which was but a tiny clearing in the woods, plus a photo of an early oil well, and the Pelican gas 'gusher' which had been buring for 18 years!; Our Zambezi Lion-Hunt - adventure involving a black-faced lion; The Tale of the "Tara" - the adventures of the crew of the auxilliary cruiser "Tara," torpedoed off the North African coast - photo-illustrated article; Exploring the Black Canyon - A.L. Fellows and W.W. Torrence help tap a river by a tunnel which irrigates a previously barren valley in Colorado. Unmarked with moderate wear. Binding intact. A sound copy of this excellent vintage issue. Wood, Stanley L.; Gilbert, A.; Pape, F.C.; Wood, Esmond; Wright, Frank; Rountree, Harry; Buchanan, Fred; Smith, Reg. F.; Evison, G. Henry; Gillett, F. (illustrator).…

[4] pp.; 30 x 30 cm.; black-and-white; edition size 20; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include: Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. The 2008 screenprinted gatefold cover, produced by Specific Object, is an exacting reproduction of original 1969 offset printed cover, which incorporates an installation image on the back cover, and extensive introductory text and additional texts on each participating artist. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Fine. Original 1969 vinyl LP housed in 2008 screenprinted facsimile album cover. Vinyl in good condition, jacket is New. …

[4] pp.; 30 x 30 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as the exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. Artist notes and texts on gatefold interior. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Good. Mild bump to top left corner of jacket and light surface wear to album covers and spine including scratching and scuffing. 2.5 cm. and 3 cm. of soiling to recto. Yellow spitting to verso. Yellowing and dust soiling to inside of album cover. Light scratching of record. This is a copy of the original album jacket and original vinyl LP.…

[4] pp.; 30 x 30 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as the exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. Artist notes and texts on gatefold interior. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Good. Mild bump to top left corner of jacket and light surface wear to album covers and spine. LP's vinyl is clean showing only light wear. LP has been played and tested and has no material defects. This is a copy of the original album jacket and original vinyl LP.…