Zustand: New. 2021. hardcover. . . . . . Books ship from the US and Ireland.
Zustand: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.
HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
EUR 30,12
Anzahl: 1 verfügbar
In den Warenkorbhardcover. Zustand: Fine. New & unread, however may have light shelf wear to cover face, edges or corners. Shipped from the UK within 2 business days of order being placed.
EUR 47,74
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
EUR 35,93
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In den Warenkorbhardcover. Zustand: New. Shipped from the UK within 2 business days of order being placed.
EUR 55,75
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In den WarenkorbHardcover. Zustand: Brand New. 128 pages. 9.88x7.88x0.87 inches. In Stock.
EUR 41,40
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In den WarenkorbZustand: NEW.
Zustand: New. First book by veteran New York photographer, Frank Rispoli, whose documentation of the Manhattan club scene in the 1970s and 80s is given a unique twist by his exclusive focus on women s shoes.Über den AutorErick Bradshaw Hughe.
Buch. Zustand: Neu. Neuware - As a young man, living in Manhattan in the 1970s and '80s, Frank Rispoli was drawn to the New Wave and Punk club scenes. Recognising the inherent performance of sexuality and desire in both fashion and club culture, he documented the intertwining of the two. Always with a camera strapped around his neck, he frequented Danceteria, Tier 3, Max's Kansas City, Studio 54 and many other clubs in Soho, Chelsea, the Lower East Side, and Midtown. Rispoli asked female clubgoers, bar patrons, singers, and band members if he could photograph their shoes, utilising the staged sets, props, and bathrooms of the clubs, and the taxis, sidewalks, and rooftops of the city, as his backdrops. A selection of these photographs forms the basis of his first book - High Heels.0Rispoli attributes his interest in women's shoes to his inability, as a teenager, to look women in the eye and, due to his shyness, focusing on their feet instead. He drew further inspiration from the work of Guy Bourdin, and his advertising photography of the period. Rispoli continues, in his photographs, to capture the fun, freedom, and performance found in other outsider communities and events, such as Wigstock, and the burgeoning art scene in Bushwick, Brooklyn.