Franco nicolò (18 Ergebnisse)

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Verlag: Carabba editore, Lanciano. 1916, 1916
- Hardcover
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In den WarenkorbOLn., kl.8°, (XXIV) 146 (2) S., Zustand sehr gut.

- Softcover
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- Softcover
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paperback. Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Verlag: L'uomo e l'arte, Milano, 1972
- Softcover
Anbieter: Coenobium Libreria antiquaria, Asti, AT, ItalienCoenobium Libreria antiquaria
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In den Warenkorbpaperback. Zustand: Good. Prima edizione. In 4, cm 20 x 29, pp. 40 con illustrazioni fotografiche nel testo. Brossura editoriale. Numero di questa rivista dedicata alla politica, metodologia e didattica nell'insegnamento dell'arte. Contiene: Chirici - Le accademie di belle arti; Ballocco Mario - Gruppo colori: analisi dei requisiti cromatici delle autolettighe della città di Milano; Davide Boriani - Seminario operativo sulla ricerca ambientale: intervento plastico ambientale in un comune padano; Sergio Orlandini - Gli istituti d'arte; Ernesto Francalanci - La facoltà di architettura di Venezia. Book. …

Verlag: Carabba, 1916
Anbieter: Librodifaccia, Alessandria, AL, ItalienLibrodifaccia
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In den WarenkorbZustand: Buone. italiano Condizioni dell'esterno: copertina leggermente logorata e macchiata Condizioni dell'interno: ingiallite da fattore tempo.

- Softcover
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Zustand: New. In English.

- Hardcover
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- Softcover
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Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book reports on a public archaeology project carried out at the ancient site of Tilmen Höyük in south-eastern Turkey. The project developed and applied new methodologies and advanced technologies for the planning, design, conservation and management of an archaeological park at a site of high cultural, environmental and touristic interest, representing a significant study case for other archaeological sites in the Mediterranean area and beyond. It highlights state-of-the-art techniques of remote sensing, both for archaeological surveying and for territorial and environmental analysis through the study of high-definition aerial photos and digital photogrammetry. It also takes into account the ecological and environmental characterization data elaborated by environmental and botanic experts, fundamental for the purposes of eco-sustainability and management of the site, through climate and ground measurements aiming at vegetation control and a management model for the archaeological site itself and its green areas of outstanding naturalistic interest. Further, the book comprehensively discusses the analysis of the state of preservation of the archaeological remains and their effective conservation based on a set of measures guided by the principles of minimum intervention, feasibility and low impact on the remains, the site and its landscape. Moreover, it presents novel devices and fixed structures aimed at protecting the fragile archaeological remains and allowing safe access to visitors to the newly created archaeological park. At the intersection of archaeology, architecture and natural sciences, this book appeals to researchers and specialists in archaeology, social sciences, environmental sciences, conservation, architecture and engineering disciplines. …

- Hardcover
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Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book reports on a public archaeology project carried out at the ancient site of Tilmen Höyük in south-eastern Turkey. The project developed and applied new methodologies and advanced technologies for the planning, design, conservation and management of an archaeological park at a site of high cultural, environmental and touristic interest, representing a significant study case for other archaeological sites in the Mediterranean area and beyond. It highlights state-of-the-art techniques of remote sensing, both for archaeological surveying and for territorial and environmental analysis through the study of high-definition aerial photos and digital photogrammetry. It also takes into account the ecological and environmental characterization data elaborated by environmental and botanic experts, fundamental for the purposes of eco-sustainability and management of the site, through climate and ground measurements aiming at vegetation control and a management model for the archaeological site itself and its green areas of outstanding naturalistic interest. Further, the book comprehensively discusses the analysis of the state of preservation of the archaeological remains and their effective conservation based on a set of measures guided by the principles of minimum intervention, feasibility and low impact on the remains, the site and its landscape. Moreover, it presents novel devices and fixed structures aimed at protecting the fragile archaeological remains and allowing safe access to visitors to the newly created archaeological park. At the intersection of archaeology, architecture and natural sciences, this book appeals to researchers and specialists in archaeology, social sciences, environmental sciences, conservation, architecture and engineering disciplines. …

- Softcover
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Paperback. Zustand: Brand New. 233 pages. 9.25x6.10x0.56 inches. In Stock.
Weitere Bilder- Softcover
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Taschenbuch. Zustand: Neu. An Integrated Approach for an Archaeological and Environmental Park in South-Eastern Turkey | Tilmen Höyük | Nicolò Marchetti (u. a.) | Taschenbuch | xvi | Englisch | 2021 | Springer | EAN 9783030327569 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu. …

- Hardcover
Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books
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Hardcover. Zustand: Brand New. 233 pages. 9.25x6.10x9.21 inches. In Stock.
Weitere BilderVerlag: Altobello Salicato,, In Venetia,, 1590
- Softcover
Anbieter: Studio Bibliografico Benacense, riva del garda, TN, ItalienStudio Bibliografico Benacense
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In den Warenkorbpaperback. Zustand: Buono (Good). Cm. 14,5, cc. (8) 148. Leg. posteriore in piena pergamena rigida. Esemplare ben conservato. Nicola Franco (1515?-69), poeta satirico di Benevento, fu prima amico e collaboratore di Pietro Aretino e poi suo acerrimo avversario a causa di controversie sorte sopra la paternità di alcune opere. Sempre al centro di intrighi e persecuzioni politiche, Franco fu impiccato a Roma per ordine di papa Pio V. Non comun. Book.…
Weitere BilderVerlag: [Venezia], [Antonio Gardane] [1542], [Venezia], 1542
- Hardcover
Anbieter: Govi Rare Books LLC, Woodside, New York City, NY, USAGovi Rare Books LLC
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In den WarenkorbZustand: Buono (Good). 8vo. 267, (1) leaves. A-Z8, AA-KK8, LL4. With the printer's device on title-page and at the end. Contemporary limp vellum, gilt title on the fore-edge.Adams, F-962; Basso, p. 52; Edit 16, CNCE 19822; Quondam, p. 297; R.L. Bruni, Per una bibliografia delle opere di Nicolò Franco, in: ?Studi e problemi di critica testuale?, XV, 1977, p. 84. THIS SECOND EDITION, in a smaller format, has nearly the same contents as the first, only four letters were omitted and one was added.The first omitted letter (1st ed., l. 40v), escaped to the attention of F.R. De' Angelis (see infra), is a short one, containing just conventional greetings to a certain Valerio Negroni. The second letter was written to Girolamo Borgia (1st ed., l. 95v), the author of the Historia de bellis italicis, who was one of the favorite targets of the darts that Franco used to throw against pedantry. The third one (1st ed., l. 96v) is a merciless attack on Giovanni Francesco Anisio, a neo-Latin poet close to the Accademia Pontaniana, who was accused to have been a very bad poet and a sodomite. The fourth omitted letter is addressed to Luigi Annichini (1st ed., l. 107v), a highly reputed carver of semi-precious stones, who made works for Pietro Aretino and was praised by Giorgio Vasari. The only added letter is that addressed to Marcantonio Passero, dated Torino, May 3, 1542 (l. 183v).Besides that, the only other difference between the first and the second edition is that the letter to Bonifacio Pignoli (1st ed. l. 22v) is here addressed to Pompeo Spatafora (2nd ed. l. 50r) (cf. F.R. De' Angelis, Appendice. Per la tradizione a stampa delle lettere di Franco, in: N. Franco, ?Le pistole vulgari?, Sala Bolognese, 1986, pp. LV-LXIII). Nicolò Franco, born of a modest family in Benevento, was first tutored by his brother Vincenzo, a schoolmaster, and later sought his fortune in the literary circles of the nearby Naples. In 1535 he published his first work, a collection of Latin epigrams Hisabella (Naples, Matteo Cancer). One year later he moved to Venice, where through his friendship with the typographer Francesco Marcolini and the poet Quinto Gherardo, he was introduced in the circle of Pietro Aretino. The latter took him as a secretary and entrusted to him the publication of his first book of letters, in which he repeatedly praised the qualities of his new protégé, predicting him a brilliant career. But the characters of the two men were similar to such a degree that they precluded a lasting friendship.Whatever the reason for the break (probably Franco's intention to publish a book of letters in imitation of that of his master), it came violently in summer of 1538. Thereafter the works of both became a battleground of hostility. Aretino completely suppressed the laudatory remarks on Franco in the later editions of his letters and Franco painted a grotesque portrait of Aretino in the letter A la Invidia (To Jealousy). In mid-1539 he was slashed in the face by one of Aretino's secretaries. When the wound had healed, Franco resolved to leave Venice, where his position had became too risky. In September and October of that year, when the author had already recovered at Casale Monferrato (where he accidentally stopped on his way to France), appeared two of his works destined to have a long-term success: the Dialoghi piacevoli and the dialogue Il Petrarchista, both printed in Venice by Giovanni Giolito.In Casale, Franco remained for seven years, founding the Accademia degli Argonauti and publishing the Rime contro Pietro Aretino, the Priapea (a collection of satirical and erotic poems which is known only through the third enlarged edition that the author had printed in Basle in 1548), and the Dialogo dove si ragiona delle bellezze. In 1546 he moved to Mantua, where he published the long novel La Philena (1547).In 1548, after a short stay in Basel, he entered the service of Giovanni Cantelmo, who traveled extensively across the peninsula before settling in Cosenza. Di. Book.…
Weitere BilderVerlag: [Venezia], [Antonio Gardane] [20 April 1539], [Venezia], 1539
- Hardcover
Anbieter: Govi Rare Books LLC, Woodside, New York City, NY, USAGovi Rare Books LLC
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In den WarenkorbZustand: Buono (Good). Folio (320x200 mm). CXIX [recte CXX] leaves. Collation: A-Z4, AA-GG4. With an architectural title-page and large typographical device on the verso of the last page. Late eighteenth-century vellum over boards, marbled endpapers, red morocco label on spine. With an interesting seven line manuscript note by Giulio Bernardino Tomitano (1761-1828) stating that the present copy was offered to the ?Eccelso Consiglio dei X?, the rulers of Venice; and in fact there is a strip of paper pasted on the last endpaper with a two line dedication to the Consiglio dei X in a sixteenth-century hand possibly by Franco himself. A very fresh copy.Adams, F-961; Basso, pp. 51-52; Edit 16, CNCE 19815; Quondam, p. 297; R.L. Bruni, Per una bibliografia delle opere di Nicolò Franco, in: ?Studi e problemi di critica testuale?, XV, 1977, p. 84. First edition, second issue with Gardane's address and his beautiful large typographical device. The first issue is dated November 1538 and bears neither address nor device. For this second issue the bi-folium GG1-GG4 was reset.The book is dedicated to Leone Orsini (Venice, July 1, 1538), a member of the powerful roman family, and the founder of the Accademia degli Infiammati in Padua, who was made bishop of the diocese of Fréjus-Toulon in 1525 and, later on, agent to the king of France at the papal court. He was Franco's patron, and the latter dedicated two other works to him (cf. C. Schiavon, Una via d'accesso agli epistolari. Le dediche dei libri di lettere d'autore nel Cinquecento. Prima parte, in: ?Margini. Giornale della dedica e altro?, 3, 2009, p. 21).The collection contains 292 letters (all dated between 1531 and 1538) and many dedicatory sonnets. Although the imitation of Aretino as a model is immediately evident, even in the choice of the unusual folio format, the major difference between Aretino's De le lettere libro primo (Venice, 1538) and Franco's Pistole vulgari lies in the presence of many explicitly fictitious letters in the latter's collection, all gathered together in the third and final book. Besides that, the whole Franco's correspondence has raised doubts about its authenticity and historical veracity. In particular, the group of letters addressed to the king of France, Francis I, the first of which are dated 1531 when the author was only 16 years old, where questioned, even by Aretino. It is probable that they were written by Franco at a later date to win the favour of Francis I and to find a way to the court of France (cf. P. Grendler, Critics of the Italian World (1530-1560). Anton Francesco Doni, Nicolò Franco and Ortensio Lando, Madison-Milwaukee-London, 1969, p. 43).Considering Franco's correspondents, some few homogeneous groups of recipients are easily recognizable: ?accanto al gruppo composto da famosi uomini di governo capeggiati da Francesco I [?], e a quello dei pochi ma molto amati amici beneventani (Cautano, Mansella Aquila), il nucleo più consistente è senz'altro rappresentato da interlocutori la cui prevalente ?venezianità' mostra come per il Franco la mediazione aretiniana fosse stata fondamentale. Fra questi ultimi, inoltre, accanto ad uomini impegnati a vario titolo nel governo della repubblica (Donato, Da Legge, B. Navagero, G. Quirini, ecc.) o a intellettuali che tenevano cenacolo nella città (Grassi, Speroni, D. Venier, ecc.) emergono per numero soprattutto amici o discepoli dell'Aretino (Acquaviva, Ricchi, Spira, Marcolini, Venier, Degli Eusebi, Alunno, Sansovino, Tiziano, ecc.)? (F.R. De' Angelis, Introduzione, in: N. Franco, ?Le pistole vulgari?, Sala Bolognese, 1986,p. XIX).Among the fictitious letters of the third book is the famous Risposta della Lucerna (?Lantern's answer'). It is in that lengthy letter that Franco launched his satirical and raucously attack on learning and announced his iconoclastic aims. ?Lucerna wanders about at night in order to see if what men write corresponds to reality. Lucerna comments that many men write sonnets and canzoni in p. Book.…

Verlag: Sandron, Palermo, 1928
Anbieter: Libreria Antiquaria Giulio Cesare di Daniele Corradi, roma, RM, ItalienLibreria Antiquaria Giulio Cesare di Daniele Corradi
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In den WarenkorbRaro. 336 + (1) p. in-16.
Weitere BilderVerlag: Presso Gio. Pietro Gioanni & Francesco Grossi,, Vicenza,, 1604
- Erstausgabe
Anbieter: Llibreria Antiquària Delstres, Canet de Mar, B, SpanienLlibreria Antiquària Delstres
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In den Warenkorb6 hojas, 258 páginas. Marca del impresor Aldo con las iniciales P / L, en la portada. Encuadernación de la época en pergamino flexible, título rotulado en el lomo. Muy buen ejemplar. Primera edición, encabeza la obra una dedicatoria de Giovanni Bruno a Salvestro Aldobrandini, fechada en Padua a 10 de abril de 1604. Sigue una carta de N. Franco a Monseñor Leone Orsini, fechada en Venecia, primero de Julio de 1538. Este epistolario de Nicolo Franco, esta ordenado cronologicamente de 1531 a 1538; contiene un total de 282 cartas; de ellas 24 a Bonifacio Pignoli, secretario de Leon Orsini (su benefactor); 16 cartas a Leone Orsino; 23 cartas a Francisco I de Francia (Cognac, 12 de septiembre de 1494-Rambouillet, 31 de marzo de 1547). Niccolò Franco (Benevento, 13 de septiembre de 1515-Roma, 11 de marzo de 1570), poeta y escritor satírico italiano. Murió ahorcado por orden del Santo Padre el 11 de marzo de 1570 en Ponte Sant'Angelo, Roma. 15,5x9,5cm.…