Francesco stocchi (52 Ergebnisse)

Hardcover. Zustand: Gut. [80] S. : zahlr. Ill. ; 24 cm + 1 DVD. Ex.-Libr., Good condition. Sprache: Englisch Gewicht in Gramm: 530.

paperback. Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Hardcover. Zustand: Very Good. No Jacket. Hardbound no dust jacket.

Zustand: as new. Wie neu/Like new.

Zustand: Good. Creases/marks/light scratches/minor scuffs to cover & sticker marks on back. Marks/scratches to textblock edges. Ink marks to pages. Content good.

Hardcover. Zustand: Used-Very Good. Cloth, no dj. Minor shelf-wear.

Brossura. Immagini a colori n.t. e f.t.Testo in inglese.Text in English. Book in good condition. Numero di tavole: 0 pp.95 9788892823990 altezza 30 larghezza 0 Esemplare in buone condizioni. Copertina con tracce di polvere e segni d'usura. Ingiallimento delle pagine. Testo in inglese.Text in English. Book in good condition.…

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: As New. Unread book in perfect condition.

Soft cover. Zustand: Very Good. Published to accompany the exhibition of the same name held at Fondazione Carrierp, Milan, 26th October 2018-10th February 2019. Text in English and Italian. 2 volumes in folded card slipcase : illustrations (black and white, and colour) ; 24 cm. Slight shelf wear to edges, no inscriptions, tight and square bindings. Photographs available on request. All books dispatched same or next working day in robust packaging.…

Zustand: Neuf.

Zustand: As New. Unread book in perfect condition.

Zustand: NEW.

Zustand: NEW.

Hardcover. Zustand: Sehr gut. 1. Auflage. Z : 380 pp., numerous illustrations in color, English with a German appendix - The publication offers an overview of the broad spectrum of the Lenikus Group's longstanding involvement in the Vienna art scene. It looks back over 25 years of collecting and 15 years of promoting young artists while simultaneously providing a starting point for discussions about the potential of promoting culture through interim use. After all, the availability of space is fundamental to the development of the artistic and creative scenes in Vienna.…

leg. bross. Zustand: Good. in ottavo leg. bross. pp. 184 Buono (Good) Buon es.

Zustand: new.

Zustand: Very Good.

Zustand: Buone. Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.

Softcover. Zustand: Befriedigend. 251, 282 p. Acceptable. Several penciled underlinings. In Italian. Sprache: Italienisch Gewicht in Gramm: 540.

Zustand: BUONO USATO. Da revisionare INTERLINGUE Catalogo in occasione della mostra tenutasi a Milano, Fondazione Carriero, dal 16 settembre al 13 dicembre 2015. Testi di Celine Condorelli, Gavin Delahunty, Adam Kleinman. Gabriel Kuri, Francesco Stocchi e Luca Trevisani, in italiano ed inglese con traduzioni di Ada Arduini, Gaia Cernetich e Emily Ligniti. Brossura editoriale con risvolti, in cartoncino, con piccoli segni d'uso ed aloni causa polvere. Interno integro, saldo, con ampio margine e riccamente illustrato a colori ed in bianco e nero. Numero pagine 215.…

Paperback, 230x170mm, 256 pages, Dutch (NL) edition *nieuwstaat! . ISBN 9789069182698. Deze catalogus verschijnt bij de gelijknamige tentoonstelling in Museum Boijmans Van Beuningen, Rotterdam (8 februari-11 mei 2014). De tentoonstelling is een unieke samenkomst van het werk van drie van de meest invloedrijke kunstenaars van de twintigste eeuw: Constantin Brancusi (1876-1957), Medardo Rosso (1858-1928) en Man Ray (1890-1976). De tentoongestelde en in de catalogus besproken werken, waarvan vijfenveertig sculpturen en een honderdtal foto's die zij van hun sculpturen maakten, bieden een blik over de schouder van deze kunstenaars. Brancusi, Rosso en Man Ray zijn alledrie niet alleen beslissend geweest voor de ontwikkeling van de moderne beeldhouwkunst, maar bovendien maakten zij in hun werk op vernieuwende wijze gebruik van fotografie. De kunstenaars zetten de fotografie niet zozeer in om hun werk te registreren, maar als een middel om duidelijk te maken hoe toeschouwers hun sculpturen moesten zien en interpreteren. Ze gebruikten de - voor die tijd - experimentele mogelijkheden van het medium, zoals overbelichting, vernieuwende camerastandpunten en het vervagen van voor- of achtergrond. De catalogus bevat beschrijvingen van alle tentoongestelde werken en essays over de drie kunstenaars door de conservatoren van de tentoonstelling. Verder bevat de rijk geillustreerde catalogus thematische essays door de specialisten Roxana Marcoci, senior conservator fotografie van het Museum of Modern Art te New York en Nina Schallenberg, conservator collectie van het Wilhelm Hack Museum te Ludwigshafen. Redactie: Peter van der Coelen, Francesco Stocchi 0 g.…

Gebunden. Zustand: New. Francesco Stocchi is curator of modern and contemporary art at Museum Boijmans Van Beuningen, Rotterdam. Hans-Ulrich Obrist is artistic director of the Serpentine Galleries in London. Prior to this, he was the curator of the Mus&eacutee d Art.

Taschenbuch. Zustand: Neu. Neuware - In celebration of 50 up-and-coming Italian artists of the 21st centuryThe theme of Rome's 18th Art Quadriennale, Fantastica, is an exhortation to rediscover the force of the imagination, through a survey of Italian art since the year 2000. Each of the five sections explores a different line of inquiry such as mechanisms of self-representation and the state of images.…

Couverture souple. Zustand: Très bon. Pas de jaquette. Edition originale. Francesco Stocchi. AGMA Fall issue 2010. En très bon état.

Couverture souple. Zustand: Très bon. Pas de jaquette. Edition originale. Francesco Stocchi. Agma 2010 Summer Issue. En très bon état. AGMA On exhibitions is a quarterly publication dedicated to exhibition making, made up of six different sections: AGMA is a magazine dedicated to exhibition making. AGMA communicates with images, rather than words. AGMA presents visual reviews of exhibitions worldwide. AGMA is published annually in December, featuring 50 of the best exhibitions of the year. In this Issue: ANDY WARHOL ANDREAS HOEFER HENRI MATISSE MIRROR MIRROR DAMIEN ROACH FELIX GONZALES TORRES PLAYING WITH PICTURES CRASH MAURIZIO CATTLEMAN ARCANGELO SASSOLION CONTEMPORANEA GELATIN SOICHIRO FUKUTAKE MUNGO THOPSON ART BASEL. …

Couverture souple. Zustand: Très bon. Pas de jaquette. Edition originale. Francesco Stocchi. AGMA 2011 Winter Issue. En très bon état.DEPICTION: Special project by Christoph Büchel at the Secession, Vienna STUDIO: Harald Szeemann's studio in Tegno photographed by Balthasar Burkhard ARCHIVE: Psycho, curated by Christian Leigh, Kunsthall NewYork, 1992. COLLECTION: Piero Manzoni in Herning, The Damgaard Collection. EXHIBITIONS: LA CARTE D APRES NATURE Selection by Thomas Demand, NMNM, Monaco GUILLERMO FAIVOVICH & NICOLÁS GOLDBERG "El Taco", Portikus, Frankfurt MARK MANDERS Parallel Occurrences/Documented Assignments, Hammer Museum, L.A. FRESH HELL Carte Blanche à Adam McEwen, Palais de Tokyo, Paris FLUXUS EAST Heine Onstad Art Centre, Hovikodden DANIEL BUREN & ALBERTO GIACOMETTI Contemporary works 1964-66, Emirates Palace Dome, Abu Dhabi CHARTREUSE JEUNE An intervention by Olaf Nicolai, Casa Tabarelli, Girlan/Cornaiano CARTE BLANCHE Phillips de Pury, NewYork IMAGE MOUVEMENT Centre d'Art Contemporain Geneva. …

Taschenbuch. Zustand: Neu. Neuware - A broad, multidisciplinary reinterpretation of Italian cultural production from the post-World War II era to the present day through the works of over 140 artists Featuring work from renowned artists including Lucio Fontana and Maurizio Cattelan, this expansive survey reinterprets Italian art from the postwar era to today. Through the lens of the tragicomic, this catalog illustrates how many Italian artists have used comedy, self-irony and paradox as tools of criticism and as an antidote to tragedy.…

Zustand: Good. Leicht beschädigt. Buchschnitt leicht verschmutzt.