Sprache: Englisch
Verlag: Cambridge University Press, 2018
ISBN 10: 1108740081 ISBN 13: 9781108740081
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In den WarenkorbPaperback. Zustand: Brand New. 264 pages. 9.21x6.14x1.00 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 2018
ISBN 10: 1108740081 ISBN 13: 9781108740081
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In den WarenkorbPaperback. Zustand: Brand New. 272 pages. 9.61x6.69x0.71 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 2018
ISBN 10: 1108740081 ISBN 13: 9781108740081
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In den WarenkorbHardcover. Zustand: Brand New. 256 pages. 6.00x1.00x8.90 inches. In Stock.
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Sprache: Englisch
Verlag: Cambridge University Press, 2014
ISBN 10: 1107037719 ISBN 13: 9781107037717
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Sprache: Englisch
Verlag: Cambridge University Press, 2018
ISBN 10: 1108740081 ISBN 13: 9781108740081
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Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - A striking feature of Ovid's literary career derives from the processes of revision to which he subjects the works and collections that make up his oeuvre. From the epigram prefacing the Amores, to the editorial notices built into the book-frames of the Epistulae Ex Ponto, Ovid repeatedly invites us to consider the transformative horizons that these editorial interventions open up for his individual works, and which also affect the shape of his career and authorial identity. Francesca K. A. Martelli plots the vicissitudes of Ovid's distinctive career-long habit, considering how it transforms the relationship between text, oeuvre and authorial voice, and how it relates to the revisory practices at work in the wider cultural and political matrix of Ovid's day. This fascinating study will be of great interest to students and scholars of classical literature, and to any literary critic interested in revision as a mode of authorial self-fashioning.
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In den WarenkorbZustand: New. Über den AutorFrancesca Martelli, DPhil (2007), Oxon, is Associate Professor of Classics at the University of California, Los Angeles. She has broad interests in Latin literature and critical theory, and is the author of O.
Sprache: Englisch
Verlag: Oxford University Press Jul 2024, 2024
ISBN 10: 0197761968 ISBN 13: 9780197761960
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Buch. Zustand: Neu. Neuware - Cicero's letters have figured prominently in some of western modernity's most cherished illusions about the immediacy of its encounter with Classical antiquity. Celebrated since their discovery in the Renaissance for their intimate mode of self-expression, they have been prized since then for the unparalleled proximity they appear to lend to the events and leading figures of the late Republic. However, the letters were only organized into books and collections and published assuch by editors after Cicero's death, and are therefore also the products of a later era.Souvenirs of Cicerois a study of the narratives that the letter collections plot, and of the belated, post-Republican perspectives that shape them. It focuses on theEpistulae ad Familiares, the collection that incorporates Cicero's widest cast of correspondents, and which has been most vulnerable to the modern editorial impulse to reorganize the letter collections along chronological lines. This book attempts to reverse that impulse by appraising the collection in the format transmitted from antiquity and attending to its status as an artefact of the later imperial age.Francesca K. A. Martelli traces the social, political and technological agencies that shaped this letter collection in antiquity, and elucidates the interests that these editorial interventions serve both for ancient readers and for our interpretation of the letters today. Integrating close readings of the letters with hypotheses drawn from contemporary media theory, she makes the case for considering Cicero's letters as residual media, which haunt subsequent history with the Republic's lost futures as they circulate beyond their own era.
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In den WarenkorbHardcover. Zustand: Brand New. 272 pages. 9.76x7.01x0.79 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 2014
ISBN 10: 1107037719 ISBN 13: 9781107037717
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In den WarenkorbZustand: New. Scrutinizes Ovid's tendency to edit his major works and advertise their revised status, a distinctive feature of his literary career. Num Pages: 270 pages. BIC Classification: 2ADL; DSBB; DSC. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 179 x 248 x 20. Weight in Grams: 654. . 2013. Hardback. . . . . Books ship from the US and Ireland.
Taschenbuch. Zustand: Neu. Neuware - In this volume, Francesca Martelli outlines some of the main contours of recent, current and future research on Ovid. Her study looks back to the rehabilitation of Ovid's oeuvre in the 1980s, and considers the post-modern aesthetic prerogatives and post-structuralist theoretical concerns that drove the critical recuperation of his poetry throughout that decade and in the decades that followed. But it also looks forward, by considering how the themes of this poet's oeuvre answer to a variety of new materialist concerns that are now gaining currency in the humanities and social sciences. It highlights the ecopoetic sensibility of the Metamorphoses, for example, and unpacks the environmental narratives that this poem yields when read in dialogue with the discourses of critical posthumanism. And it closes by considering the hauntological aesthetics of Ovid's exile poetry as a comment on the effects of the principate on time, space, media, and art.
Sprache: Englisch
Verlag: Cambridge University Press, 2014
ISBN 10: 1107037719 ISBN 13: 9781107037717
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - A striking feature of Ovid's literary career derives from the processes of revision to which he subjects the works and collections that make up his oeuvre. From the epigram prefacing the Amores, to the editorial notices built into the book-frames of the Epistulae Ex Ponto, Ovid repeatedly invites us to consider the transformative horizons that these editorial interventions open up for his individual works, and which also affect the shape of his career and authorial identity. Francesca K. A. Martelli plots the vicissitudes of Ovid's distinctive career-long habit, considering how it transforms the relationship between text, oeuvre and authorial voice, and how it relates to the revisory practices at work in the wider cultural and political matrix of Ovid's day. This fascinating study will be of great interest to students and scholars of classical literature, and to any literary critic interested in revision as a mode of authorial self-fashioning.