Softcover. Zustand: Sehr gut. 1. Auflage. Z : 64 pp., 10 ills. - Inspired by the symmetrical, Jeffersonian layout of the American Pavilion' s neo-classical architecture, Ed Ruscha s installation for the 2005 Venice Biennale will comprise ten paintings: five in color, five in black and white, the color paintings mirroring the black and white in both subject matter and placement. Leaving the pavilion's entry rotunda, "C," empty, Ruscha will install a combination of pictures, based on his 1992 "Blue Collar" group, as follows: In the pavilion's lefthand, "D & E" galleries: the original five, 1992 "Blue Collar" pictures, black and white canvases depicting urban landscapes. In the opposite "A & B" galleries: five new pictures depicting an accelerated, aged version of the same urban landscapes, possibly to the point of deterioration, painted in color.
Sprache: Englisch
Verlag: Hatje Cantz Verlag, Ostfildern, 2005
Anbieter: studio montespecchio, Montespecchio, MO, Italien
Erstausgabe
Zustand: As New. 1st Edition. Oblong small quarto, unpaginated (64 pages), 10 illustrations in black and white ad in color. Printed wrappers. As new. - First edition. Frances Stark: Always the same: always different"; Donna de Salvo and Linda Norden: 'Course of Empire: Waste and Retrieval'. Text in English and Italian. Issued in conjunction with the 2005 selection of Ed Ruscha as the representative for the American Pavilion at the fifty-first Venice Biennale / June 12 - November 6, 2005.