Frances key (16 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Senn, Oscar (illustrator).

Paperback. Zustand: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way. Senn, Oscar (illustrator).

Hardcover. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: Acceptable. Item in Acceptable condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Brand New. 128 pages. 8.00x5.00x0.50 inches. In Stock.

Hardcover. Zustand: Very Good. 1st Edition. [V], 339 Pp + 3 Pp Ads At Rear. First Edition, Eighth Printing (1912). Clean, No Marks, Some Light Foxing To Edges Of Page Block And To Rear Endpapers. Very Faint Traces Of Dampstaining To Foredges Of Front And Rear Covers. Ellen Karolina Sofia Key (Swedish: [ˈkej]; 11 December 1849 - 25 April 1926) Was A Swedish Difference Feminist Writer On Many Subjects In The Fields Of Family Life, Ethics And Education And Was An Important Figure In The Modern Breakthrough Movement. She Was An Early Advocate Of A Child-Centered Approach To Education And Parenting, And Was Also A Suffragist. She Is Best Known For Her Book On Education Barnets Århundrade (1900), Which Was Translated Into English In 1909 As The Century Of The Child. Key Grew Up In An Atmosphere Of Liberalism, And Throughout The 1870S Her Political Beliefs Were Radically Liberal. She Was Republican-Minded, With The Idea Of Freedom Holding Vast Importance For Her. As The 1880S Advanced, Her Thinking Became Even More Radical, Affecting First Her Religious Beliefs And Then Her Views On Life In Society In General. This Was The Outcome Of Extensive Reading. During The Latter Part Of The 1880S And Particularly In The 1890S, She Began To Read Socialist Literature And Turned Increasingly Towards Socialism. Key Was Raised In A Rigid Christian Household, But While Growing Up She Started Questioning Her Views. From 1879 She Studied Charles Darwin, Herbert Spencer And T. H. Huxley. In The Autumn Of That Year She Met Both Huxley And Haeckel, The German Biologist And Philosopher, In London. The Principle Of Evolution, In Which Ellen Key Had Come To Believe, Was Also To Have An Influence On Her Educational Views. She Is Quoted As Having Said: "Side By Side With The Class War, The Culture War Must Ceaselessly Be Waged By The Young And Among The Young Upon Whom Rests The Responsibility Of Making The New Society Better For All Than The Old Could Be.".…

Soft cover. Zustand: Very Good. [2], 141 pp; 26 cm. ; yellow stiff paper wrappers; "Writers of the Lost Art" was originally the name of the Strategic Planning Committee of Oak Grove Elementary School [Decatur, Georgia]. In this age of visual and electronic information, the goal of this committee was to encourage creative writing among stufents at an early age so that writing would not become a 'lost art'. This annual publication resulted from their inspiration." Poets and writers: Sarah Starratt, CLint Walton, David Woodworth, Kyle Smithers, Julia Skidmore, Alexandra Pavlostathis, Chris Scott, Owen Middour, Laurel Lloyd, Patrick Kennedy, Josh Lee, frances Lawrence, Dan Kasriel, Allison Jordan, Brad Heinrich, Anne Callaway, Corey davis, Kenneth Harrison, greg Cowan, Rebecca Boyan, Leah Benzur, Zach Goodman, Nell Aydlotte, Samantha Sale, Cedric graves, Matthew mcKee, Laura Carmody, Margaret Gipson, Amanda Relaford, Sarah Houghton, Nikole Brown, Sarah Hofstadter, Josh Grabel, Laura Scherer, Betsy Crow, Alegra Walker, Laura Hindman, Karl Widenmann, Michael Frisbie, Toya Key, Mario Holmes, Margaret Jarocki, erica Kirkland, Kristin Dillingham, David Diaz, Preston Owens, Melissa Aitsman, Lauren Howell, Jonathan Weatherford, Anh Huynh, Chiquita Mills, Amyr Joyner, Capers Ogletree, Ben Peterson, David Rich, Sam Slover, Jordan Baily-Hoover, Kate Schoeke, Allison McDaniel, Ann Elise Cutrer, Daniel Bell, Joshua Powell, Stephanie Scherer, Ann Downer, Gida Hammami, William Falnders, Tim Hornsby, Paula Carlisle, Amanda Lewis, Chase Watson, Jill Paschal, Carolyn Ballard, Allison Ray, Kiet Nguyen, Daniel J. Schorr, Asher Allen, Andrew Swerlick, Alex Kaminshine, Nahu Alula, Ali Sullivan, Arielle Berlin, Leslie Springs, Chris Reed, Elicia Skelton, Al Simpson, Keith Raynor, Anthony Neppo, Michael Murry-Hobbs, Monesh Mulchandani, Tarek Mokhtar, Elizabeth Moore, Rachel Malina, Jonathan Lovegren, Cession Lawrence, Whitney Iuvone, Ashley Etheridge, Darien Clark, Tucker Dean, Chris Bruce, Henry Bush, David Barton, Cecilia Ballou, Mary Beth Bidgood, Nathan Black, Emma Abernathy, Hannah Goldberg, Katie Battle, Steven Newrocki, Zac Coleman, Candice Johnson, Mary Margaret Pearce, Abdullah Al-Najjar, Karlee Bauman, Brittany Ranew, Rebecca Caudill, Tiffany Rowe, Ryan Moore, David Thread, Philip Wages, Martin Ahrens, Matthedw Tankersley, Samantha McWilliams, David Murphy, Susan Downer, Elizabeth Keck, Hilary Lamb, Justin Gilstrap, Jarrod Hollingsworth, Jeffrey Katz, Eugene Simonds, David Chapman, Andrew Carrayway, Edward Kallal, Nyssa Turnbow, Andrew Vargas, Courtney Sutton, Ashley Wilson, Seth Martin, Jonathan Mckee, Quartez Key, Shaina Koval, Karin Lessinger, Grant Possehl, Caila Nyberg, Davis Waller, Vanessa Garver, Gregg Nicholson, Ashley Waldrop, Avery Sears, Laura Rosenthal, Jamaal Verdree, Ayesha Patel, George Scott Reynolds, Princess Carr, Nathaniel Goldbery, Sean Grapevine, Sam Crochet, Brandon Echols, Sellers Cook, Carmen Brown, Samantha Bier, Lauren Axel, Zan Aydlotte, Bryan D. Hearn, Steven C. Saunders, CaseySchelhorn, Teddi Thomas, Ansley Stallworth, Brooke Goodman, Ashley Smith, Michael Manus, Heather Bullard, Leah Fox; repair to spine; remains of label on back cover, and small mark, else VG. Book.…

First edition. Bifolium slip bill printing measuring 330 x195mm and complete in 3 pages. Lower blank portion of conjugate leaf trimmed; some splitting along fold lines. Early pencil annotations throughout. Slip bills such as this, with widely spaced, numbered lines, were designed for in-session discussion, debate and annotation; and they were printed exclusively for the use of delegates. Therefore few survive. Unrecorded in OCLC with no other known copies noted, the present is perhaps the only extant recording of the proposals that would be refined into the final version of the law later that year. Ten years earlier, during the height of her work for abolition, Jane Elizabeth Jones spoke before the Ohio Women's Convention in Salem to connect that movement with the fight for women's rights: "We should demand our recognition as equal members of the human family.as human beings; and when this point is established, the term 'woman's rights' will become obsolete" (Ohio History). Highlighting Black Americans' and women's humanity was crucial to her work. And in 1861, alongside reformers Frances Gage and Hannah Cutler, she would continue to push this message even further. Speaking to the Ohio legislature regarding women's property rights, she called upon Senators "to imagine themselves with the legal rights of women" -- to confront the terrible realities of being a human "whose property and wages became their husbands' at marriage," as did even their own bodies (Broad Movements). An electrifying orator, Jones managed to get a sufficient number of men to support the cause during that session. The result was the present bill. While differences exist between the text of this slip bill and the final legislation, the impact was massive for the women of Ohio. And it was a bellwether for women across the US who were clamouring for equality. In its final state, the "1861 law declared that any real estate that a woman had acquired before or during the marriage was her separate property and under her sole control. She could collect the rents and profits. She could contract to manage her real estate.The 1861 law also declared that a woman's personal property including wages acquired before and during marriage was now her separate property and under her sole control, regardless of divorce" (Little). While it would take another 26 years for women to achieve full property rights, with the passage of the Married Women's Property Act in 1887, the present efforts constituted a victory -- at least for white women. For Black and Indigenous women, the laws did not significantly budge and they found fewer white allies than would be hoped given the movement's basis in "common humanity." An important piece of U.S., Midwestern, and Ohio legal and gender history, further comparative research could be done between the terms of the bill as drafted and its final iteration, as well as to the extent it offered a model for continued efforts within the women's rights movement's varied organizations.…