Frampton r (33 Ergebnisse)

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,900grams, ISBN:9780273026464.…

paperback. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paper covers. Zustand: Fine. No Jacket. 1st edition. Scarcely used. Weight: 1.0 Language: English. Profusely Illustrated (illustrator).

Card Covers. Zustand: Very Good. First Edition. Published to coincide with the exhibition of the same name held at the RIBA Heinz Gallery 11 September to 25 October 1997. 40 pages, 38 b/w illustrations, chronology, bibliography. Minor wear, unmarked. [15892/779] Size: 200mm. x 210mm.

English sculptor (1860-1928). Florid signature 'Geo. Frampton' on slip of paper, 1 inch by 3 1/2. Slightly smudged but in good condition. Attached to piece of blue paper docketed with biographical information about the 'Great Sculptor'.

First Edition. First edition. Softcover. 254 pages. Text in Dutch. Edited by Mildred Friedman. Foreword by H.L.C. Jaffe. Features text contributions by Manfred Bock, Kees Broos, Martin Filler, Kenneth Frampton, Martin Friedman, Ger Harmsen, Joop M. Joosten, R.W.D. Oxenaar, Sergio Polano, Nancy J. Troy, and Robert P. Welsh. Includes numerous illustrations. A clean near fine copy in wrappers with some slight sunning to the spine. …

4to.; cloth covered boards, hardcover; 256 pages; black and white and color illustrations; Catalog of an exhibition organized by the Walker Art Center; very good in a very good dust jacket.

Soft cover. Zustand: Very Good. Crease to cover corner.

No Binding. Zustand: Very Good. A fine tinted lithographic portrait Printed 1923. Mounted/matted and ready to frame. A fine opportunity to purchase an unusual and attractive lithograph. By Harry Furnis (illustrator).

SOFTCOVER. Zustand: Fine. 1st Edition. Landscape 4to in colour printed stiff card covers, 40pp on stiff paper, photos, plans etc mainly relating to Wilson's work on the British Library . [CONDITION: A well preserved FINE very clean and tight unmarked copy still close to new (hint of tanning to covers) ] . __To see more of our books on Architecture type DbbARCH in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Zustand: Buone. inglese Condizioni dell'esterno: logorata Condizioni dell'interno: leggermente ingiallite ai contorni.

Pappe. Zustand: Gut. 260 S., 29cm Zustand: Pappeinband, sehr guter Zustand mit Schutzumschlag (am unteren Kapital gestaucht mit hinterlegtem, knappen Einriss) --- Inhalt: englischer Text. Umfangreich farbig illustriert, zahlreiche Risszeichnungen. Bangladesh / India / Pakistan / Sri Lanka ROS3-2 Sprache: Englisch Gewicht in Gramm: 1500.…

Hardcover. Zustand: Brand New. 280 pages. 12.25x9.00x9.06 inches. In Stock.

First revised edition. 24,5x24,5 cm. 430 pp. Richly illustrated. Soft cover. Spine ends with trifle shelf wear, else fine. Condition Near Fine.

Gebunden. Zustand: New.

Hardcover. Zustand: Very Good. First Edition. Hardback. No Dust Jacket. 8vo. pp 190. Original publisher's green cloth, lettered gilt at the spine. The publisher's own retained copy with their publishing label on the front pastedown. Poems include: Shepherd's Song, Wireless Telegraphy, The Railway Journey, Ladies' Ages. Slight foxing to endpapers, otherwise very good indeed.…

1p., 4to. The letter has been torn into 15 pieces (perhaps by a regal hand?), and has been pieced together and laid down on paper backing. Frampton expresses his regret that 'His Majesty's gracious command to attend the Private View fo the Pictures at Buckingham Palace has only just reached him on his return home', and that he 'feels the keenest disappointment that he was unable to be present'.…

Couverture souple. Zustand: Très bon. Edition originale, Édition limitée. 187 pages. Nombreux dessins in-texte. Deux cahiers de photos n/b hors texte. Griffé SP (Service de Presse). 20,5 x 14 cm.

& Building Press, Orig.Leinen geb. 4° mit Orig.Umschl 260 pp. S. mit ca. 400 Abbildungen (Photos u.a.) cont.: Bangladesh / India / Pakistan / Sri Lanka .

3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the descri.…