Forster janet (13 Ergebnisse)

Paperback. Zustand: Brand New. 368 pages. 9.00x6.00x1.00 inches. In Stock.

Zustand: New. In English.

Zustand: New. A collection of essays that assert that the recipe in all its cultural and textual contexts - from the quintessential embodiment of lifestyle choices to the reflection of artistic aspiration - is a complex form of cultural expression. It addresses questions raised by the recipe and its context, cultural moment, and mode of expression. Editor(s): Floyd, Janet; Forster, Laurel. Series: At Table. Num Pages: 264 pages. BIC Classification: JFCV. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly. Dimension: 229 x 155 x 15. Weight in Grams: 358. . 2010. First Edition. Paperback. . . . . Books ship from the US and Ireland.…

Paperback. Zustand: Very Good. First Edition. Book.

Paperback. Zustand: Brand New. 264 pages. 9.25x5.75x0.50 inches. In Stock.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Includes dust jacket. Unread, however there is some mild shelf wear to the cover. Shipped from the UK within 2 business days of order being placed.

Taschenbuch. Zustand: Neu. Neuware - Although the last decade has seen an intense and widespread interest in the writing and publishing of cookery books, surprisingly little contextualized analysis of the recipe as a generic form has appeared. This essay collection asserts that the recipe in all its cultural and textual contexts-from the quintessential embodiment of lifestyle choices to the reflection of artistic aspiration-is a complex, distinct, and important form of cultural expression. Contributors address questions raised by the recipe and its context, cultural moment, and mode of expression. Examples are drawn from such diverse areas as nineteenth- and twentieth-century private publications, official government documents, campaign literature, magazines, and fiction, as well as cookery writers themselves, cookbooks, and TV cookery.The Recipe Reader brings new perspectives, contexts, and arguments into the existing debate about cookery writing and will interest scholars of literature, popular culture, social history, and women's studies, as well as food historians and professional food writers.…

Zustand: New. Although the last decade has seen an intense and widespread interest in the writing and publishing of cookery books, surprisingly little contextualized analysis of the recipe as a generic form has appeared. This essay collection asserts that the recipe in a.

OLwd. Zustand: gut. o.A. Einband lichtrandig, etwas bestossen und berieben, Buchblock sauber sowie fest, wirkt ungelesen, dem Alter entsprechen guter Zustand - Ill. Englisch 308 pages. 8.

Softcover. Zustand: Near Fine. Magazine. Oblong octavo. 94pp. Comb bound with some publisher's material laid in. Fine. A quarterly issues from The International Society of Copier Artists founded by Louise Neaderland as a non-profit group to help establish electrostatic art or xerography as a legitimate art form. The quarterly magazine was started in April of 1982 as a way to distributor the work of artists with the first issue distributed as loose sheets. Starting with this issue spiral bound volumes were released along with an annual box of books each summer. The magazine and organization finally ceased publication in 2003. Each page of this issue of the magazine represents a different artist with many contributions signed and numbered along with a collation stamp on the verso of each. Contributors include David Bolyard, Curtis La Follette, Phyllis Cairns, Sally Blakemore, Panchal Mansaram, Stephanie Regen, Florence Weisz, Zella Funck, Ralph Neaderland, Steve Harp, Fitzgerald-Stasa, Elisabeth Relin, Pat Roberts, Carol Neiman, Al Nigrin, Shirl Green, David Jarvis, Randy Koppang, Carolyn Berry, Jenifer Cairns, Amie Oliver, Kake Art, Gail Smuda, Sarah Jackson, Millie Becker, Dave Winchester, Carolyn Bell-Tait, Clare Forster, Janet Higgins, Kathy Thompson, Sara Roberts, Barbara Bishop, Homer Springer, Maggie Walker, Heino Partanen, Minoy, Fruit Basket Upset, Walter Zimmerman, Kedayhoff, Mae Lee Thomson Foster, Marcello Diotallevi, T.E. Good, Ioan Bunus, Ed Powis Jones, and Jan Lincoln.…

Vintage reference photograph from the 1969 film, showing Haskell Wexler capturing a scene with Robert Forster. Annotations in manuscript pencil on the verso. A hardened and dubiously ethical television cameraman finds out he is being watched by the FBI amidst the tumultuous protests taking place around the 1968 Democratic National Convention. Highly influential for its groundbreaking use of factual historical events interspersed with fictional narrative, and its frank depiction of the contemporary countercultural movement. Featuring early music by Frank Zappa's band Mothers of Invention. Due to its startlingly political narrative, as well as nudity and language, the film was originally given an X rating by the MPAA, though by 1970 this would be downgraded to an R. 10 x 8 inches. Near Fine. Criterion Collection 658. Spicer US Neo-Noir.…

4pp., 16mo. In good condition, lightly aged and worn. Achurch's entry in the Oxford DNB explains the context: 'In 1889, when she was still only twenty-three, she undertook the management of the Novelty Theatre, London, where on 7 June she appeared as Nora in the first English production of Ibsen's A Doll's House. This was a turning point both in her career and in English critical appreciation of Ibsen.' The letter begins: 'Dear Madam | Will you forgive me for writing to you but I should so like to tell you of the intense pleasure you have given my husband & me in "A Doll's House." We had the pleasure of seeing you in the "Red Lamp" [in 1887] & since then have been in India.' On their return home the Hendersons 'made inquiries & to our joy found you were to be in town'. She continues expressing 'the very great pleasure you have given us. I don't expect you can realise what intense enjoyment you give other people'. The Hendersons 'went on the second night & then last week took three friends who enjoyed it as much as we do'. She hopes that 'in a very short time' Achurch 'will have attained the world wide fame which such acting so thoroughly deserves'. She has 'never seen any actress who gratifies my ideal of acting as you do'.…

Three vintage borderless reference photographs from the 1969 film, a highlight of early New Hollywood cinema. One shows actor Harold Blankenship, the other with actors Robert Forster, Peter Bonerz, and Janet Langhart. One with a printed mimeo snipe affixed to the verso along with the stamp of Paramount Pictures, the other with the stamp of Israel Film Archive on the verso. A hardened and dubiously ethical television cameraman finds out he is being watched by the FBI amidst the tumultuous protests taking place around the 1968 Democratic National Convention. Highly influential for its groundbreaking use of factual historical events interspersed with fictional narrative. Featuring early music by Frank Zappa's band Mothers of Invention, and addressing underlying social issues of race, gender, and poverty, the film frankly depicted much of the growing countercultural movement of the late 1960s, even going so far as to use real-life footage of civil disobedience occurring in 1968 Chicago. Due to its startlingly political narrative, as well as nudity and language, the film was originally given an X rating by the MPAA, though by 1970 this would be downgraded to an R. One photograph 10 x 8 inches, one photograph 9.5 x 7.25 inches. Near Fine. Criterion Collection 658. Spicer US Neo-Noir.…