forrest ackerman collection (25 Ergebnisse)

No Binding. Zustand: Near Fine. 1st Edition. 13 3/8" X 10 1/2". Small White Numbers "6003-48" At Lower Left. Original Photo From The Archives Of Forrest Ackerman.

No Binding. Zustand: Fine. Original Art Work. Original Print 15" X 10". From The Forrest Ackerman Collection.

No Binding. Zustand: Fine. Original Art Work. Original Print 15" X 10". From The Forrest Ackerman Collection.

No Binding. Zustand: Fine. Original Art Work. Original Print 15" X 10". From The Forrest Ackerman Collection.

No Binding. Zustand: Fine. Original Art Work. Original Print 15" X 10". From The Forrest Ackerman Collection.

No Binding. Zustand: Fine. Original Art Work. Original Print 15" X 10". From The Forrest Ackerman Collection.

No Binding. Zustand: Fine. Original Art Work. Original Print 15" X 10". From The Forrest Ackerman Collection.

No Binding. Zustand: Very Good. First Edition. Reproduction, Print Signed In Plate By Virgil Finlay, Signed In The Plate, Mounted On Black Board. Printed Area Is 9" X 6". Ex- Forrest Ackerman Collection.

No Binding. Zustand: Near Fine. 1st Edition. Single Sheet From Colored Comics Section, September 7, 1935. Excellent Condition, Matted. This Series Ran From 1935. The Series Ran Briefly In Majestic Comics "The Comics", Later In Flask Comics (Dc) #2-11, Feb-Nov 1940.

No Binding. Zustand: Near Fine. 1st Edition. 5 5/8" X 6 1/8". Notes On Reverse And Initials J. S. G., Writing Partly Cut Away So This Was Part Of A Larger Photograph. Original Photo From The Archives Of Forrest Ackerman.

No Binding. Zustand: Near Fine. 1st Edition. 5 5/8" X 6 1/8". Notes On Reverse And Initials J. S. G., Writing Parltly Cut Away So This Was Part Of A Larger Photograph. Original Photo From The Archives Of Forrest Ackerman.

No Binding. Zustand: Fine. 1st Edition. 10" X 7 3/4". Apparently A Special Effects "Mummy" In An Undetermined Film. From The Ackerman Archives. Mounted On Larger White Card.

No Binding. Zustand: Good. 1st Edition. 13" X 9 7/8", With 1" X 3/8" Area At Lower Left With Surface Abrasion. Mounted On Board. Dark Areas In Photograph Unrelated To Subject, And Indicate This Is A Reproduction Of A Badly Damaged Original Studio Photograph.

No Binding. Zustand: Fine. Printer's Proof. Virgil Finlay Illustration, 8 1/2" X 11". Probably From A Portfolio Of Reprints Of His Work. From The Forrest Ackerman Collection.

No Binding. Zustand: Very Good. First Edition. Reproduction, Print Signed In Plate By Virgil Finlay, Mounted On Board. Printed Area Is 10 3/8" X 9". Ex- Forrest Ackerman Collection, A Gift To A E Van Vogt Inscribed "Van" On Reverse. .

No Binding. Zustand: Very Good. Reprint. Reproduction Of A Print Signed In Plate By Virgil Finlay, Mounted On Board. Printed Area Is 18 1/2" X 12". Ex- Forrest Ackerman Collection.

No Binding. Zustand: Fine. Printer's Proof. Eight Virgil Finlay Illustrations, 4 On Each Side Of A Single Sheet, Identified As Kk, Ll, Jj, Mm, Rr, Nn, Ss, And Oo, Apparently A Proof For An Edition Of His Work. From The Forrest Ackerman Collection. 8 1/2" X 11".

No Binding. Zustand: Good. Original Artwork. Original Drawing, Perhaps Intended To Be Ackerman As A Mummy. Artist Unknown, But Apparently Signed "D". From The Forrest Ackerman Collection.

No Binding. Zustand: Fine. Original Photograph. 1956- ) Working Name Of American Artist Jeffrey Knight Potter (1956-) Aka Jeff K Potter. Born In California, He Has Lived Most Of His Life In The American South, A Region Which He Reports Has Had A Major Impact On His Extravagantly Outré Artwork. After Contributing To Fanzines, Potter Began His Career By Doing Covers For Small Press Publications, Beginning With H Warner Munn's Tales Of The Werewolf Clan (1979) For Donald M Grant, And These Have Remained His Main Market, Though He Has Also Done Covers For Major Publishers' Books, Sf Magazines, And Cds. Potter Has Garnered A Unique Reputation For Relying Upon Altered Photographs To Produce Strikingly Bizarre Or Grotesque Images Which Often "Morph" Disparate Elements, Like A Human Head Emerging From A Disembodied Hand Playing The Piano, His Cover For The Winter 1985 Issue Of Night Cry, Or The Woman With Octopus's Tentacles For Hair On The Cover Of Poppy Z Brite's Collection Are You Loathsome Tonight? (Coll 1998). His Art, Unsurprisingly, Is Most Often Found On Works Of Fantasy Or Horror, But Occasional Sf Assignments Can Be Effectively Evocative, Like His Cover For The 1997 Edition Of Ursula K Le Guin's The Lathe Of Heaven (1971), Depicting A Man's Head Merging Into A Devastated Urban Landscape. He Has Created Covers For Asimov's Sciencfiction Magazine, Tim Powers, And Several Books By Stephen King And Lucius Shepard. (Source: Science Fiction Encyclopedia). Forrest Ackerman Collection. Signed by Illustrator(s).

No Binding. Zustand: Near Fine. Original Artwork. Original Painting On Paper, Image 3 5/8" X 2 3/4". O Signature Or Date.

No Binding. Zustand: Fine. 1st Edition. Reproduction Of Photograph Montage Used For Central Concept In "Project Moonbase", Written By Seaman And Heinlein. The Film Was Made In Ten Days, Including Use Of Same Sets For Another Film Shot Simultaneously. Often Criticized As A Film, But Mostly By People Who Couldn't Build A Radio Today Let Alone A Space Station In 1953. From The Forrest Ackerman Collection. 17" X 11". Jacque Fresco (1916 - 2017) Was An American Futurist And Self-Described Social Engineer. Self-Taught, He Worked In A Variety Of Positions Related To Industrial Design. Fresco Worked At Douglas Aircraft Company In California During The Late 1930S. He Presented Designs Including A Flying Wing] And A Disk-Shaped Aircraft. Fresco Was Commissioned By Earl "Madman" Muntz, To Design Low Cost Housing. Muntz Invested $500,000 Seed Money In The Project. Fresco, 32 Years Old At The Time, Along With His Associates Harry Giaretto And Eli Catran Conceived, Designed And Engineered A Project House Called The Trend Home. Built Mostly Of Aluminum And Glass, It Was On Prominent Display At Stage 8 Of The Warner Bros. Sunset Lot In Hollywood For Three Months. Without Federal Or Further Private Funding The Project Did Not Go Into Mass Production. This Experience Led Fresco To The Conclusion That Society Would Have To Be Changed For His Inventions To Reach Their Potential.In The Late 1940S, Fresco Created And Was Director Of Scientific Research Laboratories In Los Angeles. Here He Also Gave Lectures, And Taught Technical Design, Meanwhile Researching And Working On Inventions As A Freelance Inventor And Scientific Consultant. During This Period, Fresco Struggled To Get His Research Funded And Faced Setbacks And Financial Difficulties. In 1955, Fresco Left California After His Laboratory Was Removed To Build The Golden State Freeway.In 1955 Fresco Moved To Miami, Florida. In Miami Fresco Presented Designs Of A Circular City. Fresco Made His Living Working As An Industrial Designer For Various Companies Such As Alcoa And The Major Realty Corporation. In 1961, With Pietro Belluschi And C. Frederick Wise, Fresco Collaborated On A Project, Known As The Sandwich House. Consisting Of Mostly Prefabricated Components, Partitions, And Aluminum, It Sold For $2,950, Or $7,500 With Foundation And All Internal Installations. During This Period, Fresco Supported His Projects By Designing Prefabricated Aluminum Devices Through Jacque Fresco Enterprises Inc. From 1955 To 1969 Fresco Named His Social Ideas "Project Americana". Looking Forward Was Published In 1969. Author Ken Keyes Jr., And Jacque Fresco Coauthored The Book, A Speculative Look At The Future. The Authors Picture An Ideal 'Cybernetic Society In Which Want Has Been Banished And Work And Personal Possessions No Longer Exist; Individual Gratification Is The Total Concern' .Fresco Formed "Sociocyberneering", A Membership Organization Claiming 250 Members.] He Hosted Lectures In Miami Beach And Coral Gables. Fresco Promoted His Organization By Lecturing At Universities And Appearing On Radio And Television. Fresco's "Sociocyberneering" As A Membership Group Was Discontinued And Land Was Purchased At Another Location In Rural Venus, Florida. He Established His Home And Research Center There.Fresco, With Meadows, Supported The Project In The 1990S Through Freelance Inventing, Industrial Engineering, Conventional Architectural Modeling, And Invention Consultations. In 2002, Fresco Published His Main Work The Best That Money Can't Buy. In 2006, William Gazecki Directed The Semi-Biographical Film About Fresco, Future By Design.In 2008, Peter Joseph Featured Fresco In The Film Zeitgeist Addendum Where His Ideas Of The Future Were Given As Possible Alternatives. Peter Joseph, Founder Of The Zeitgeist Movement Began Advocating Fresco's Approach. In April 2012, The Two Groups Disassociated Due To Disagreements Regarding Goals And Objectives.

No Binding. Zustand: Fine. 1st Edition. 17" X 1". Reproduction Of Photograph Montage Used For Central Concept In "Project Moonbase", Written By Seaman And Heinlein. The Film Was Made In Ten Days, Including Use Of Same Sets For Another Film Shot Simultaneously. Often Criticized As A Film, But Mostly By People Who Couldn't Build A Radio Today Let Alone A Space Station In 1953. From The Forrest Ackerman Collection. Jacque Fresco (1916 - 2017) Was An American Futurist And Self-Described Social Engineer. Self-Taught, He Worked In A Variety Of Positions Related To Industrial Design. Fresco Worked At Douglas Aircraft Company In California During The Late 1930S. He Presented Designs Including A Flying Wing] And A Disk-Shaped Aircraft. Fresco Was Commissioned By Earl "Madman" Muntz, To Design Low Cost Housing. Muntz Invested $500,000 Seed Money In The Project. Fresco, 32 Years Old At The Time, Along With His Associates Harry Giaretto And Eli Catran Conceived, Designed And Engineered A Project House Called The Trend Home. Built Mostly Of Aluminum And Glass, It Was On Prominent Display At Stage 8 Of The Warner Bros. Sunset Lot In Hollywood For Three Months. Without Federal Or Further Private Funding The Project Did Not Go Into Mass Production. This Experience Led Fresco To The Conclusion That Society Would Have To Be Changed For His Inventions To Reach Their Potential.In The Late 1940S, Fresco Created And Was Director Of Scientific Research Laboratories In Los Angeles. Here He Also Gave Lectures, And Taught Technical Design, Meanwhile Researching And Working On Inventions As A Freelance Inventor And Scientific Consultant. During This Period, Fresco Struggled To Get His Research Funded And Faced Setbacks And Financial Difficulties. In 1955, Fresco Left California After His Laboratory Was Removed To Build The Golden State Freeway.In 1955 Fresco Moved To Miami, Florida. In Miami Fresco Presented Designs Of A Circular City. Fresco Made His Living Working As An Industrial Designer For Various Companies Such As Alcoa And The Major Realty Corporation. In 1961, With Pietro Belluschi And C. Frederick Wise, Fresco Collaborated On A Project, Known As The Sandwich House. Consisting Of Mostly Prefabricated Components, Partitions, And Aluminum, It Sold For $2,950, Or $7,500 With Foundation And All Internal Installations. During This Period, Fresco Supported His Projects By Designing Prefabricated Aluminum Devices Through Jacque Fresco Enterprises Inc. From 1955 To 1969 Fresco Named His Social Ideas "Project Americana". Looking Forward Was Published In 1969. Author Ken Keyes Jr., And Jacque Fresco Coauthored The Book, A Speculative Look At The Future. The Authors Picture An Ideal 'Cybernetic Society In Which Want Has Been Banished And Work And Personal Possessions No Longer Exist; Individual Gratification Is The Total Concern' .Fresco Formed "Sociocyberneering", A Membership Organization Claiming 250 Members.] He Hosted Lectures In Miami Beach And Coral Gables. Fresco Promoted His Organization By Lecturing At Universities And Appearing On Radio And Television. Fresco's "Sociocyberneering" As A Membership Group Was Discontinued And Land Was Purchased At Another Location In Rural Venus, Florida. He Established His Home And Research Center There.Fresco, With Meadows, Supported The Project In The 1990S Through Freelance Inventing, Industrial Engineering, Conventional Architectural Modeling, And Invention Consultations. In 2002, Fresco Published His Main Work The Best That Money Can't Buy. In 2006, William Gazecki Directed The Semi-Biographical Film About Fresco, Future By Design.In 2008, Peter Joseph Featured Fresco In The Film Zeitgeist Addendum Where His Ideas Of The Future Were Given As Possible Alternatives. Peter Joseph, Founder Of The Zeitgeist Movement Began Advocating Fresco's Approach. In April 2012, The Two Groups Disassociated Due To Disagreements Regarding Goals And Objectives.

No Binding. Zustand: Fine. Original Art Work. 14" X 10 1/2". Glossy Print Of The Alien From The Comic Boook Series Paralleling The Films Of The Same Name. Initialed By The Artist In The Plate, And Signed In Silver Ink In Full. Denis "Den" Beauvais (Born 1962) Is A Canadian Airbrush Artist, Painter And Comic Book Artist Who Has Worked On Several Comic Books In Dark Horse Comics' Aliens, Predator And Aliens Vs. Predator Lines. Beauvais' Cover For Aliens: Nightmare Asylum #1 Won Him The Prestigious 1990 Eagle Award (The Highest Ranking Award In The Industry At The Time) For Best Comic Book Cover. Signed by Illustrator(s).

No Binding. Zustand: Good. Original Art Work. 19 1/8" X 14 3/4" Original Color Drawing On Paper By Russell Swanson, Signed And Dated At Lower Right. Swanson Illustrated "Life Everlasting" (Avalon, 1947), And Many Science Fiction Magazine Covers In The 1940'S And 1950'S . Original Cover Art By Swanson Is Rare. From The Forrest Ackerman Collection. Signed by Illustrator(s).

No Binding. Zustand: Fine. Original Art Work. Original Ink Drawing, Image 35.4 Cm X 24.3 Cm, Without The Fritz Lang 1924 Movie Information At Upper Right, In Apparently Original Simple Black Mat, Signed On The Reverse By Estes In Ink, Dated 1965 With His San Antonio Address. He Adds On The Reverse The Title "The Burning Of Attila's (Etzel's) Fortress- The End Of The Nibelungs". The Board On Which It Is Drawn Has The Manufacturer's Information "Hi Art Illustration Board No. 61 Medium Weight Hot Pressed 30 X 40 Approved For Fluorographic Process". The Fluorographic Process Was Patented In 1938 So We Assume This Is A Later Hand-Inked Copy Of The Original 1924 Painting, Done Circa 1965 By Estes For Forrest Ackerman. Estes Also Did The Illustrations For E. E. Smith's "The Skylark Of Space". Signed by Illustrator(s).