Forgacs eva (36 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softbound. Zustand: Very Good. Octavo, glossy paper covers, lxxii, 438 pp. Translated by various hands.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Paperback.

Paperback. Zustand: Like New. First Edition. First Edition, First Printing. Not price-clipped. Published by University Of Nebraska Press, 2003. Octavo. Paperback. Book is like new. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

Wrappers. Zustand: Fine Condition. 127 pages. Paperback exhibition catalogue, bound in stiff illustrated paper covers. Some faint shelfwear to the edges, but still essentially a tightly bound, clean and crisp condition copy, with an uncreased spine and an unmarked interior. Text in English, with many illustrations, most in color. Published on the occasion of the exhibition from April 20-July 20, 2002. Book.…

Paperback. Zustand: Very Good. Card covers are bright and unmarked, front cover slightly curled, notable crease to rear upper left corner; binding is tight; pages are unmarked. ; Jewish Writing In The Contemporary World; 5.5 X 1.25 X 8.75 inches; 433 pages.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9781858660127.

Zustand: Very Good. 102 pp., Hardcover, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Zustand: New. In English.

Black Cloth. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. 181 pages, colour & b/w illustrations (incl. fold-out), bibliography. Hungarian text. Minor wear, rubbing to dustjacket. [752] Size: 315mm. x 225mm.

Zustand: New. 2023. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. pp. 248 10 Illus.

Zustand: Very Good. inscribed by Forgacs, 24 pp. text numerous color plates, very good in a good dust jacket. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country. …

Paperback. Zustand: Brand New. 304 pages. 9.21x6.14x1.00 inches. In Stock.

hardcover. Zustand: Fine.

Taschenbuch. Zustand: Neu. Neuware - Contemporary Jewish Writing in Hungary features works by twenty-four of Hungary's best writers who have written about what it means to be Jewish in post-Holocaust Eastern Europe. This volume includes work by Nobel Prize winner Imre Kertész and other internationally known writers such as György Konrád and Péter Nádas, but most of the authors appear here in English for the first time. This anthology features poetry, long and short stories, and excerpts from memoirs and novels by postwar writers. Some of these authors were well known in Hungary before World War II, some were children or adolescents during the war and began publishing in the 1970s, some were born to survivors in the years immediately following the war and grew up during the decades of Communist rule, while others started publishing chiefly after the fall of Communism in 1989.Unique among Eastern European countries, Hungary still has a large and visible Jewish population, many of them writers and intellectuals living in Budapest. This anthology introduces English-speaking readers to outstanding works of literature that show the wide range of responses to Jewish identity in contemporary Hungary. The editors' introduction provides a historical and critical context for these works and discusses the important role of Jews in Hungarian culture from the late nineteenth century to the present.…

Gebunden. Zustand: New. The book Rethinking Postwar Europe offers an in-depth insight into the largely unexplored topic of artistic practices in the 1940s and 1950s in Europe which until recently had been obscured by ideologies of the Cold War. Thanks to the authors diverse met.

Paperback. Zustand: Brand New. 1st edition. 248 pages. 9.25x6.50x0.75 inches. In Stock.

Zustand: Very Good.

Soft cover. Zustand: New. 212 pages, [1] folded leaf of plates : illustrations (some colour), facsimiles ; 26 cm. Stefan Sebök was a Hungarian-born architect who worked with Walter Gropius in Dessau and Berlin in the late 1920s, and then with fellow Hungarian emigré László Moholy-Nagy on his famous Light Prop, and later still moved to the Soviet Union to work with the constructivist architects Ginzburg, the Vesnin brothers and El Lissitzky. In between he carried out numerous projects of his own and found himself central to a key generation of emerging modern architects in Dresden, Berlin and Moscow. Details of this life are revealed through this book written by Sebök's niece, Lilly Dubowitz, who meticulously pieces together clues and details of her uncle's life and work as if like an architectural detective.…

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - Forgacs examines the development of the Bauhaus school of architecture and applied design by focusing on the idea of the Bauhaus, rather than on its artefacts. What gave this idea its extraordinary powers of survival Founded in 1919, with the architect Walter Gropius as its first director, the Bauhaus carried within it the seeds of conflict from the start. The duration of the Bauhaus coincides very nearly with that of the Weimar Republic; the Bauhaus idea - the notion that the artist should be involved in the technological innovations of mechanization and mass production - is a concept that was bound to arouse the most passionate feelings. It is these two strands - personal and political - that Forgacs so cleverly interweaves. The text has been extensively revised since its original publication in Hungarian, and an entirely new chapter has been added on the Bauhaus's Russian analogue, VkhUTEMAS, the Moscow academy of industrial art.…

Zustand: New.

Hardcover. Zustand: Brand New. 304 pages. 9.21x6.14x1.00 inches. In Stock.

Zustand: New. 2022. Hardcover. . . . . . Books ship from the US and Ireland.

Zustand: New.

Buch. Zustand: Neu. Neuware - This book examines the legacy of international interwar modernism as a case of cultural transfer through the travels of a central motif: the square. The square was the most emblematic and widely known form/motif of the international avant-garde in the interwar years. It originated from the Russian artist Kazimir Malevich who painted The Black Square on White Ground in 1915 and was then picked up by another Russian artist El Lissitzky and the Dutch artist Theo van Doesburg. It came to be understood as a symbol of a new internationalism and modernity and while Forgács uses it as part of her overall narrative, she focuses on it and its journey across borders to follow its significance, how it was used by the above key artists and how its meaning became modified in Western Europe. It is unusual to discuss interwar modernism and its postwar survival, but this book's chapters work together to argue that the interwar developments signified a turning point in twentieth-century art that led to much creativity and innovation. Forgács supports her theory with newly found and newly interpreted documents that prove how this exciting legacy was shaped by three major agents: Malevich, Lissitzsky and van Doesburg. She offers a wider interpretation of modernism that examines its postwar significance, reception and history up until the emergence of the New Left in 1956 and the seismic events of 1968.…