foreword john ashbery (9 Ergebnisse)

Hardcover. Zustand: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDED: Very Good hardcover in dust jacket, clean text. 8vo. 312pp.

Hardcover. Zustand: VG+. Zustand des Schutzumschlags: VG+. First. Very Good + condition quarter cloth large 8vo, 479 pages in a Very Good + dj (minor rubbing to rear panel). The present copy is from the library of the late great Jill Johnston (1929-2010), critic, radical lesbian feminist champion of the avant-garde, and bears her pencilled initials at top corner of deep blue front free endpaper as well as her distinctive stamp in blue ink on the title page which reads "Write first. then live." J.J.

Cloth. Zustand: Fine Condition. Zustand des Schutzumschlags: Near Fine. 264 pp., 285 illustrations 70 in full color. Light soiling to the edge. A bit of chipping an wear to the dustjacket edge, otherwise fine. Dustjacket is protected with a mylar cover.

Paperback. Zustand: Very good. Paperback Octavo. wraps, 428 pp, wraps slightly creased Standard shipping (no tracking or insurance) / Priority (with tracking) / Custom quote for large or heavy orders.

hardcover. Zustand: Fine copy in fine dust jacket. Profusely illustrated (illustrator). 1st. 4to, pp.

FIRST EDITION Square 4to. brown clothbound hardback, gilt, with dust jacket. 140pp. with colour and b/w illustrations. Previous owner's ink inscription to ffep. Dust Jacket has not been price clipped. Small previous seller's price sticker to back cover of dust jacket. Fading to spine of dust jacket. VG/VG. (Shelf 25) PLEASE NOTE: Heavy Book [1 kg+]. Postage outside the UK WILL/COULD incur a surcharge, BEFORE ORDERING PLEASE CONTACT US VIA E-MAIL FOR AN ACCURATE QUOTE. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.** Pictures available upon request.** Visit our homepage for our shop opening hours. Over 20,000 books in stock - come and browse. PayPal, credit and most debit cards welcome. Books posted worldwide. For any queries please contact us direct.

Hardcover. Zustand: Like New. First Edition. Inscribed on half title "For Janet / Armenian like Gorky / [signed] Larry Rivers" in black ink. First edition, second printing. 264pp. Green cloth with gilt lettering. Gallery Guide to Skirball Cultural Center show laid in. Fine in Fine dust jacket.

First edition, first printing. Original black cloth lettered in gilt to the spine, in dustwrapper. A very near fine copy, the binding square and firm, the contents clean throughout. Very light offsetting to endpapers. In the dustwrapper, slightly dusty and a little darkened to the spine, the tips and corners a touch rubbed with a tiny nick to the upper edge of the fold between spine and front panel. A very presentable copy. 'Some Trees', Ashbery's first full-length collection was submitted in manuscript for the 1955 Yale Younger Poets competition (an earlier chapbook, 'Turandot, and Other Poems' had been issued by the Tibor de Nagy Gallery in 1953). Established in 1918, the Yale Prize for the best debut collection by an American poet is the longest-running annual literary award in the United States, the winning collection published each year by Yale University Press. In 1955, W. H. Auden was in his ninth year as the competition's judge, having taken over the job from Archibald MacLeish in 1947. During his tenure, he had already chosen Adrienne Rich and W. S. Merwin as winners and later chose James Wright and John Hollander. The curious story of Ashbery's success in 1955 is given in the poet's own words in David Kermani's bibliography of the poet: "I had submitted my poems to the Yale University Press according to the requirement of the competition. [.] Frank O'Hara had also submitted a manuscript that year, and both of us had our manuscripts returned by the Press. They'd been screened out from the manuscripts that were sent to Auden. Later we heard that Auden hadn't liked any of the manuscripts that they'd sent to him and decided not to award the prize that year, and then someone, a mutual friend, possibly Chester Kallman, told Auden [.] that Frank and I both submitted. And he asked us through this friend to send our manuscripts, which we did, and then he chose mine, although I never had felt that he particularly liked my poetry, and his introduction to the book is rather curious, since it doesn't really talk about the poetry. He mentions me as being a kind of successor to Rimbaud, which is very flattering, but at the same time I've always had the feeling that Auden probably never read Rimbaud." It is a beautiful collection, lyrical and formally adventurous, at once suffused with a young poet's debts to older poets (Auden, Bishop, Moore, Stevens, Pasternak, Raymond Roussel), while speaking in Ashbery's own unmistakable voice. Auden's fascinating introduction as well as the volume's attractive design adds to the book's continuing appeal. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

New Haven: Yale University Press. 1956. 8vo. Original black cloth, spine lettered in gilt, in the publisher's yellow printed dust-jacket; pp. 87, [1]; cloth a touch bumped to lower spine end, jacket minimally toned and rubbed to lower spine; a fine copy, the binding square and firm, the contents clean throughout, in the fine, bright dustwrapper; front free endpaper signed by John Ashbery in blue ink.A particularly attractive signed first printing of Ashbery's first book, chosen by W. H. Auden as winner of the 1955 Yale Younger Poets competition, with Auden's introduction.Some Trees, Ashbery's first full-length collection, was submitted in manuscript for the 1955 Yale Younger Poets competition (an earlier chapbook, Turandot, and Other Poems, had been issued by the Tibor de Nagy Gallery in 1953). Established in 1918, the Yale Prize for the best debut collection by an American poet is the longest-running annual literary award in the United States, with the winning collection published each year by Yale University Press. In 1955, W. H. Auden was in his ninth year as the competition's judge, having taken over the job from Archibald MacLeish in 1947. During his tenure, he had chosen Adrienne Rich and W. S. Merwin as winners and would later choose James Wright and John Hollander.The curious story of Ashbery's success in 1955 has been described by the poet: 'I had submitted my poems to the Yale University Press according to the requirement of the competition. [.] Frank O'Hara had also submitted a manuscript that year, and both of us had our manuscripts returned by the Press. They'd been screened out from the manuscripts that were sent to Auden . Later we heard that Auden hadn't liked any of the manuscripts that they'd sent to him and decided not to award the prize that year, and then someone, a mutual friend, possibly Chester Kallman, told Auden [.] that Frank and I both submitted. And he asked us through this friend to send our manuscripts, which we did, and then he chose mine, although I never had felt that he particularly liked my poetry, and his introduction to the book is rather curious, since it doesn't really talk about the poetry. He mentions me as being a kind of successor to Rimbaud, which is very flattering, but at the same time I've always had the feeling that Auden probably never read Rimbaud' (quoted in Kermani, John Ashbery (1976)).Some Trees is lyrical and formally adventurous, suffused with the young poet's debts (to Auden, Bishop, Moore, Stevens, Pasternak, Raymond Roussel) but already speaking in Ashbery's own unmistakable voice.