Force christel h (17 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Zustand: New. 2022. NIP. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. In English.

Paperback. Zustand: Brand New. 312 pages. 9.21x6.14x1.00 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - By the turn of the 20th century, Paris was the capital of the art world. While this is usually understood to mean that Paris was the center of art production and trading, this book examines a phenomenon that has received little attention thus far: Paris-based dealers relied on an ever-expanding international network of peers. Many of the city's galleries capitalized on foreign collectors' interest by expanding globally and proactively cultivating transnational alliances. If the French capital drew artists from around the world-from Cassatt to Picasso-the contemporary-art market was international in scope. Art dealers deliberately tapped into a growing pool of discerning collectors in northern and eastern Europe, the UK, and the USA. International trade was rendered not just desirable but necessary by the devastating effects of wars, revolutions, currency devaluation, and market crashes which stalled collecting in Europe.Pioneers of the Global Art Market assembles original scholarship based on a close inspection of and fresh perspective on extant dealer records. It caters to an amplified curiosity concerning the emergence and workings of our unprecedented contemporary-centric and global art market. This anthology fills a significant gap in the expanding field of art market studies by addressing how, initially, contemporary art, which is now known as historical modernism, made its way into collections: who validated what by promoting and selling it, where, and how. It includes unpublished material, concrete examples, bibliographical and archival references, and appeals to students, academics, curators, educators, dealers, collectors, artists and art lovers alike. It celebrates the modern art dealer as transnational impresario, the global reach of the modern-art market, and the impact of traders on the history of collecting, and ultimately on the history of art.…

Zustand: NEW.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Kartoniert / Broschiert. Zustand: New. &Uumlber den AutorChristel H. Force is an independent scholar, formerly Associate Research Curator in Modern and Contemporary Art at The Metropolitan Museum of Art (2005-2018). Prior to this, she held positions at The Museum of M.

Taschenbuch. Zustand: Neu. Pioneers of the Global Art Market: Paris-Based Dealer Networks, 1850-1950 | Christel H. Force (u. a.) | Taschenbuch | Contextualizing Art Markets | Kartoniert / Broschiert | Englisch | 2022 | BLOOMSBURY VISUAL ARTS | EAN 9781350282841 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu. …

Zustand: New.

Hardcover. Zustand: Brand New. 496 pages. 6.69x2.00x9.45 inches. In Stock.

Buch. Zustand: Neu. A Collector's Odyssey | How Marianne de Goldschmidt-Rothschild Saved her Paintings from Nazi Looting | Christel H. Force (u. a.) | Buch | Contact Zones | 584 S. | Englisch | 2026 | Walter de Gruyter | EAN 9783111239293 | Verantwortliche Person für die EU: Walter de Gruyter GmbH, De Gruyter GmbH, Genthiner Str. 13, 10785 Berlin, productsafety[at]degruyterbrill[dot]com | Anbieter: preigu. …

Hardcover. Zustand: Brand New. 320 pages. 9.50x6.50x1.00 inches. In Stock.

Hardcover. Zustand: New. KlappentextThis volume delves into the six-decades transatlantic history of the Brummer galleries--among the most internationally prominent and commercially successful in the twentieth-century antique- and art markets--and furthers our u.

Buch. Zustand: Neu. Neuware - This is the first thorough investigation of the Brummer brothers' remarkable career as dealers in antiques, curiosities and modernism in Paris and New York over six decades (1906-1964). A dozen specialists aggregate their expertise to explore extant dealer records and museum archives, parse the wide-ranging Brummer stock, and assess how objects were sourced, marketed, labelled, restored, and displayed. The research provides insights into emerging collecting fields as they crystallised, at the crossroads between market and museum. It questions the trope of the tastemaker; the translocation of material culture, and the dealers' prolific relationships with illustrious collectors, curators, scholars, artists, and fellow dealers.…