foote thomas (28 Ergebnisse)

Hardcover. Zustand: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Zustand: Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Zustand: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Hardcover. Zustand: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDVery good copy with clean pages, in lightly worn dust jacket. Light foxing and tanning to edges and pages.

Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Good. First Edition. 16mo, 315+ pages, laminated printed wrappers, tear in rear cover "Sports Without Blood: A Letter to Dylan Thomas" by Merton is its first American appearance [ Dell'Isola F55 ]. Also "I Rise in Flames, Cried the Phoenix" by Tennessee Williams, and "The Theme of Spiritual Isolation in Carson McCullers".

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: New. In.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Good. some shelfwear with knocks to the edge with scratches but does not affect the content.

Zustand: Good. A few creases, some scratches and wear on cover. Content is fine.

Hardcover. Zustand: Good. 4 volumes only, not the complete set. 32mo. Half-leather, 1 board detached, rubbing. Plays include: The Orphan of China, Every Man in his Humour, The Recruiting Officer, The Mayor of Garratt, A New Way to pay Old Debts, The Duke of Milan, The Orphan; or, the Unhappy Marriage, The Recruiting Sergeant, The Double Gallant, Which is the Man?, The Earl of Warwick, The Virgin Unmasked, The Way of the World, Edward the Black Prince; or, the Battle of Poictiers, Hit or Miss!, The Miser, Polly Honeycombe, The Earl of Essex, Lady Jane Grey, The Sultan; or, a Peep into the Seraglio, The Maid of the Oaks, Twenty Per Cent, The Merchant of Bruges, The Tender Husband, The Constant Couple, My Spouse and I, &c.

Zustand: New.

Zustand: Good. 8vo. 64 pp. Navy Cloth, Black & Gold-Stamped, Edges gilt. Good with some wear to head and tail of spine, slight loss to end paper. Numerous engravings. "The engravings by A.V.S. Anthony, under whose supervision the book is prepared, and W.J. Linton"--List of illustrations. The artists were Mary A. Hallock and Thomas Moran.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Public Sculpture II: Provisions for the Paradise," by Kate Linker; "Personal Sensibilities in Public Places," by John Beardsley; "Alexandra Exter's Designs for the Theater," by Ronny H. Cohen; "James Lee Byars and the Atmosphere of Question," by Thomas McEvilley; "Working Conditions," by Hans Haacke; "The End of the Avant-Garde? And So the End of Tradition. Notes on the Present 'Kulturkampf' in West Germany," by Bazon Brock; "Project," by Anselm Kiefer; "Not About Julian Schnabel," by Rene Ricard; "Indiana in Berlin at the FilmFestpiele '81," by Gary Indiana; "Skied and Grounded in Queens: 'New York/New Wave,' at P.S. 1," by Richard Flood; "Books," by Hal Foster and Nancy Foote; Reviews by Ronnny H. Cohen, Hal Foster, Thomas Lawson, Amy Taubin, Colin L. Westerbeck, Jr., Jeanne Silverthorne, Shelley Rice, Moira Roth, Schuldt, Joan Casademont, Stuart Morgan, Judith Russi Kirshner, Brook Adams, Linda Frye Burnham, Hal Fischer, Annelie Pohlen, and Luciana Rogozinski. Cover: Coffee-shop paper cups.

Vintage reference photograph of Jane Fonda, Otto Preminger, and Michael Caine on the set of the 1967 film. Layout annotations in manuscript ink and pencil on verso. Based on the 1965 novel by Bert and Katya Gilden. A story of racial prejudice and land ownership in the deep south in 1946. Perhaps director Otto Preminger's worst well-cast flop of the latter part of his career, a legendary flop which came under fire from almost every angle. Flm debut of actor Faye Dunaway, who was so dissatisfied with the experience that she later claimed Preminger didn't "know anything at all about the process of acting" and sued the director to break a five-film contract she had signed with him. Set and shot on location in Georgia. 8 x 10 inches. Very Good plus, with light edgewear, creasing, and annotations in manuscript wax pencil in margins. Olive Films 248.

108 pp.; 20.3 x 22.8 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the New Museum of Contemporary Art, New York, February 16 - April 17, 1980. Traveled to the Contemporary Arts Museum, Houston, May 16 - June 29, 1980; the University of Colorado Museum, Boulder, September 12 - October 16, 1980; the Albright-Knox Art Gallery, Buffalo, January 16 - March 1, 1981 and the Renaissance Society at the University of Chicago, Chicago, March 15 - April 19, 1981. Text by Allan Schwartzman, Kathleen Thomas, JoAnne Akalaitis, Laurie Anderson, Scott Burton, Cynthia Carlson, Nancy Graves, Janet Kardon, Linda Morton, Elizabeth Murray, Richard Nonas, Jan Porter, Jim Roche, Sheila Rockefeller, Robert Rohm, Jeff Way, Barbara Zucker, Rosemary Mayer, Lucy R. Lippard, Marcia Tucker, Nancy Foote, Carol Squiers, Jeanne Silverthorne, and Arlene Slavin. Also includes chronology, selected bibliography, and list of works in the exhibition. Black-and-white and color illustrations throughout. Very Good. Light rubbing of covers. Few inked notes in text throughout. Contents otherwise clean and unmarked.

108 pp.; 20.3 x 22.8 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the New Museum of Contemporary Art, New York, February 16 - April 17, 1980. Traveled to the Contemporary Arts Museum, Houston, May 16 - June 29, 1980; the University of Colorado Museum, Boulder, September 12 - October 16, 1980; the Albright-Knox Art Gallery, Buffalo, January 16 - March 1, 1981 and the Renaissance Society at the University of Chicago, Chicago, March 15 - April 19, 1981. Text by Allan Schwartzman, Kathleen Thomas, JoAnne Akalaitis, Laurie Anderson, Scott Burton, Cynthia Carlson, Nancy Graves, Janet Kardon, Linda Morton, Elizabeth Murray, Richard Nonas, Jan Porter, Jim Roche, Sheila Rockefeller, Robert Rohm, Jeff Way, Barbara Zucker, Rosemary Mayer, Lucy R. Lippard, Marcia Tucker, Nancy Foote, Carol Squiers, Jeanne Silverthorne, and Arlene Slavin. Also includes chronology, selected bibliography, and list of works in the exhibition. Black-and-white and color illustrations throughout. Very Good. Rubbing of cover edges, 1.5 cm. and 5 mm. surface tearing of bottom edge of spine and 9 mm. tear/bumping to top edge of spine. Glue binding in a volatile state due to age, and shows signs of cracking/releasing. Contents clean and unmarked.

Unbound. Zustand: Very Good. Edition Deluxe. Title page, Introductory page, Index and 75 plates (complete), all loosely housed in a blue cloth gilt portfolio. Portfolio with some staining and wear and about very good; check marks by the index of prints, else the contents are very near fine. Nearly all of the plates have been signed by the engravers; and 50 of the plates have been Signed by the artists including W.H. Gibson, Thomas Moran, Mary Hallock Foote, F. Hopkinson Smith, W.H. Lowe, A.B. Frost, J.D. Smillie and many others. Seldom found complete, this selection purports to be the best of the 600 illustrations from the set of Longfellow's works; but just as likely the determination was made based upon the overrun of the prints still available. One of 500 numbered sets, this is set #4. Signed.