Foot mirjam m (39 Ergebnisse)

Soft cover. Zustand: Very Good. Z13.

Soft cover. Zustand: Fine. 216 pp., illustrated, 8vo, card wrapper. Fine copy; spine a touch age-toned.

Hardbound. Zustand: Very Good. First Edition. Quarto, buckram covered boards with gold lettering on a red leather spine label, 527 pp., b/w photos, index of binders, index of owners.

Paperback. Zustand: Very Good. Paperback. Spine ends are slightly worn. Binding is intact, contents are clean and clear. AM. Used.

Paperback. Zustand: Very Good. Paperback. Leading corners, edges and spine ends are slightly worn. Nick on leading edge of rear cover. Minor abrasions on spine. Binding is intact, contents are clean and clear. AM. Used.

Paperback. Zustand: Very Good. Paperback. Spine ends are slightly worn. Binding is intact, contents are clean and clear. AM. Used.

Hardcover. Zustand: Very Good. No Dust Jacket. Hard cover, no jacket, 'as new'. Navy cloth boards with gilt detail to spine are in fine condition, pages tightly bound and content unread. Colours within are true. CN. Foot, Mirjam M. (Bookbinding Descriptions) (illustrator).

Hardcover. Zustand: Near Fine. A clean unmarked copy in publisher's cloth.

Soft cover. Zustand: Very Good. No Jacket. Articles by Wieder , Solf and Boghardt are in French. Illustrated. Small tear at the top of spine, otherwise vg. 500 grams.

Zustand: Near Fine. First edition (hardback). 8vo (25cm by 16cm), 185pp. 22 figures. Original blue cloth, gilt titling to the spine, no dustwrapper. This book is in very good condition. ISBN 9780948170239.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

SOFTCOVER. Zustand: Very Good. 1st Edition. Small landscape 4to in stiff card covers, unpaginated, approx. 40pp on glossy art paper, colour plates, etc . [CONDITION: VERY GOOD (faint soil to very top edge, covers a little sunned else a clean and tight unmarked copy) ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Hardcover. Zustand: Fine. First Edition. London, The Bibliographical Society, 2013. Small quarto; cloth; a fine copy.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. 1st Edition. As brand new.

Original Cloth. Zustand: Good Condition. Zustand des Schutzumschlags: Good Dustjacket. 1. Auflage. 328 pages with many black-and-white illustrations and 9 colour plates; good and clean condition; 1,4 kg shipping weight = 6 Euro shipping cost für Deutschland; Shipping to the U.S. is not possible due to unclear customs regulations.…

HARDCOVER. Zustand: Fine. Zustand des Schutzumschlags: As New. 1st Edition. Heavy, large 8vo. in blue cloth covered thick boards, gilt lettering to spine 328pp, plates in colour and b/w, index etc . [CONDITION: A well preserved almost AS NEW unmarked copy (merest hint of tanning to leaves) in an AS NEW complete Dust Jacket ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Hardcover. Zustand: New. 8vo (25.5 cm), 185 pp. Publisher's cloth. Westminster Abbey is closely connected with the early history of printing in England: England's first printer, William Caxton, had his workshop within the monastery walls. Both the Abbey and the adjacent Westminster School have profited by the learning and generosity of generations of bishops, deans, canons and teachers, who donated or bequeathed them their collections of incunabula. 70 incunabula are described. The descriptions pay much attention to copy-specific features. About half the volumes are in contemporary or near-contemporary bindings, mostly English, but several from the Continent, and these have been identified and described by Mirjam Foot.…

Hardcover. Zustand: Fine. 4to (25.5 cm), 328 pp. Publisher's cloth and dust jacket (minor shelf-wear). A collected volume of revised "Randeria Lectures," an annual series on bookbinding history endowed by Dr Phiroze Randeria and organised by the Bibliographical Society from 1991. The present publication is dedicated to Randeria's memory following his death in May 2001 and brings together essays by leading scholars in the field of bookbinding history and material bibliography. The contributions explore the interpretation of bookbindings as historical artefacts, combining structural analysis, provenance research, and cultural context. Mirjam M. Foot provides reflections on methodological challenges in binding studies, while Jan Storm van Leeuwen examines what pictorial representations of bindings can reveal about ownership and use. Other essays address prize bindings over four centuries (Christian Coppens), English centre-piece bindings 1560-1640 (David Pearson), and sixteenth-century binding structures in the Ramey collection at the Pierpont Morgan Library (Nicholas Pickwoad). Additional studies include Giles Barber on the Padeloup and Derome workshops and eighteenth-century Parisian gold-tooled bindings; Mirjam M. Foot on Irish bookbinding in the eighteenth century; Esther Potter on the trade binder Benjamin West (1805-1883); and Marianne Tidcombe on women bookbinders in Britain before the First World War. A collaborative essay by Foot, Carmen Blacker, and Nicholas Poole-Wilson examines issues of collecting, dealing, and forgery in nineteenth-century binding history. A substantial and authoritative collection reflecting the methodological maturity of modern bookbinding studies, and a key reference for the history of the craft and its historiography.…

Soft cover. Zustand: As New. Black card wrappers, printed paper label. Edition limited to 60 numbered copies signed by the publishers, Ian Fleming's nephews Fergus Fleming (Queen Anne Press) and James Fleming (The Book Collector); coloured frontispiece photograph tipped in. Article reprinted from the Spring 2017 special issue of The Book Collector ("Ian Fleming & Book Collecting"), in a handsome edition letterpress-printed in Monotype Fournier by Stan Lane of Gloucester Typesetting. Ian Fleming, himself a creative book collector, ran the Queen Anne Press, first publishers of The Book Collector, from 1951 to 1955, and owned the journal from 1955 until his death. Richard Chopping's dust-jackets for the James Bond novels are some of the most famous in the history of 20th-century applied art; Ian Fleming took a close personal interest in every aspect of their commissioning. Mirjam Foot, Emeritus Professor of Library and Archive Studies at University College London, looks into the Chopping-Fleming story and describes in detail her favourite, that for You Only Live Twice: under a giant pink chrysanthemum a poisonous toad suppresses a dragon fly.…

Zustand: New. Mirjam M. FootAmong the many books in original bindings in Marsh s Library, Dublin, a surprisingly large number are in decorated blind- or gold-tooled, calf, pigskin or goatskin bindings, which date from the 15th to the 19th centuries. The bindings come.

Hardcover. Size-8 °. Original red linen tape with gold-stamped titles and decorations. XVIII, 124 pages with 12 color and 128 black-and-white plate illustrations. Remnants of a bookseller's stamp in the rear inner lid. Otherwise very clean, firmly in the block. Really good copy. -- Gr.-8°. Roter Original-Ganzleinenband mit goldgeprägten Titeln und Verzierungen. XVIII, 124 Seiten mit 12 farbigen und 128 schwarz-weißen Tafelabbildungen. Klebereste einer Buchhändlermarke im hinteren Innendeckel. Sonst sehr sauber, fest im Block. Richtig gutes Exemplar. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Wenn es draußen stürmt, können Sie es sich mit einem guten Buch gemütlich machen und ein warmes Getränk dazu genießen. Bei uns finden Sie die passende Lektüre! -- Wir kaufen Ihre werthaltigen Bücher! BuWe.…

Zustand: New. During the hand-press period, the 15th to the 18th centuries, all but the most popular books were bought as unbound sheets, and buyers either asked the bookseller for a binding, or took the sheets to their favorite binder. Foot explains that Archbishop Narcissus Marsh (1638-1713) did not actively se Num Pages: 152 pages, Includes 8 colour and 52 b&w illustrations. BIC Classification: 1DBR; WCS. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 156. Weight in Grams: 450. . 2004. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.…

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Buch. Zustand: Neu. Neuware - Among the many books in original bindings in Marsh's Library, Dublin, a surprisingly large number are in decorated blind- or gold-tooled, calf, pigskin or goatskin bindings, which date from the 15th to the 19th centuries. The bindings come from all over Europe, ranging from Ireland to eastern Europe. While most were made in England, some fine and interesting examples from Germany, Italy, France, Spain and Holland are also included. In this volume, leading scholar Mirjam Foot first gives an overview of how books were bound by hand and then describes the bindings by country of origin, within each section treating them chronologically and by type of decoration. The detailed descriptions of the bindings are illustrated with 52 black and white photos and 8 colour plates.…

First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description: 328 p. : ill., ports ; 25cm. Notes: Includes index. Subjects: Randeria, Phiroze. Bookbinding ; Conservation and restoration. Publishers and publishing. Bookbinding ; History. 1 Kg. …

First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description: 328 p. : ill., ports ; 25cm. Notes: Includes index. Subjects: Randeria, Phiroze. Bookbinding ; Conservation and restoration. Publishers and publishing. Bookbinding ; History. 1 Kg. …

Hardcover. Zustand: Very Good. 4to (28.5 cm), 352 pp. Half dark crimson morocco, cream cloth boards, spine gilt in compartments with title, volume number, and author (cloth slightly discolored). A scholarly study of the Henry Davis Gift, one of the most significant collections of historic bookbindings assembled in Britain during the twentieth century. Donated to the British Museum in 1968, the collection was recognised at the time as the most important acquisition since the Huth bequest of 1910. Henry Davis devoted more than twenty-five years to forming a collection that spans the twelfth to the twentieth century and includes bindings from across Europe, the Middle East, and the Americas. This first volume, authored by Mirjam Foot of the British Library, presents a series of detailed studies of bindings that had previously received little or no systematic scholarly attention. The material is organised geographically, with sections devoted to Great Britain, France, Switzerland, the Netherlands, Spain, Germany, and Italy. The volume includes twenty-five focused studies of individual binders and workshops, among them Roger Payne, Thomas Wotton's binders, Claude de Picques, the Pecking Crow Binder, the Geneva Kings' Binder, the Borghese and Rospigliosi workshops, and the binder of the MacDurnan Gospels. Each study combines stylistic analysis with archival and bibliographical evidence, contributing to a more systematic understanding of historic European bookbinding traditions. A foundational reference work in the history of bookbinding and decorative arts, establishing Mirjam Foot as one of the leading authorities in the field.…

352; 446 Seiten mit zahlreichen s/w Abbildungen. Band I in der seltenen Halbleder-Leinen-Ausgabe; Band II in einer limitierten Auflage von 750 Stück. Gutes Exemplar mit nur leichten Gebrauchsspuren. Band I mit kurzen Bleistiftanmerkungen auf vereinzelten Seiten; Band II textsauber. Bücher aus einem Nichtraucherhaushalt. Dieses Exemplar stammt aus der Bibliothek von Peter Amelung (Württembergische Landesbibliothek Stuttgart). // Original hardcovers. With numerous b/w illustrations. Volume I in the rare half-leather cloth edition; Volume II in a limited edition of 750 copies. Clean books in good condition. Volume I with short pencil notes on a few pages; Volume II text-clean. Books from a non-smoking home. This copy comes from the library of Peter Amelung (Württemberg State Library Stuttgart). Sprache: Englisch Band 1 Original-Halbleder-Leinen-Band; Band 2 Original-Leinenband.…

Zustand: Good. Good+; Hardcover; Withdrawn library copy with the standard library markings; Light wear to the covers; Library stamps to the endpapers; Text pages are clean & unmarked; Binding is excellent with a straight spine; This book will be stored and delivered in a sturdy cardboard box with foam padding; Medium Format (8.5" - 9.75" tall); Red cloth covers with title in gold lettering along the spine; 1992, Oxford University Press; 264 pages; "The History of Decorated Bookbinding in England (Lyell Lectures)," by Howard Millar Nixon & Mirjam M. Foot.…

Hardcover. Zustand: Very Good. 8vo (24 cm), XVIII, 124 pp, 128 plates. Publisher's red cloth, lettered and decoratively bordered in gilt to the upper board, spine lettered in gilt with decorative devices (edge of rear board slightly damaged at tail). First edition. A standard scholarly history of English decorated bookbinding, originating in Howard Nixon's 1979 Lyell Lectures delivered at the University of Oxford and completed after his death by Mirjam M. Foot. Nixon, Keeper of Printed Books at the British Museum and one of the foremost twentieth-century authorities on historical bindings, intended the work as a comprehensive survey of the development of English binding decoration from the earliest surviving examples to the emergence of modern artistic binding. Left incomplete at Nixon's death in 1983, the manuscript was reconstructed, expanded, and prepared for publication by Foot, who incorporated additional references, restored missing sections, and provided a detailed preface explaining the editorial process. The six chapters trace the history of English decorated bindings from the seventh-century binding of the St Cuthbert Gospel through medieval and Renaissance work, sixteenth-century gold tooling, seventeenth-century royal and Restoration bindings, eighteenth-century developments, and the revival of artistic binding from 1898 to the modern movement, including the work of Cobden-Sanderson and the Guild of Women-Binders. The volume is illustrated with 128 plates, including twelve in colour, reproducing important examples of English craftsmanship such as early medieval bindings, royal presentation bindings for Charles I and Queen Charlotte, and influential Arts and Crafts examples. With its combination of historical scholarship, technical observation, and exceptional visual documentation, this remains an essential reference work for the study of English bookbinding, decorative arts, and the history of the book.…