Fonvielle lloyd (17 Ergebnisse)

hardcover. Zustand: Fine copy in fine dust jacket. Later prt. Square 8vo, 95 pp., Masters of Photography Series. Profusely illustrated (illustrator).

First Edition. First edition. Hardcover. 96 pages. Volume 12 of "The Aperture History of Photography Series." Features an essay by Lloyd Fonvielle. Includes 44 photographs with a checklist, a brief chronology, and a selected bibliography. A near fine copy in photo illustrated boards. A great overview of this important photographer.…

Unknown. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Unknown. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Unknown. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Unknown. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Unknown. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 8.25" x 8.25" Aperture Masters of Photography. Full black paper boards. 95 pp. Fully illustrated in B&W. Fine. Evans' talented eye and sensitive heart make him one of the great photographers of the 20th century. This volume contains many of his best known images.…

First Edition. Fourth printing. Hardcover. Features essays by Michael Almereyda, Lloyd Fonvielle, Kristine McKenna, Greil Marcus, and Amy Taubin. Includes 96 four color plates which means this version has an additional 8 photographs that didn't appear in the first printing. A fine in cloth boards in a fine dust jacket. As new and still in the publisher's shrinkwrap.…

hardcover. Zustand: Befriedigend. 96 Seiten; Aperture Masters of Photography - 1. Auf. 1993 - gb + Su. Gr. - 10-47-1-L3 ZY-0QNG-7CPJ Sprache: Deutsch Gewicht in Gramm: 1.

Zustand: As New. Unread book in perfect condition.

Volume: 1 20,5x20 cm., legatura in piena tela nera, titoli impressi in argento sul piatto e sul dorso, soprqaccoperta illustrata con l'opera.'Floyd Burroughs and His Daughter' Hale County, Alabama, in antiporta: 'Main Street, Saratoga Springs' New York, 1931; pp.95 (1), 42 tavole con illustrazioni in bianconero e didascalie a fronte, edizione in trilingue, inglese, tedesco e francese. ottime condizioni.…

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. First edition, first printing. Hardcover. Fine terra cotta colored cloth, with title stamped in black on spine; with photographically illustrated dust jacket. Photographs by William Eggleston, selected by Michael Almereyda (the director of the 2005 film "William Eggleston in the Real World.") Texts by Michael Almereyda, Lloyd Fonvielle, Greil Marcus and Amy Taubin. Interview with Eggleston by Kristine McKenna. Includes a list of plates. Designed by Michael Almereyda and Jack Woody. 144 pp., with 87 four-color plates finely printed on heavy matte paper. 13-3/4 x 12-1/4 inches. Published to coincide with a major retrospective exhibition, "William Eggleston: Democratic Camera - Photographs and Video, 1961-2008," at the Los Angeles County Museum of Art and traveling to other venues. This first edition was limited to 3,000 copies. New in publisher's shrink-wrap. From the publisher: "For Now is the result of filmmaker Michael Almereyda's year-long rummage through the Eggleston archives, a remarkable collection of heretofore unseen images spanning four decades of work by one of our seminal artists. Unusual in its concentration on family and friends, the book highlights an air of offhand intimacy, typical of Eggleston and typically surprising." From Michael Almereyda: "William Eggleston's photographs are always about looking. They distill a sense of heightened attention--alertness, anticipation, awe--from fragments of ordinary, unmanipulated reality. But the 'ordinary' in Eggleston is often charged with an air of mystery and menace, a Halloween atmosphere leaking into every season he records. A quality of vulnerability and play converges with unease, dread, the possibility of mayhem. This new book, William Eggleston: For Now, presents over 90 previously unpublished color photographs pulled from Eggleston's back files, spanning four decades of work. The title is meant as an open nod to the immediacy of pictures plucked from near-oblivion, a salute to their freshness, their nowness. The selection is tidier, more self-contained, than I first expected--a bouquet brought back from an archival jungle. Most of the pictures feature people, and many of the subjects are the photographer's blood relations and close friends. The emotional temperature is at once tender and aloof, extending to images of strangers in parking lots and suburban yards, which is aligned with Eggleston's enduring fascination with frayed commercial spaces, cars, signs, cracked sidewalks, light bulbs, bricks, clouds, with rural porches, broken fences, spilled trash, ditches, puddles, architectural gaps and divides--the spaces between spaces, the mundane, the makeshift, all the fragmentary raw proofs of civilization as a perishable human construction that, nevertheless, provide subject matter for vibrant photographs. When I reviewed a rough layout with Bill, he was pleased to see so many pictures he had clean forgotten about. He offered his approval alongside a bemused comment that the book comes close to being a family album.".…

First Edition. First edition and first printing. Hardcover. Number 63 of 100 copies. Features essays by Michael Almereyda, Lloyd Fonvielle, Kristine McKenna, Greil Marcus, and Amy Taubin. Includes 87 four color plates. A fine in cloth boards and in a fine dust jacket and in a fine slipcase. Signed by Eggleston on the colophon page. An as new copy that is still in the shrinkwrap slit open to verify signature. Signed.…

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. Price is net to all; promotional discounts do not apply. First edition, first printing. Limited edition of 100 numbered copies (this being #44/100), signed in black ink on the colophon page by Eggleston. Hardcover. Fine terra cotta colored cloth, with title stamped in black on spine; with photographically illustrated dust jacket and slipcase. Photographs by William Eggleston, selected by Michael Almereyda (the director of the 2005 film "William Eggleston in the Real World.") Texts by Michael Almereyda, Lloyd Fonvielle, Greil Marcus and Amy Taubin. Interview with Eggleston by Kristine McKenna. Includes a list of plates. Designed by Michael Almereyda and Jack Woody. 144 pp., with 87 four-color plates finely printed on heavy matt paper. 13-3/4 x 12-1/4 inches. Published to coincide with a major retrospective exhibition, "William Eggleston: Democratic Camera - Photographs and Video, 1961-2008," at the Los Angeles County Museum of Art and traveling to other venues. New in New dust jacket and slipcase (in publisher's shrink-wrap). Opened only for signature. From the publisher: "For Now is the result of filmmaker Michael Almereyda's year-long rummage through the Eggleston archives, a remarkable collection of heretofore unseen images spanning four decades of work by one of our seminal artists. Unusual in its concentration on family and friends, the book highlights an air of offhand intimacy, typical of Eggleston and typically surprising." From Michael Almereyda: "William Eggleston's photographs are always about looking. They distill a sense of heightened attention--alertness, anticipation, awe--from fragments of ordinary, unmanipulated reality. But the 'ordinary' in Eggleston is often charged with an air of mystery and menace, a Halloween atmosphere leaking into every season he records. A quality of vulnerability and play converges with unease, dread, the possibility of mayhem. This new book, William Eggleston: For Now, presents over 90 previously unpublished color photographs pulled from Eggleston's back files, spanning four decades of work. The title is meant as an open nod to the immediacy of pictures plucked from near-oblivion, a salute to their freshness, their nowness. The selection is tidier, more self-contained, than I first expected--a bouquet brought back from an archival jungle. Most of the pictures feature people, and many of the subjects are the photographer's blood relations and close friends. The emotional temperature is at once tender and aloof, extending to images of strangers in parking lots and suburban yards, which is aligned with Eggleston's enduring fascination with frayed commercial spaces, cars, signs, cracked sidewalks, light bulbs, bricks, clouds, with rural porches, broken fences, spilled trash, ditches, puddles, architectural gaps and divides--the spaces between spaces, the mundane, the makeshift, all the fragmentary raw proofs of civilization as a perishable human construction that, nevertheless, provide subject matter for vibrant photographs. When I reviewed a rough layout with Bill, he was pleased to see so many pictures he had clean forgotten about. He offered his approval alongside a bemused comment that the book comes close to being a family album." Signed by Author.…

Seventh Draft script for the 1991 film. Copy belonging to camera operator Tom Priestley Jr., with his name in manuscript ink on a revision page. Based on Nancy Price's 1987 novel, about a woman who fakes her own death to escape from her violent and abusive husband. Shot on location in Abbeville, Wilmington, Kure Beach, Clinton, and Wrightsville Beach, North Carolina. Self wrappers. Title page present, dated August 25, 1987, noted as Seventh Draft, with credits for screenwriters Ronald Bass and Bruce Joel Rubin. 132 leaves, with last page of text numbered 118. Xerographic duplication, rectos only, with rainbow revision pages throughout, dated variously between March 19 and April 4, 1990. Pages about Near Fine, bound with two gold brads. …

Draft script for the 1983 film. Based on the 1980 novel by Pat Conroy. In 1964 a senior at Carolina Military Institute, assigned to protect the academy's first African American cadet, uncovers a secret group of elite students, The Ten, who want the Black cadet gone, and are willing to resort to violence. Set in South Carolina, shot on location at the Royal Military Academy and Wellington College in Berkshire, England, and Charleston, South Carolina. Blue wrappers with a die-cut window in the British style. Title page present, dated 18th May 1982, with credits for screenwriters Thomas Pope and Lloyd Fonvielle. 115 leaves, with last page of text numbered 114. Mimeograph duplication, rectos only, with pink revision pages throughout, undated. Pages Near Fine, wrapper Near Fine, bound internally with two flat metal brads.…