folstad marit (7 Ergebnisse)

First Edition. First edition. Softcover. 8 pages. Exhibition catalog for a show that ran June 2 through July 8, 2000. Essay by Sonya Shah. A near fine copy in stapled wrappers. Uncommon.

Soft cover. Zustand: Very Good. 1st Edition. Softcover, 7" x 9.5"; 96pp.Exhibition catalogue (October 20 - December 3, 2006). 96 pp. illustrated throughout in color. English text. Light rubbing to cover, else near fine.

Soft cover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1 volume (unpaged) : chiefly colour illustrations ; 27 cm + 1 booklet (27 cm). The Marble Index is an artist book by Marit Følstad, based on her work from 2011 to 2016. The title of the publication is borrowed from an album by Warhol superstar and pop icon Nico. Instead of the chronological presentation found in conventional art publications such as catalogues and monographs, The Marble Index aims to invoke the sublimating, dark and evocative experience that characterizes Følstad s exhibitions. The book has been bound using a double facing, Japanese technique which minimizes transparency and allows it to lay open despite a flexible cover. An unbroken stream of Følstad s work including video, photography and neon sculpture gives the book an indexical relation to the timelines commonly found in video or sound editing software. This formal design choice is the result of a close collaboration between Følstad and designer Ian Brown, and can be related to Følstad s time-based practice across a variety of artistic media. Time is central to Følstad s polished and minimalist aesthetic, linking the various media that Følstad makes use of in her practice. Neon sculptures flicker between opposing statements DANGEROUS becomes ANGER when certain letters are dimmed. In another work, DOMINATE becomes DONATE. Similarly to the flow of images in video, the neon gas within fluorescent tubes is constantly moving. Følstad s use of slow motion to document transitory motifs such as smoke and falling water contribute towards a totalizing experience, affecting the audience s experience of time. Similarly to Følstad s exhibitions, the book includes melancholic undertones and subcultural references. Contrast heavy lighting lends association with baroque painting. Photographs of cut locks of hair have a close affinity with Følstad s neon drawings and clouds of smoke. A shaved (female) head can be considered a sub-cultural marker, a form of protest against conformist ideals shared by the music (such as Joy Division or David Bowie in his Berlin period) that Følstad borrows her titles from. The Marble Index is a visually rich presentation of Følstad s complex and atmospheric practice, covering a range of transient media and formats.

Zustand: Good. 8vo. Soft Cover [ ca. 100 pp.] B&W and Color Plates. Very Good.

Soft cover. Zustand: New. Zustand des Schutzumschlags: New. 1 volume (unpaged) : chiefly colour illustrations ; 27 cm + 1 booklet (27 cm). The Marble Index is an artist book by Marit Følstad, based on her work from 2011 to 2016. The title of the publication is borrowed from an album by Warhol superstar and pop icon Nico. Instead of the chronological presentation found in conventional art publications such as catalogues and monographs, The Marble Index aims to invoke the sublimating, dark and evocative experience that characterizes Følstad s exhibitions. The book has been bound using a double facing, Japanese technique which minimizes transparency and allows it to lay open despite a flexible cover. An unbroken stream of Følstad s work including video, photography and neon sculpture gives the book an indexical relation to the timelines commonly found in video or sound editing software. This formal design choice is the result of a close collaboration between Følstad and designer Ian Brown, and can be related to Følstad s time-based practice across a variety of artistic media. Time is central to Følstad s polished and minimalist aesthetic, linking the various media that Følstad makes use of in her practice. Neon sculptures flicker between opposing statements DANGEROUS becomes ANGER when certain letters are dimmed. In another work, DOMINATE becomes DONATE. Similarly to the flow of images in video, the neon gas within fluorescent tubes is constantly moving. Følstad s use of slow motion to document transitory motifs such as smoke and falling water contribute towards a totalizing experience, affecting the audience s experience of time. Similarly to Følstad s exhibitions, the book includes melancholic undertones and subcultural references. Contrast heavy lighting lends association with baroque painting. Photographs of cut locks of hair have a close affinity with Følstad s neon drawings and clouds of smoke. A shaved (female) head can be considered a sub-cultural marker, a form of protest against conformist ideals shared by the music (such as Joy Division or David Bowie in his Berlin period) that Følstad borrows her titles from. The Marble Index is a visually rich presentation of Følstad s complex and atmospheric practice, covering a range of transient media and formats.

Hardcover. Zustand: New. 434 pages : chiefly illustrations ; 28 cm. Melody of Certain Damaged Lemons is a comprehensive presentation of Marit Følstad's video work. 25 images from each video give a strong visual presentation of each work. With more than 400 pages, the book is one of the most accomplished art books by a Norwegian artist. The book has newly written essays by Robert C Morgan, Magnus Haglund and Joakim Borda with a foreword by Christoph Cox. Through a number of exhibitions in recent years in Oslo, Tromsø and Kristiansand, Marit Følstad (1969-) has distinguished herself as one of Norway's most important artists. Her use of neon, music and photography makes Marit Følstad's art a total experience.

Soft cover. Zustand: Very Good. 1st Edition. Softcover, 95 pages : colour illustrations, portraits ; 24 cm. Good/very good, light wear wrappers. Published on the occasion of the exhibition at Kunstnernes Hus, Oslo, 20 Oct. - 3 Dec. 2006. Essays by Andrea Kroksnes, Magnus Haglund, Nicolas de Oliveira, Veronica Diesen.