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  • Sprache: Englisch

    Verlag: Johns Hopkins University Press, 2011

    0801895820 / 9780801895821

    • Hardcover

    Anbieter: Better World Books, Mishawaka, IN, USABetter World Books

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    Zustand: Gebraucht - Gut

    EUR 60,64

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    Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

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    Sprache: Englisch

    Verlag: John Hopkins University Press, 2010

    0801895820 / 9780801895821

    • Hardcover
    • Erstausgabe

    Anbieter: Palimpsest Scholarly Books & Services, Brooktondale, NY, USAPalimpsest Scholarly Books & Services

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    Zustand: Gebraucht - Wie neu

    EUR 73,34

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    Hardcover. Zustand: As New. Zustand des Schutzumschlags: Very Good. 1st Edition. First printing. Volume, measuring approximately 6.5" x 9.5", is bound in dark brown cloth, with stamped silver lettering to spine. Book is in excellent condition. Dust jacket displays light shelfwear. viii/469 pages. "In "The Aesthetics of the Total Artwork", artists, curators, and scholars from many countries and fields offer new ways of understanding the history and contemporary importance of the idea of the total artwork, or Gesamtkunstwerk. The term " Gesamtkunstwerk" was introduced in the romantic period. It describes the desire for and practice of combining various art forms into a whole, such as performances that combine text, visual arts, music, dance, and architecture. Richard Wagner was one of the early theorists of the concept, inspiring many modernist artists; yet, due to his ideological significance for the Third Reich, the concept has frequently been associated with totalitarianism since the Second World War. Nonetheless, artistic practice has continued to incorporate all-inclusive tendencies, even while avoiding the term "total artwork." The contributors to this volume challenge us to think again about the total artwork, daring to suggest that it is alive and well, that it informs current art in ways that are deep, meaningful, contentious, and provocative. The essays come from authors steeped in literary culture, the world of art, philosophy, and music theory. Such diverse perspectives can only stimulate debate in the academy and beyond about the history of the Gesamtkunstwerk and open up paths that may be followed in its future.". …

  • Sprache: Englisch

    Verlag: Johns Hopkins University Press, 2011

    0801895820 / 9780801895821

    • Hardcover

    Anbieter: Phatpocket Limited, Waltham Abbey, HERTS, Vereinigtes KönigreichPhatpocket Limited

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    Zustand: Gebraucht - Befriedigend

    EUR 90,22

    EUR 12,76 Versand 
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    Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

  • Sprache: Englisch

    Verlag: Johns Hopkins University Press, 2011

    0801895820 / 9780801895821

    • Hardcover
    • Erstausgabe

    Anbieter: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandKennys Bookshop and Art Galleries Ltd.

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    Zustand: Neu

    EUR 120,89

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    Zustand: New. Such diverse perspectives can only stimulate debate in the academy and beyond about the history of the Gesamtkunstwerk and open up paths that may be followed in its future. Editor(s): Finger, Anke K.; Follett, Danielle; Finger, Anke K. Series: Rethinking Theory. Num Pages: 480 pages, 23, 23 black & white halftones. BIC Classification: ABA. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 230 x 157 x 33. Weight in Grams: 778. . 2010. 1st Edition. Hardcover. . . . . …

  • Sprache: Englisch

    Verlag: Johns Hopkins University Press, 2011

    0801895820 / 9780801895821

    • Hardcover

    Anbieter: Kennys Bookstore, Olney, MD, USAKennys Bookstore

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    Zustand: Neu

    EUR 152,19

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    Zustand: New. Such diverse perspectives can only stimulate debate in the academy and beyond about the history of the Gesamtkunstwerk and open up paths that may be followed in its future. Editor(s): Finger, Anke K.; Follett, Danielle; Finger, Anke K. Series: Rethinking Theory. Num Pages: 480 pages, 23, 23 black & white halftones. BIC Classification: ABA. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 230 x 157 x 33. Weight in Grams: 778. . 2010. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland. …

  • Sprache: Englisch

    Verlag: JOHNS HOPKINS UNIV PR, 2011

    0801895820 / 9780801895821

    • Hardcover

    Anbieter: moluna, Greven, Deutschlandmoluna

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    Zustand: Neu

    EUR 122,13

    EUR 48,99 Versand 
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    Gebunden. Zustand: New. Such diverse perspectives can only stimulate debate in the academy and beyond about the history of the Gesamtkunstwerk and open up paths that may be followed in its future.&Uumlber den AutorAnke Finger is an associate prof.

  • Sprache: Englisch

    Verlag: Johns Hopkins University Press, 2011

    0801895820 / 9780801895821

    • Hardcover

    Anbieter: Majestic Books, Hounslow, Vereinigtes KönigreichMajestic Books

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    Zustand: Neu

    EUR 195,60

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    Zustand: New. pp. 480.

  • Sprache: Englisch

    Verlag: Johns Hopkins University Press Dez 2010, 2010

    0801895820 / 9780801895821

    • Hardcover

    Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH

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    Zustand: Neu

    EUR 164,05

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    Buch. Zustand: Neu. Neuware - In The Aesthetics of the Total Artwork, artists, curators, and scholars from many countries and fields offer new ways of understanding the history and contemporary importance of the idea of the total artwork, or Gesamtkunstwerk.The term 'Gesamtkunstwerk' was introduced in the romantic period. It describes the desire for and practice of combining various art forms into a whole, such as performances that combine text, visual arts, music, dance, and architecture. Richard Wagner was one of the early theorists of the concept, inspiring many modernist artists; yet, due to his ideological significance for the Third Reich, the concept has frequently been associated with totalitarianism since the Second World War. Nonetheless, artistic practice has continued to incorporate all-inclusive tendencies, even while avoiding the term 'total artwork.'The contributors to this volume challenge us to think again about the total artwork, daring to suggest that it is alive and well, that it informs current art in ways that are deep, meaningful, contentious, and provocative. The essays come from authors steeped in literary culture, the world of art, philosophy, and music theory. Such diverse perspectives can only stimulate debate in the academy and beyond about the history of the Gesamtkunstwerk and open up paths that may be followed in its future.…