florence stevenson (30 Ergebnisse)

Zustand: Good. Florence Edith Storer (illustrator). Thirteenth. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Fair. No Jacket. Florence Edith Storer (illustrator). Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Florence Edith Storer (illustrator). Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Florence Edith Storer (illustrator). Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Florence Edith Storer (illustrator). Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Florence Edith Storer (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Storer, Florence E. (illustrator). 1st Longmeadow Press ed. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Storer, Florence E. (illustrator). 1st Longmeadow Press ed. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Zustand: Very Good. Paginated 171-390pp, a very good plus paperback (laminated printed light card covers) [0947992227].

Hardcover. Zustand: Very Good. No Jacket. Storer, Florence E. (illustrator). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Storer, Florence E. (illustrator). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Unknown. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. Florence Edith Storer (illustrator). Prompt Shipment, shipped in Boxes, Tracking PROVIDEDVery good copy with clean pages. Hardcover, no dust jacket. Published in New York, 1961. Unknown edition.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Softcover. Zustand: Very Good. 171-390pp. Laminated printed light card covers. Covers and text block edges sun faded. Light bump to rear bottom corner. Internally neat, clean, bright and tight. 12mo. Facsimile reprint edited and in part translated from the originals by Joseph Stevenson. Covers the Kings of the period from 450AD to roughly the middle of the 12th century. Royalty, Kingship,

Zustand: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good-. Dustjacket has a couple of small chips and some edgewear - see image. Gift inscription on the half-title page. ; Book is in excellent condition - exception noted. Storers was an early 20th-century color printing. Her illustrations for A Child's Garden of Verses (Scribner's, 1937) are: Interpretive rather than literalthey evoke mood and imagination rather than narrating each poem directly. This makes her edition appealing to collectors who favor aesthetic book design over purely child-centered imagery. ; ; 126 pages.

Pictorial Cover. Zustand: Very Good. No Jacket. Florence Edith Storer (illustrator). Later Printing. (1909). Tan cloth titled in orange with color pastedown, light shelf wear, binding slightly shaken, a few odd marks but mostly clean. Stevenson's classic book of nursery verse, illustrated with 8 full page color plates and 9 full page b&w plates plus other half-tone and line art throughout. Size: Small 8vo.

Zustand: Neuf.

Unknown. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Unknown. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good+. Illustrated by Florence Edith Storer (illustrator). Hardback cloth covers with olong colour illustration pasted on front, as issued; illustration has small nick at top - see picture on our own site or abe; large 8vo; xii; 115pp; G+; beige cloth cover is grubby, previous owners name plate inside cover; colour frontis; hinge cracking; contains another 7 colour plates, some very pretty; also b/w plates as welll as b/w line drawings; contents clean and sound; G+; ; Large 8vo 9" - 10" tall.

Zustand: Ottime. italiano Condizioni dell'esterno: Discrete con difetti, segni d'uso bruniture Condizioni dell'interno: Discrete con Difetti, macchie.

Zustand: Buone. italiano Condizioni dell'esterno: Discrete con difetti, macchie Condizioni dell'interno: Discrete con Difetti, macchie.

Full beige cloth boards, upper with mounted illustration. , Robert Louis Stevenson (1850 ? 1894) was a Scottish novelist and travel writer. He is best known for works including Treasure Island, Strange Case Of Dr. Jekyll And Mr. Hyde, Kidnapped, and A Child?s Garden Of Verses. , Size : 8vo. (195 x 160 mm), Very good example of this classic. Illustrated in colour and black-and-white., 116 pp. Extremities rubbed. Interior lightly toned, else clean and crisp. Note of ownership mounted to front free endpaper.

Zustand: Used: Like New. LIVRE A L?ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782810441525.

Cloth. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Hon. Florence Fremantle (illustrator). First edition. A publisher's file copy of the first edition of Kenlis Langley's vanishingly scarce children's science fiction novel, in the original dust wrapper. The first edition, first impression of this very scarce work.In the publisher's original unclipped dust wrapper.Stamped 'File Copy, Please Return', to the front free endpaper.This juvenile novel for boys is set in a lost world discovered by boy adventurers in North Africa, and is the work of Indian-born soldier and author Lieutenant-Colonel Kenlis Langley Stevenson.Illustrated with a frontispiece by Hon. Florence Fremantle.With four pages of advertisements to the rear.A vanishingly scarce work. In the publisher's original cloth binding, with price unclipped dust wrapper. Bumping to back strip head and tail, with fading to back strip tail. Spotting and handling marks to text block fore edge. Sunning to dust wrapper back strip, with price label to back strip. Wraps bright. Small closed tear to tail of front wrap. Light edgewear to back strip tail, with two closed tears to back strip head. Internally, binding strained. Stamp to front free endpaper. Pages bright, with light spotting and handling marks. Very Good. book.

250 x 185 mm. (9 7/8 x 7 1/4"). 5 p.l., 120 pp., [1] leaf. ANIIMATED DARK GREEN INLAID CRUSHED MOROCCO, ELABORATELY GILT, BY SANGORSKI & SUTCLIFFE (signed on front turn-in), covers with inlaid border of russet ribbon laced at each corner through a blue heart from which is suspended a pair of bells in inlaid brown morocco, an inner border of red inlaid hearts alternating with small gilt floral tools, front cover with centerpiece medallion of five inlaid flowers in green, white, and yellow on a densely stippled ground within a red inlaid circle with a gilt collar of oak leaves and acorns, rear board with centerpiece inlay in brown and pink of Pan pipes suspended on a ribbon, the whole enclosed in a gilt garland; raised bands, spine gilt in compartments featuring floral cornerpieces and knotwork centerpiece with red heart and dot inlays, very ornate gilt inner dentelles, silk pastedowns and endpapers, all edges gilt. In a (slightly marked) quarter morocco fleece-lined clamshell box with gilt titling on spine. 12 fine color plates by Norman Wilkinson. With the binders' typed description of the binding on Sangorski & Sutcliffe letterhead laid in at front. âTips of joints and corners almost imperceptibly rubbed, one leaf with small faint stain, a few minute marginal adhesions, otherwise INTERNALLY AND EXTERNALLY IN VIRTUALLY PERFECT CONDITION. This is a finely bound and finely printed edition of a group of essays, short stories, and autobiographical and travel sketches, originally published in various periodicals and first printed as a collection in 1881. Founded in 1908 by the London publishers Chatto & Windus and operated by Philip Lee Warner, the Florence Press had as its expressed intention the production of "beautiful books in the choicest types . . . in larger editions, and at [lower] cost than [was] usual with such monuments of typography as the issues of the Kelmscott [and other] presses." Florence books are readily distinguishable by their special type, designed by Herbert P. Horne after 15th century Italian faces that are elegant, simple, and easily readable. Binders Francis Sangorski and George Sutcliffe met as boys attending Douglas Cockerell's bookbinding classes at the L. C. C. Central School. Cockerell was so impressed by their skill that he hired Sutcliffe as a finisher and Sangorski as a forwarder. In 1901, Francis and George went into business for themselves, and before long, they had become two of the most renowned English binders of the 20th century. We can date the time of our binding to the decade of the 1910s because there is a letter from the binders laid in with an explanation of the decoration on stationery with the printed date "191__." The letter indicates that "250 different pieces of various colored leathers are used as inlays," many to suggest the contents of the essays: "the wedding bells and heart border are suggestive of the first essay, 'Virginibus Puerisque.' The front centerpiece composed of spring flowers surrounded by a wreath of oak [suggests] 'Crabbed Age and Youth,' and the back centerpiece [suggests] 'Pan's Pipes.'" In terms of its design, quality of execution, and condition, the binding is simply beautiful. ONE OF 250 COPIES ON PAPER (12 additional copies were printed on vellum).