Fleischer rasmus (17 Ergebnisse)

Paperback. Zustand: Fair. Illustrated. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Zustand: Very Good. Uncorrected proof copy.

Paperback. Zustand: Brand New. 276 pages. 9.00x6.00x0.50 inches. In Stock.

Zustand: New. pp. 288.

Paperback. Zustand: Brand New. 276 pages. 9.00x6.00x0.50 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - An innovative investigation of the inner workings of Spotify that traces the transformation of audio files into streamed experience.Spotify provides a streaming service that has been welcomed as disrupting the world of music. Yet such disruption always comes at a price. Spotify Teardown contests the tired claim that digital culture thrives on disruption. Borrowing the notion of teardown from reverse-engineering processes, in this book a team of five researchers have playfully disassembled Spotify's product and the way it is commonly understood.Spotify has been hailed as the solution to illicit downloading, but it began as a partly illicit enterprise that grew out of the Swedish file-sharing community. Spotify was originally praised as an innovative digital platform but increasingly resembles a media company in need of regulation, raising questions about the ways in which such cultural content as songs, books, and films are now typically made available online.Spotify Teardown combines interviews, participant observations, and other analyses of Spotify's front end with experimental, covert investigations of its back end. The authors engaged in a series of interventions, which include establishing a record label for research purposes, intercepting network traffic with packet sniffers, and web-scraping corporate materials. The authors' innovative digital methods earned them a stern letter from Spotify accusing them of violating its terms of use; the company later threatened their research funding. Thus, the book itself became an intervention into the ethics and legal frameworks of corporate behavior.…

Kartoniert / Broschiert. Zustand: New. Maria Eriksson is a social anthropologist and a PhD candidate in the Department of Culture and Media Studies at Ume&#229 University.Rasmus Fleischer is a postdoctoral Researcher in the Department of Economic History at Stockholm University.

Taschenbuch. Zustand: Neu. Neuware -An innovative investigation of the inner workings of Spotify that traces the transformation of audio files into streamed experience.Spotify provides a streaming service that has been welcomed as disrupting the world of music. Yet such disruption always comes at a price. Spotify Teardown contests the tired claim that digital culture thrives on disruption. Borrowing the notion of "teardown" from reverse-engineering processes, in this book a team of five researchers have playfully disassembled Spotify's product and the way it is commonly understood.Spotify has been hailed as the solution to illicit downloading, but it began as a partly illicit enterprise that grew out of the Swedish file-sharing community. Spotify was originally praised as an innovative digital platform but increasingly resembles a media company in need of regulation, raising questions about the ways in which such cultural content as songs, books, and films are now typically made available online.Spotify Teardown combines interviews, participant observations, and other analyses of Spotify's "front end" with experimental, covert investigations of its "back end." The authors engaged in a series of interventions, which include establishing a record label for research purposes, intercepting network traffic with packet sniffers, and web-scraping corporate materials. The authors' innovative digital methods earned them a stern letter from Spotify accusing them of violating its terms of use; the company later threatened their research funding. Thus, the book itself became an intervention into the ethics and legal frameworks of corporate behavior.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld Englisch.…

294 (2) s. Häftad.

Taschenbuch. Zustand: Neu. Neuware -An innovative investigation of the inner workings of Spotify that traces the transformation of audio files into streamed experience.Spotify provides a streaming service that has been welcomed as disrupting the world of music. Yet such disruption always comes at a price. Spotify Teardown contests the tired claim that digital culture thrives on disruption. Borrowing the notion of "teardown" from reverse-engineering processes, in this book a team of five researchers have playfully disassembled Spotify's product and the way it is commonly understood.Spotify has been hailed as the solution to illicit downloading, but it began as a partly illicit enterprise that grew out of the Swedish file-sharing community. Spotify was originally praised as an innovative digital platform but increasingly resembles a media company in need of regulation, raising questions about the ways in which such cultural content as songs, books, and films are now typically made available online.Spotify Teardown combines interviews, participant observations, and other analyses of Spotify's "front end" with experimental, covert investigations of its "back end." The authors engaged in a series of interventions, which include establishing a record label for research purposes, intercepting network traffic with packet sniffers, and web-scraping corporate materials. The authors' innovative digital methods earned them a stern letter from Spotify accusing them of violating its terms of use; the company later threatened their research funding. Thus, the book itself became an intervention into the ethics and legal frameworks of corporate behavior. Englisch.…

Manuscript in brown ink. Text in Danish. Two, sewn-spine, otherwise unbound booklets, . ff. [8] [12] 115 × 185 mm; 105 × 165 mm. Transatlantic logbook, recording the vessel La Laura's travels from Europe to the Caribbean, North and South America between March 1818, and May 1821. Written by Rasmus Fleischer Hoff, a danish sailor from Aarhus, and resident of Saint Thomas (Dutch Virgin Islands), who served as lieutenant and also as the captain of La Laura, a merchant ship. The journal of the travels are written in two pamphlets, the first contains the logs of a journey from France to Basse-Terre in Guadeloupe between March 28 and May 6, 1818, gives some details on the collection of the cargo in Guadeloupe, and other nearby Caribbean locations such as Marie-Galante, Dominica, Saint-Barthélemy Island, and of the return journey back to Bordeaux, France via North American harbors in Havre de Grace and Boston. La Laura reached the French shores in August 1818. The second booklet contains the logs of a journey from Europe to the Americas, beginning in October 1818. La Laura reached Newburyport, MA on December 14, 1818, then headed to Boston, from there turned to South and via the La Désirade island in the French West Indies, landed in Pointe-à-Pitre, Guadeloupe on February 20, 1819. After a few months collecting cargo of coffee and sugar, in July 1819, the ship sailed toward Havre de Grace and from there back to France, where she landed in Bordeaux on September 3, 1819. The next travel, from Bordeaux to Buenos Aires, started in late November 1819. La Laura reached the American continent at Providence, RI, and here for some reason, the journal mentions Northern Canadian locations such as Saint Michaels(?) and Newfoundland too. Anyhow, the vessel crossed the Tropic of Cancer on January 20, 1820, the Equator on February 1, the Tropic of Capricorn on February 20, arrived in Montevideo on March 6, and three days later landed in Buenos Aires. La Laura sailed in and around the Río de la Plata, and eventually in September she left, via Saint Thomas, for Guadeloupe and landed on the island on January 26, 1821. The pamphlet ends with another journey in May 1821 back to Europe, to Dunkerque. A scarce and interesting 19th naval document. Water stains throughout, otherwise in very good condition. Manuscript in brown ink. Text in Danish. Two, sewn-spine, otherwise unbound booklets.…