fischer ian (30 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Very Good. Hardcover. 4to. Published by Morning Sun Books, Inc, Edison, NJ. 1996. 128 pgs. Illustrated. First Edition/First Printing. DJ has light shelf-wear present to the DJ extremities. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. "The varied roster of the PRR is examined in more than 300 vintage color photos of passenger cars, revenue freight cars, trucks and PRR cars." ; Volume 2; 8vo 8" - 9" tall; 128 pages.

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Paperback. Zustand: Very Good. Zustand des Schutzumschlags: No Dust Jacket. German Linguistic and Cultural Studies, Volume 10. Paperback with text in German and English. Covers are unmarked, pages are clean, and the text is clear. TH. Used.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:3039100106.

Paperback. Zustand: Brand New. 280 pages. 9.00x6.00x0.87 inches. In Stock.

Zustand: New.

Zustand: New. Idioma/Language: Español. * Descubra las películas que se atrevieron a ser diferentes, que arriesgaron reputaciones y que pusieron en peligro carreras profesionales. Eso es lo que ocurre cuando los cineastas rompen con la tradición. * Este libro explica las fascinantes historias que hay detrás de la creación, la recepción y el legado de 50 películas transgresoras, que hicieron tambalear el mundo del cine. * Desde increíbles avances tecnológicos (Ciudadano Kane, 1941) hasta triunfos feministas (Wanda, 1970); títulos que dieron inicio al movimiento new queer cinema (Paris is Burning, 1990) y otros que desafiaron a los legisladores (No matarás, 1998), en este libro se presentan las películas que cuestionaron límites, desafiaron el statu quo y provocaron auténticos terremotos. Al explicar la historia del cine a través de obras realmente revolucionarias y el contexto en el que se crearon, se revela el corazón del cine contemporáneo, que cuestiona y desafía las expectativas de forma constante. "Prefiero a la gente que agita las aguas a la que salta del barco". Orson Welles *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Harrdcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. First Edition. unpaginated.Burgundy boards, embossed gilt lettering. Beautiful color photos throughout. As new in like new pictorial jacket, "This full color pictorial shows off most of the Pennsy's steam locomotives from Class A to Class T built during the first half of the 20th century. The book includes crisp photos of the Class E-6 and K-4 racehorses, the A-5 0-4-0s handling the sharp curves of Philadelphia, a G-5 local to Reading and and an E-5 in service at Wilkes-Barre. The book also surveys steam operations on the Middle and Sunbury Divisions, the I-1 helpers at Altoona, and the huge 2-10-4s handling mineral traffic from Columbus to Sandusky. The coverage ends with the T-1s at St. Louis and steam commuter service out of Chicago. Also included are some PRR-built H-10s and G-5s on the LIRR and leased ASTF and Reading steam power working under PRR operating rules". Size: Octavo. Book.

Zustand: Good. Volume 10. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:3039100106.

Zustand: New.

Zustand: Nuevo. * Descubra las películas que se atrevieron a ser diferentes, que arriesgaron reputaciones y que pusieron en peligro carreras profesionales. Eso es lo que ocurre cuando los cineastas rompen con la tradición. * Este libro explica las fascinantes historias que hay detrás de la creación, la recepción y el legado de 50 películas transgresoras, que hicieron tambalear el mundo del cine. * Desde increíbles avances tecnológicos (Ciudadano Kane, 1941) hasta triunfos feministas (Wanda, 1970); títulos que dieron inicio al movimiento new queer cinema (Paris is Burning, 1990) y otros que desafiaron a los legisladores (No matarás, 1998), en este libro se presentan las películas que cuestionaron límites, desafiaron el statu quo y provocaron auténticos terremotos. Al explicar la historia del cine a través de obras realmente revolucionarias y el contexto en el que se crearon, se revela el corazón del cine contemporáneo, que cuestiona y desafía las expectativas de forma constante. "Prefiero a la gente que agita las aguas a la que salta del barco". Orson Welles.

Hardcover. Zustand: VG. Zustand des Schutzumschlags: VG. 1st. The second volume of these full colour photo albums of Pennsylvania Railroad Steam locomotives. 128pp. VG copy in dust wrapper.

Zustand: Gut. Formateinband: Großformat, illustrierter Pappband / gebundene Ausgabe 46 S. (31,5x23 cm) 1. Aufl.; (Durchgehend mit farbigen Abbildungen); Gut und sauber erhalten. Sprache: Deutsch Gewicht in Gramm: 750 [Stichwörter: Comics; Selestat im Elsass, Geschichte].

Zustand: New.

hardcover. Zustand: Used; Like New. Dispatched, from the UK, within 48 hours of ordering. This book is in mint condition. Both the pages and the cover are completely intact, without zero sign of previous usage.

Paperback. Zustand: Brand New. 200 pages. 9.25x6.25x0.75 inches. In Stock.

Zustand: New.

Hardcover. Zustand: Brand New. 270 pages. 9.00x6.00x1.00 inches. In Stock.

Zustand: New. Explores the influence of the YMCA s and YWCA s work on highly diverse societies in South, Southeast, and East Asia, North America, Africa, and Eastern Europe. The book provides new insights into the evolution of global civil society in the nineteenth and t.

Hardcover Jan 01, 2005. Zustand: Sammlerstück; wie neu. Grossformat Hardcover mit Schutzumschlag, aus einer Sammlung, ungebraucht, evtl. minimalste Standspuren. Ich habe die ganze Serie davon eingestellt. Bei Mehrexempar-Bestellung 10% Rabatt auf alles.

Buch. Zustand: Neu. Neuware.

Taschenbuch. Zustand: Neu. Neuware - \* Descubra las películas que se atrevieron a ser diferentes, que arriesgaron reputaciones y que pusieron en peligro carreras profesionales. Eso es lo que ocurre cuando los cineastas rompen con la tradición.\* Este libro explica las fascinantes historias que hay detrás de la creación, la recepción y el legado de 50 películas transgresoras, que hicieron tambalear el mundo del cine.\* Desde increíbles avances tecnológicos (Ciudadano Kane, 1941) hasta triunfos feministas (Wanda, 1970); títulos que dieron inicio al movimiento new queer cinema (Paris is Burning, 1990) y otros que desafiaron a los legisladores (No matarás, 1998), en este libro se presentan las películas que cuestionaron límites, desafiaron el statu quo y provocaron auténticos terremotos.Al explicar la historia del cine a través de obras realmente revolucionarias y el contexto en el que se crearon, se revela el corazón del cine contemporáneo, que cuestiona y desafía las expectativas de forma constante.'Prefiero a la gente que agita las aguas a la que salta del barco'. Orson Welles.

Hardcover. Zustand: Brand New. 200 pages. 9.25x6.25x0.75 inches. In Stock.

Hardcover. Zustand: Brand New. 1st edition. 219 pages. 9.75x6.50x0.75 inches. In Stock.

Zustand: Brand New. 368 pages. German language. 9.53x1.30x11.34 inches. In Stock.

hardcover. Zustand: Gut. 32 Seiten; 9783781730045.3 Gewicht in Gramm: 500.

Zustand: New. Ein beispielloses Museumserlebnis in Buchform: Ueber 200 bedeutende Kulturschaetze aus aller Welt- Jedes der einmaligen Artefakte wird in grossformatigen Bildern und Detailanalysen praesentiert- Wertvolle Zusatzinformationen ueber den historisc.

Hardcover. Zustand: Wie neu. Sauberes und nahezu neuwertiges Exemplar. Hardcover. 46 Seiten. 615 Gramm. 32x23cm. Deutsch. Deutsche Ausgabe von »Cette histoire qui a fait Sélestat«. Mit Fadenbindung.

3 vol. : vol. 1: 144 pp. ; vol. 2: 163 pp. ; vol. 3: 186+ pp.; 3 vol. : vol. 1: 27 x 20 cm. ; vol. 2: 26.5 x 21 cm. ; vol. 3: 27.5 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. Those who are interested, curious, or have something to add (be it pro or con) to the editorial thrust . the revaluation of ideology . of the first issue are encouraged, even urged, to contribute to following issues. All other correspondences are welcome." -- preface to Volume One. Issue 1, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, and Preston Heller. Contents include: "A Declaration of Dependence," by Sarah Charlesworth; "For Thomas Hobbes," by Michael Baldwin and Philip Pilkington; " The Artist as Anthropologist," by Joseph Kosuth; " Are You Not Doing What You're Doing While You're Doing What You Are," by Andrew Menard; "A Note on Art in Yugoslavia," by Zoran Popovic and Jasna Tijardovic; "Pricing Works of Art," by Ian Burn; "To Art (Reg. Intrans. V.)," by Adrian Piper; "On Practice," by Mel Ramsden; "Historical Discourse," by Michael Corris; "Education Bankrupts," by David Rushton and Paul Wood; "Counterfeit Interview," by Preston Heller; "Optimistic Handbook," by Lynn Lemaster; "Looking Back, Going On," by Terry Atkinson; "Perimeters of Protest," by Mel Ramsden; "Buying Cultural Dependency: A Note on the Crazed Thinking Behind Several Australian Collections," by Ian Burn; "A Forum on Artforum," by Karl Beveridge; and "Thinking About Tim Clark and Linda Nochlin," by Ian Burn. Issue 2, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "Book Review: John Berger's 'Ways of Seeing,'" by Eunice Lipton; "Review: Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get"; "Brice Marden's Painting,'" by Mel Ramsden; "Review: Fighting Modern Masters," by Terry Smith; "Dear Fox." by Lizzie Borden; "Memo For the Fox," by Sarah Charlesworth; "Review: 'Cityarts Workshop: People's Art in New York City,'" by Mel Ramsden; "Conversation Pieces," by Mark Klienberg; "A Proposal For Pricing Works of Art," by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Andrew Menard; "Review: Ian Wilson's Discussion at the John Weber Gallery," by Michael Corris; "Review: 'Art-Language' Volume 3 Number 2," by Ian Burn; "Bruce Kurtz: A Conversation with Robert Smithson"; "Stefan Morawski: Concerning an Attack by Sandra Harrison"; "Letters from Jean Toche, Robert Horvitz, Paul Kagawa, Annson Kenney, and others"; "Direct Speech," by David Rushton and Paul Wood; "1975," by Joseph Kosuth; "Doing Art History," by Terry Smith; "Media Madness," by Andrew Menard and Ron White; "Looking Back, Going On - Part 2," by Terry Atkinson; "Don Judd," by Karl Beveridge and Ian Burn; "Yet Another Palace Revolt in the Banana Republic?" by Michael Corris; "On Samuel Beckett's 'Waiting for Godot,'" by Trevor Pateman. Issue 3, published in 1976, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "The Lumpen-Headache," by Peter Benchley; "Review: Not on the Development of Contradiction," by Kathryn Bigelow; "For Artists Meeting," by Sarah Charlesworth; "Review: Under the Rug," by Martha Rosler; "Review: Framing & Being Framed - Or, Are We Going to Let Barbara Rose Get Away with 'Dialectics' this Year?" by Mel Ramsden; "Having-Your-Heart-In-The-Right-Place is Not Making History," by Art & Language UK; "Worst of All Allies," by Art & Language UK; " The Edge of the Edge," Carole Condé and Karl Beveridge; " Autopatripassionata," by Christine Kozlov and Mayo Thompson; "Review: Chic Kicking Muse," by Sharlene Spingler; "Chris Smith Confronts Norman Trotsky and Dame Flora Luxemburg, Many of their colleagues, Furry and Feathered Friends," by Art & Language UK; " For Your Reference," Ian Wilson; "Review: Convoy," by Mayo Thompson; "The 'Liquidation' of Art: Self-Management or Self-Protection," by Jasna Tijardovic; "Bathysiderodromophobia," Ross Neher; "Has Your License Expired," by Nigel Lendon; "Work," by Joseph Kosuth; "Method or Mouthtalk," by Fern Tiger and Edward Robbins; "The Organization of Culture under Monopoly Capitalism, Part I: 'How Do You Feel About the Arts and Artifacts Indemnity Act?' The Organization of Culture under Monopoly Capitalism, Part II: Culture Ain't No Headless Horseman," by Michael Corris, Preston Heller, Andrew Menard; "History," by David Rushton and Paul Wood; "On the Class of Character in Art," by Goram Djordjevic; "Sociological Art as Utopian Strategy," by Hervé Fischer; "Art-Learning," by David Rushton and Paul Wood; correspondence by Robert Witz, Joshua Neustein, Guerrilla Art Action Group, J. Byron Kearns and others; and notes: "May Stevens: Art & Class"; Jane Klion & Julie Wolf: Students Fighting Faculty at WU; Mayo Thompson: Natural Alliances; For the Sensitive Stefan Morawski: Theses on Aesthetics. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 72 - 73 and 77. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 261. Fair / Good. Volume One: light creasing of recto and verso; 10 cm. moisture soiling to bottom edge of recto carrying through to all pages; rubbing of cover edges with rounding of corners; previou.